Show sidebar
Show 24 48 64
Filters
Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANE LX Hemp

,
€9,950.00
Προσθήκη στο καλάθι

Audio Note ANE LX Hemp

Audio Note ANE LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX Hemp

Klipsch Cornwall IV
Add to compare
Quick view
Add to wishlist

Klipsch Cornwall IV

,
€9,900.00
Προσθήκη στο καλάθι

Klipsch Cornwall IV

To Klipsch Cornwall IV είναι ηχεία δαπέδου με φόρτιση κόρνας στις μονάδες τόσο των υψηλών όσο και των υψηλών συχνοτήτων. Τα Klipsch Cornwall IV είναι εφοδιασμένα με ένα γούφερ 15 ιντσών που είναι σε θέση να φέρει όλη την ενέργεια και τον δυναμισμό της ζωντανής μουσικής στο σαλόνι σας. Τα ηχεία έχουν ευαισθησία 102dB και αντίσταση 8 ohm κάτι που τα κάνει εύκολο φορτίο για κάθε ενισχυτή.
Klipsch Cornwall IV

Klipsch Cornwall IV

Fyne Audio Vintage Classic XII
Add to compare
Quick view
Add to wishlist

Fyne Audio Vintage Classic XII

,
€9,800.00
Προσθήκη στο καλάθι

Fyne Audio Vintage Classic XII

Fyne Audio Vintage Classic XII

Fyne Audio Vintage Classic XII

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANE LX

,
€9,440.00
Προσθήκη στο καλάθι

Audio Note ANE LX

Audio Note ANE LXDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX

KEF Reference 1 Meta
Add to compare
Quick view
Add to wishlist

KEF Reference 1 Meta

,
€9,000.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KEF Reference 1 Meta

KEF Reference 1 Meta

KEF Reference 1 Meta

Dali Rubicon 8 C
Add to compare
Quick view
Add to wishlist

Dali Rubicon 8 c

,
€8,998.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Rubicon 8 c

Dali Rubicon 8 C

Dali Rubicon 8 C

 
PROAC RESPONSE D48
Add to compare
Quick view
Add to wishlist

PROAC RESPONSE D48

,
€8,800.00
Προσθήκη στο καλάθι

PROAC RESPONSE D48

Το PROAC RESPONSE D48 μπήκε στην παραγωγή μετά από ένα χρόνο έντονης έρευνας και ανάπτυξης. Οι τομείς βελτίωσης στους οποίους επικεντρώθηκε η εταιρεία ήταν η περαιτέρω βελτίωση της λεπτομέρειας στη μεσαία περιοχή και ένα καθαρότερο και πιο γρηγορότερο χαμηλό. Μια νέα μονάδα μεσαιο-χαμηλών/mid-woofer -προδιαγραφών χρήσης στούντιο- σχεδιάστηκε ειδικά για το RESPONSE D48 ώστε να αποδίδει τις μεσαίες με πολυ λεπτομέρεια αλλά και με εξαιρετικό έλεγχο χαμηλού. Το ηχείο είναι bass reflex και έχει την οπή στο πάτωμα με αποτέλεσμα το ηχείο να είναι απροβλημάτιστο στην τοποθέτηση στο χώρο ακρόασης. Το ηχείο χαρακτηρίζεται από την ακριβέστατη και μεγάλη στερεοφωνική εικόνα που αναπτύσσει ενώ όσο εύκολα μπορεί να παίξει μεγάλες συμφωνικές ορχήστρες άλλο τόσο εύκολα μπορεί να παίξει και heavy metal. Το PROAC RESPONSE D48 είναι από τα καλύτερα ηχεία της εταιρείας και θα ευχαριστήσει τους μουσικόφιλους οποιοδήποτε είδος μουσικής και να ακούνε.

PROAC RESPONSE D48

PROAC RESPONSE D48

Bowers & Wilkins 702 S3 Signature True Sound With the 700 Series, Studio Sound comes home. 700 Series Signature builds on that extraordinary pedigree, with optimized technologies and unique, luxurious finishes to deliver performance and elegance that's a level above the best
Add to compare
Quick view
Add to wishlist

Bowers Wilkins 702 S3 Signature

,
€8,499.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Bowers Wilkins 702 S3 Signature

Bowers & Wilkins 702 S3 SignatureTrue Sound With the 700 Series, Studio Sound comes home. 700 Series Signature builds on that extraordinary pedigree, with optimized technologies and unique, luxurious finishes to deliver performance and elegance that's a level above the best

