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JADIS I-50
made in FRANCE
by NEXUS Acoustics

The emille
by Nexus Acoustics

Giglio GoldNote
by Nexus Acoustics

ΝΕΑ ΠΡΟΪΟΝΤΑ

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Zidoo UHD8000 Zidoo UHD8000 is a multimedia media player designed to elevate your home entertainment experience to another level. The Zidoo UHD8000 supports 8K UHD resolution, Dolby Vision and HDR10+, ensuring stunning picture quality with vivid colors and exceptional clarity. Whether you are a movie buff or an audiophile, the UHD8000 offers extensive support for the latest audio and video formats, making it the perfect addition to any home theater setup.

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Zidoo UHD8000

CD PLAYER - DAC, media players

€1,479.00

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Zidoo Z3000 Pro Zidoo Z3000 Pro Android 8K media player 8K UHD 2024 Amlogic S928X-K media player with 1x HDD bay. Dolby Vision and HDR 10+. 1x 3.5" HDD bay. 2x HDMI port. 8GB RAM. 64GB storage. Internal PSU. Powerful new multifunctional chipset from Amlogic. Zidoo Music Player 8.0 by Eversolo audio streamer. Greatly improved ISO and ISO menu support. New comprehensive Android/iOS remote control app.

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Zidoo Z3000 Pro

CD PLAYER - DAC, media players

€715.00

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Zidoo Z30 PRO

CD PLAYER - DAC, media players

€450.00

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Zidoo Z9X 8K

CD PLAYER - DAC, media players

€295.00

-10%New

GRANDINOTE Solo Integrated We are proud to introduce a new product that is the result of a long period of design and development. The new integrated amplifier Solo. We have concentrated years of experience in HiFi development into this new creation. Everything is improved not only the audio quality and the power (now 60W in class A) but even a new design with a huge 9” display full of functions like VUmeter, spectrum analyser and more. Grandinote is technology, innovation, flexibility, design and absolute audio quality. MAGNETOSOLID TECHNOLOGY Magnetosolid is a unique technology from Grandinote, designed by engineer Massimiliano Magri and a great expression of Made in Italy. Created in 2002 in its first versions, it integrates two words in its name: Magneto and Solid. Magneto because of its ferromagnetic components and output transformers and Solid because of its solid-state components. It is a circuit that brings the best of tubes and solid-state technology to our amplifiers. As with tube systems, the circuit is as simple and straightforward as possible, but with all the qualities of solid state. The main advantage of tubes over solid state, is the absence of parasitic capacitance. Our Magnetosolid technology, has overcome even this obstacle by delivering a sound that is absolutely faithful to the source without the loss of any detail and with the ability to control any speaker. The frequency response of Magnetosolid amplifiers is the best on the market, superior to either tube or solid-state systems. All components of the sound message are in place. Detail, presence, full dynamic and control thanks also to an absolute reference damping factor. In the Solo and in the new Grandinote Magnetosolid amplifiers the audio circuit has been further improved compared to previous ones such as the Shinai, with voltages and polarizations even richer and oversized. An increase of over 50% going from 60V to 96V while maintaining the purity of the signal unchanged. POWER SUPPLY Grandinote's new Magnetosolid amplifiers are now equipped with a new switching power supply with electro-medical rigor standards and a new concept. All circuits are pure class A with an always constant current. The absorption does not depend on the signal and this means that the power supply will always supply the same current. It is very important to underline that our switching power supplies never modulate the current based on the signal. The development of our new switching power supplies has broken down the paradigm of toroidal as the only solution. With our design they are now qualitatively on par with toroidals and perfectly integrated with Grandinote's Magnetosolid circuits in pure class A. With our new power supply, we are able to choose the supply voltages for the output stages and able to select the Solo polarization in function of the nominal impedance speakers. Solo is now optimised for 8, or 4 Ohm speakers, avoiding unnecessary power losses and with a greater overall performance. We have also increased the size of the heatsinks, now they are a 10% bigger than in the old Shinai and that allows the Solo to deliver more power while heating up less and be more comfortable to use in hot seasons. VOLUME CONTROL Now we have resistors combined with reed relays. Reed relays are the best contact in existence cause they works in vacuum, no impurities, no parasitic capacitances like in solid-state relays and guarantee the passage of every smallest nuance of the signal, without limiting its frequency response, without any distortion! The configuration of these resistors is a pure “ladder" with two blocks of resistors, only in parallel with each other. This configuration use the same principle of the volume regulators with rotary switches, studded with resistors, but with 2 big improvements: No rotary switch in the world has the same contact quality as a reed relay (vacuum) - these switches have few steps, a far cry from the 68 steps + 0 of our regulator. The Shinai has only 33 steps plus 0.

