hi end stand mount speakers - Nexus Acoustics - HiFi End Συστήματα Ηχου

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AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

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AN-E-SPX Limited

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

59,770.00€

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Audio Note AN-E Ltd

AN-E-SPX Limited

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ATC SCM100 PSL

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

22,970.00€

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ATC SCM100 PSL

ATC SCM100SL hi end passive studio monitor

ATC SCM20 The SCM20PSL is ATC’s flagship 2-way stand-mount loudspeaker and is the ideal choice in modestly sized rooms, but where performance cannot be compromised. Its sealed cabinet design ensures excellent timing, useful low frequency output below the cut-off and that the speakers can be placed relatively close to walls without excessive low frequency output or ‘boom’. Both the mid-bass driver and tweeter are handmade by ATC. The bass driver is a 6”/150mm part with huge 3”/75mm voice coil and massive, long-gap (short-coil) motor assembly featuring ATC’s proprietary ‘SL’ motor technology. The tweeter is a 1”/25mm soft-dome part featuring a dual-suspension and very high energy 2.1 tesla motor. Together, they form the basis for an exceptional 2-way monitor loudspeaker. Integrating the drivers is a 2nd order crossover featuring oversize air-core inductors which are wound in-house by ATC. Capacitors are all high voltage polypropylene film types which deliver outstanding reliability and minimal losses. The SCM20 cabinet is constructed to be heavy and inert, with bitumastic damping panels deployed at critical positions to minimise cabinet colouration. The cabinets are available in 10 different hand selected veneers; satin black/white painted finishes and also piano/white high gloss polyester. The passive SCM20 are ideally paired with ATC pre/power/integrated amplifiers. However, their neutral fidelity, outstanding resolution and modest load impedance also ensures excellent compatibility with a very wide range of quality electronics. Upgrading performance and offering a reduced ‘box count’ he SCM20 is also available as a bi-amplified active floor-stander in the form of the SCM20ASLT.

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ATC SCM20

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

5,470.00€

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ATC SCM20

ATC SCM20 reference studio monitor

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ATC SCM50 PSL

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

15,750.00€

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ATC SCM50 SL

ATC SCM50 SL Reference studio monitor

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

6,790.00€

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Audio Note AN-J-LX

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Audio Note AN-J-LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

7,270.00€

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Audio Note AN-J-LX Hemp

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,950.00€

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Audio Note ANE LX Hemp

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE-SPE-HE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

12,450.00€

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Audio Note ANE-SPE-HE

Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANK-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

4,910.00€

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Audio Note ANK-LX

Bowers & Wilkins 705 S3 Signature The 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.

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Bowers Wilkins 705 S3 Signature

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

3,999.00€

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Bowers Wilkins 705 S3 Signature

Bowers & Wilkins Formation Duo The Formation Duo wireless speaker uses cutting-edge technologies like Carbon Dome Tweeter-on-Top and Continuum™ drivers to deliver the audio quality Bowers & Wilkins is renowned for. Wireless hi-res sound, without compromise. *Stand/s not included.

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Bowers Wilkins Formation Duo

ΗΧΕΙΑ, Ενεργά αυτοενισχυόμενα ηχεία

4,999.00€

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Bowers Wilkins Formation Duo

Magico A1 The A1 bookshelf loudspeaker features a fully braced aluminum enclosure, beryllium dome tweeter, carbon Nanographene cone, and our renowned elliptical crossover. Enclosure The A1 enclosure is constructed using 3⁄8” thick 6061 T6 aircraft grade aluminum, similar to the enclosure developed for the Q1 and is available in an elegant brushed-aluminum, black anodized finish. An innovative internal bracing technique along with the most advanced damping materials makes the sealed enclosure incredibly rigid and free of unwanted mechanical resonances. The complete enclosure design of the A1 is evaluated in simulation using the latest FEA software along with physical testing to meet the uncompromising requirements of Magico for optimized enclosure rigidity, stability and to ensure benchmark acoustical standards.

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Magico A1

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

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Magico A1

Ηχείο βάσης, βιβλιοθήκης Magico A1

Το ηχείο βιβλιοθήκης A1 διαθέτει πλήρως ενισχυμένο περίβλημα από αλουμίνιο, θολωτό tweeter βηρυλλίου, κώνο νανογραφενίου από άνθρακα και το φημισμένο ελλειπτικό crossover μας.

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PMC BB5 SE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

48,900.00€

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PMC BB5 SE

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PMC IB2 SE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

28,500.00€

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PMC IB2 SE

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PMC MB2 SE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

35,500.00€

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PMC MB2 SE

Revival Audio ATALANTE 7 Evo The Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.

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Revival Audio ATALANTE 7 Evo

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,390.00€

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Revival Audio ATALANTE 7 Evo

Η Κορυφή της Μουσικής Τέχνης, το εξελιγμένο Revival Audio ATALANTE 7 Evo με ευαισθησία 90dB και αντίσταση 6 ohm, το ATALANTE 7 Évo συνδυάζεται αβίαστα με μια μεγάλη γκάμα ενισχυτών. Η ισορροπημένη ηχητική του υπογραφή εξασφαλίζει εκτεταμένη, χωρίς κόπωση ακρόαση, ενώ ο προηγμένος σχεδιασμός του woofer και της καμπίνας προσφέρει βαθιά, εντυπωσιακά μπάσα. Μια πραγματική εξέλιξη εμπειρίας, δεξιοτεχνίας και πάθους, το ATALANTE 7 Évo θέτει ένα νέο πρότυπο στην φυσική αναπαραγωγή ήχου για όσους αναζητούν το καλύτερο. Το Απόλυτο Σημείο Αναφοράς σε Υψηλές Συχνότητες κάτω των €10.000.

Με το εκλεπτυσμένο tweeter RASC™ Évo soft-dome, το αναβαθμισμένο mid-range RASC™ Évo soft-dome και το πρόσφατα ανεπτυγμένο woofer BSC™ 15 ιντσών, το ATALANTE 7 Évo είναι το αποκορύφωμα ετών έρευνας, προόδων μηχανικής και ανατροφοδότησης ακρόασης στον πραγματικό κόσμο. Προσφέρει μεγαλύτερη κλίμακα, βελτιωμένη ανάκτηση λεπτομερειών και μια πιο οργανική μουσική ροή, διασφαλίζοντας ότι κάθε νότα αντηχεί με βάθος, απόχρωση και αυθεντικότητα.