Bowers Wilkins 702 S3 Signature

Proac K1
Add to compare
Quick view
Add to wishlist

Proac K1

,
€7,990.00
Προσθήκη στο καλάθι

Proac K1

Λόγω της επιτυχίας των επιδαπέδιων ηχείων της «Σειράς K», μας ζητήθηκε να δημιουργήσουμε ένα ηχείο που τοποθετείται σε βάση για τη σειρά K. Και, μετά από χρόνια έρευνας και ανάπτυξης, σχεδιάσαμε το K1. Το ηχείο K1 που τοποθετείται στη βάση χρησιμοποιεί τον δικό μας κώνο Kevlar και το δοκιμασμένο τουίτερ μας με ribbon, το οποίο χρησιμοποιείται σε όλη τη σειρά K Series. Ωστόσο, έχουμε κάνει ορισμένες τροποποιήσεις στην καμπίνα, στο woofer και το tweeter για να τα προσαρμόσουμε κατάλληλα για ένα ηχείο που τοποθετείται σε βάση. Αν και το K1 είναι ένα ηχείο που τοποθετείται σε βάση, έχει εκπληκτικά εκτεταμένο και ακριβές μπάσο με τα γνωστά, όμορφα μεσαία σχεδόν σαν ηλεκτροστατικού ένα χαρακτηριστικό της σειράς K.

Proac K1

Proac K1

Triangle Signature - Alpha Hi-Fi Floorstanding Speaker – Signature Alpha The flagship of the Signature range, this 1.3-meter-high floorstanding loudspeaker displays the synthesis of TRIANGLE acoustic and technological know-how. As with every Signature product, the Alpha has been designed and hand-crafted in France at the company’s Soissons workshop. Benefiting from Magellan R&D, the Signature speaker features extremely high-density cabinets for an unmatched acoustic experience. All mechanical aspects have been studied to improve the overall performance. The Alpha loudspeaker integrates a semi pod-mounted horn loaded tweeter, one paper midrange with small pleated suspensions and three woofers specifically designed for this model. It has all Signature technologies including a twin vent ensuring a complete woofer insulation for better sound transparency. The Signature Alpha is a powerful speaker with deep and fast bass, it is mostly recommended for large room sizes (above 30m2).
Add to compare
Quick view
Add to wishlist

Triangle Signature – Alpha

,
€7,749.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Triangle Signature - Alpha

Triangle Signature - AlphaHi-Fi Floorstanding Speaker – Signature Alpha The flagship of the Signature range, this 1.3-meter-high floorstanding loudspeaker displays the synthesis of TRIANGLE acoustic and technological know-how. As with every Signature product, the Alpha has been designed and hand-crafted in France at the company’s Soissons workshop. Benefiting from Magellan R&D, the Signature speaker features extremely high-density cabinets for an unmatched acoustic experience. All mechanical aspects have been studied to improve the overall performance. The Alpha loudspeaker integrates a semi pod-mounted horn loaded tweeter, one paper midrange with small pleated suspensions and three woofers specifically designed for this model. It has all Signature technologies including a twin vent ensuring a complete woofer insulation for better sound transparency. The Signature Alpha is a powerful speaker with deep and fast bass, it is mostly recommended for large room sizes (above 30m2).

Triangle Signature - Alpha

Paradigm Founder 100F Precision. Control. Dynamics. These are the pillars the Founder Series was built on. Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations. Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts. During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.
Paradigm Founder 100F Precision. Control. Dynamics. These are the pillars the Founder Series was built on. Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations. Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts. During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.
Add to compare
Quick view
Add to wishlist

Paradigm Founder 100F

,
€7,680.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Paradigm Founder 100F

Paradigm Founder 100FPrecision. Control. Dynamics. These are the pillars the Founder Series was built on. Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations. Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts. During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.

Paradigm Founder 100F

Fyne Audio Vintage Classic X
Add to compare
Quick view
Add to wishlist

Fyne Audio Vintage Classic X

,
€7,550.00
Προσθήκη στο καλάθι

Fyne Audio Vintage Classic X

Fyne Audio Vintage Classic X

Fyne Audio Vintage Classic X

KEF Reference 4C Center Meta
Add to compare
Quick view
Add to wishlist

KEF Reference 4C Center Meta

,
€7,500.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KEF Reference 4C Center Meta

KEF Reference 4C Center Meta high gloss white

KEF Reference 4C Center Meta

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note AN-J-LX Hemp

,
€7,270.00
Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp

Vienna Acoustics Mozart SE Signature Das Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.
Add to compare
Quick view
Add to wishlist

Vienna Acoustics Mozart SE Signature

,
Price range: €6,200.00 through €7,100.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Vienna Acoustics' Mozart SE Signature

Vienna Acoustics' Mozart SE SignatureDas Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.