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€18.00

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LUDIC turntable mat διπλής όψης LUDIC Double sided Genuine Leather & Cork The Double side Leather & Cork Mat is a premium mat made from Genuine leather and cork. This will give the best acoustic feedback when playing records which is one of the major problems when playing records. The cause is the sound that has just been produced by the speakers which comes back to the record player and cause it to vibrate. The problems is that there is a very slight time difference between the reproduced sound and the sound that is fed back onto the record player. This results in a big loss of detail and clarity and makes the sound “muddy”. So every effort has to be done to isolate the record player from its surroundings as well as to isolate the record from the record player. With the goal to reduce acoustic feedback from the surroundings back to the record and the cartridge a lot of effort has gone into developing turntable mats that make the reproduced sound crystal clear with great separation and detail. There are different materials to achieve this, the leather&cork mat is one of the best options and still for a very good price.

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LUDIC turntable mat διπλής όψης

ΑΞΕΣΟΥΑΡ

€55.00

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LUDIC Baerwald Protractor Our Ludic Baerwald Alignment protractor allows you to check your cartridge is correctly aligned in your tonearm. An incorrectly aligned phono cartridge can result in premature cartridge and record wear. Despite what some manufacturers claim, correct overhang length and alignment is critical to obtaining proper audio reproduction without distortion and avoiding unnecessary record and stylus wear. This is a precision task and cannot be done by eye or guess work alone. You will only be able to enjoy the best possible sound from your cartridge when properly aligned. The mirrored surface makes all measurements easier and more accurate. The mirror’s parallax effect allows the elimination of sighting errors, and provides better lighting, critical in making fine adjustments on small parts. Simply place this alignment gauge over your turntable spindle, move your phono cartridge over the grid, and make sure it is correctly aligned before tightening it to your tonearm. Couldn’t be simpler.

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LUDIC Baerwald Protractor

ΑΞΕΣΟΥΑΡ

€15.00

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LUDIC Aesir Optilink LUDIC AESIR high performance OptiLink cable Optical digital audio connection send superior audio signals between devices. Most optical cables you buy uses plastic fibers and that works well in relatively short distances, also a lot optical cables are poorly designed, but we designed a quality cable for a great price! LUDIC use Glass and yes this costs substantially more and is generally used in professional applications, and with great latching connectors the light troughput is stronger and gives no connection problems or signal loss. LUDIC AESIR Toslink cables are utilized to carry digital audio signals between devices, suitable for LCD TV’s, gaming consoles, audio equipment, PC’s. our line of cables are always a good choice for your audio system.

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LUDIC Aesir Optilink

ΚΑΛΩΔΙΑ, Digital

€49.00 – €59.00

-5%New

Dual DTJ 301.1 Professional device with USB function! Enjoy your old record collection in the highest quality and enjoy your memories. The Dual DTJ 301 doesn’t just play your new and old records in the usual quality, but also offers you other functions, such as the USB function for digitizing your old records or the possibility of scratching your records. The direct drive enables the target speed to be reached quickly (33/45 revolutions per minute) with a start / stop time of

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Dual DTJ 301.1

ΠΙΚΑΠ

-5%New

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Dual 460 Piano Black turntable

ΠΙΚΑΠ

€710.00 – €741.00

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Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE-SPE-HE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

€12,450.00

New

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

€9,950.00

New

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

€9,440.00

New

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

€7,270.00

HOT ΠΡΟΪΟΝΤΑ

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Volumio Primo

CD PLAYER - DAC, Streamers

€799.00

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Marantz MODEL 30

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

€3,449.00

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Marantz SACD 30n

CD PLAYER - DAC, CD Players

€3,349.00

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WiiM AMP

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

€369.00

-29%Hot

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Musical Fidelity M2si

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

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Pro-Ject Audio X 1

ΠΙΚΑΠ

€1,099.00

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MELODY ASTRO BLACK 50

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

€3,550.00

-15%Hot

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JADIS 40th ANNIVERSARY ORCHESTRA

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

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KEF LS50 Meta Bookshelf Speakers

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

€1,398.00

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Serblin and Son Frankie Plus

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

€2,980.00

-17%Hot

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WHARFEDALE Linton with Stands

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

€1,199.00 – €1,243.00

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WHARFEDALE Diamond 12.3

ΗΧΕΙΑ, ηχεία δαπέδου

€650.00

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Technics SL-1200MK7

ΠΙΚΑΠ

€1,099.00

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Klipsch The Sevens walnut

ΗΧΕΙΑ, Ενεργά αυτοενισχυόμενα ηχεία

€1,499.00

-5%Hot

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Dual CS 518

ΠΙΚΑΠ

-5%Hot

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Dual CS 518 Walnut

ΠΙΚΑΠ

ΚΑΤΑΛΟΓΟΙ ΠΡΟΪΟΝΤΩΝ (σε .pdf)

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Cardas Audio

ΔΕΙΤΕ ΟΛΟΥΣ ΤΟΥΣ ΚΑΤΑΛΟΓΟΥΣ ΜΑΣ

JADIS I-50 made in FRANCE by NEXUS Acoustics

The emille by Nexus Acoustics

Giglio GoldNote by Nexus Acoustics

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Cardas Audio

JADIS I-50
made in FRANCE
by NEXUS Acoustics

The emille
by Nexus Acoustics

Giglio GoldNote
by Nexus Acoustics