Vienna Acoustics Mozart SE Signature

PROAC RESPONSE D30S
Add to compare
Quick view
Add to wishlist

PROAC RESPONSE D30S

,
€7,100.00
Προσθήκη στο καλάθι

PROAC RESPONSE D30S

Το ProAc Response D30S διατίθεται είτε με tweeter μαλακού θόλου είτε με ribbon, γνωστά ως D30DS και D30RS αντίστοιχα. Η ProAc ανέπτυξε ειδικά για αυτό το ηχείο μια νέα μονάδα χαμηλών συχνοτήτων παρόμοια με το γούφερ που χρησιμοποιείται στο Response D48. Το Response D30S έχει flat απόκριση συχνότητας ενώ το mid woofer του αποδίδει με εξαιρετική λεπτομέρεια τις μεσαίες συχνότητες και βοηθάει στην ανάπτυξη μιας μεγάλης στερεοφωνικής εικόνας. Το D30S αναπαράγει το μουσικό πρόγραμμα με ακρίβεια, γεμάτα μπάσα, εξαιρετική λεπτομέρεια στη μεσαία περιοχή χαμηλό χρωματισμό και επιπλέον το ηχείο είναι εύκολο στην οδήγηση.

PROAC RESPONSE D30S

PROAC RESPONSE D30S

WHARFEDALE Elysian 4
Add to compare
Quick view
Add to wishlist

WHARFEDALE Elysian 4

,
€7,000.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE Elysian 4

WHARFEDALE Elysian 4

WHARFEDALE Elysian 4

Dali Rubicon 6 C
Add to compare
Quick view
Add to wishlist

Dali Rubicon 6 c

,
€6,998.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Rubicon 6 c

Dali Rubicon 6 C

Dali Rubicon 6 C

Polk Audio Legend L800
Add to compare
Quick view
Add to wishlist

Polk Audio Legend L800

,
€6,998.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Polk Audio Legend L800

Polk Audio Legend L800

Polk Audio Legend L800

ATC C4CA Suitable substitution for C6CA centre channel in C6 systems where space is restricted. Twin ATC 150mm SL mid/bass drivers. Massive 9kg shielded motor assemblies. In-house, hand wound precision flat wire coils. ATC 250 Watt Class A (to 2/3 max power). Active filters and overload. 6 Year warranty. Any veneer to order. Featured veneer: Rosewood.
Add to compare
Quick view
Add to wishlist

ATC C4CA

,
€6,970.00
Προσθήκη στο καλάθι

ATC C4CA

ATC C4CASuitable substitution for C6CA centre channel in C6 systems where space is restricted. Twin ATC 150mm SL mid/bass drivers. Massive 9kg shielded motor assemblies. In-house, hand wound precision flat wire coils. ATC 250 Watt Class A (to 2/3 max power). Active filters and overload. 6 Year warranty. Any veneer to order. Featured veneer: Rosewood.

ATC C4CA hi end active center speaker

PMC twenty5.24i
Add to compare
Quick view
Add to wishlist

PMC twenty5.24i

,
€6,950.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

PMC twenty5.24i

PMC twenty5.24i

PMC twenty5.24i

Certaldo Series 2
Add to compare
Quick view
Add to wishlist

Rosso Florentino Certaldo S2

,
€6,930.00
Προσθήκη στο καλάθι
Rosso Florentino Certaldo S2
2,5 δρόμων bass reflex με πίσω και κάτω οπή εκτόνωσης Ηχεία με ευαισθησία 88 db/W/m Μέση αντίσταση 8 Ω min με την χαμηλότερη αντίσταση του ηχείου να πέφτει στα 5 Ω Απόκριση 40Hz -3db έως και 30 KHZ
Certaldo Series 2

Rosso Florentino Certaldo S2

Monitor Audio Gold 500 6G The flagship Gold 500 6G is engineered to deliver the very highest levels of performance. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and twin 8-inch bass drivers. The Gold 500 6G is the flagship model of the new Gold Series 6G. It represents the highest-levels of performance and system design at the price point, and within this competitive market segment. Designed to house the latest MPD III high-frequency transducer alongside the new 3-inch mid-driver and powerful twin 8-inch bass drivers, each of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 500 6G is a worthy flagship for such a prestigious range; a formidable acoustic treat for the ears as well as the eyes.
Add to compare
Quick view
Add to wishlist

Monitor Audio Gold 500 6G

,
€6,860.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Monitor Audio Gold 500 6G

Monitor Audio Gold 500 6GThe flagship Gold 500 6G is engineered to deliver the very highest levels of performance. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and twin 8-inch bass drivers. The Gold 500 6G is the flagship model of the new Gold Series 6G. It represents the highest-levels of performance and system design at the price point, and within this competitive market segment. Designed to house the latest MPD III high-frequency transducer alongside the new 3-inch mid-driver and powerful twin 8-inch bass drivers, each of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 500 6G is a worthy flagship for such a prestigious range; a formidable acoustic treat for the ears as well as the eyes.

Monitor Audio Gold 500 6G

YAMAHA NS-2000A
Add to compare
Quick view
Add to wishlist

YAMAHA NS-2000A

,
€6,800.00
Προσθήκη στο καλάθι

YAMAHA NS-2000A

YAMAHA NS-2000A

YAMAHA NS-2000A