Show sidebar
Show 24 48 64
Filters
Sold out
WHARFEDALE Diamond 300C
Add to compare
Quick view
Add to wishlist

WHARFEDALE Diamond 300C

,
125.00€
Διαβάστε περισσότερα

WHARFEDALE Diamond 300C

Κεντρικό ηχείο διαλόγων δυο δρόμων WHARFEDALE Diamond 300C

WHARFEDALE Diamond 300C

WHARFEDALE Diamond 300C

New
Magico A1 The A1 bookshelf loudspeaker features a fully braced aluminum enclosure, beryllium dome tweeter, carbon Nanographene cone, and our renowned elliptical crossover. Enclosure The A1 enclosure is constructed using 3⁄8” thick 6061 T6 aircraft grade aluminum, similar to the enclosure developed for the Q1 and is available in an elegant brushed-aluminum, black anodized finish. An innovative internal bracing technique along with the most advanced damping materials makes the sealed enclosure incredibly rigid and free of unwanted mechanical resonances. The complete enclosure design of the A1 is evaluated in simulation using the latest FEA software along with physical testing to meet the uncompromising requirements of Magico for optimized enclosure rigidity, stability and to ensure benchmark acoustical standards.
Add to compare
Quick view
Add to wishlist

Magico A1

,
Price range: 11,700.00€ through 12,450.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Magico A1

Magico A1The A1 bookshelf loudspeaker features a fully braced aluminum enclosure, beryllium dome tweeter, carbon Nanographene cone, and our renowned elliptical crossover. Enclosure The A1 enclosure is constructed using 3⁄8” thick 6061 T6 aircraft grade aluminum, similar to the enclosure developed for the Q1 and is available in an elegant brushed-aluminum, black anodized finish. An innovative internal bracing technique along with the most advanced damping materials makes the sealed enclosure incredibly rigid and free of unwanted mechanical resonances. The complete enclosure design of the A1 is evaluated in simulation using the latest FEA software along with physical testing to meet the uncompromising requirements of Magico for optimized enclosure rigidity, stability and to ensure benchmark acoustical standards.

Ηχείο βάσης, βιβλιοθήκης Magico A1

Το ηχείο βιβλιοθήκης A1 διαθέτει πλήρως ενισχυμένο περίβλημα από αλουμίνιο, θολωτό tweeter βηρυλλίου, κώνο νανογραφενίου από άνθρακα και το φημισμένο ελλειπτικό crossover μας.
New
Revival Audio ATALANTE 7 Evo The Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.
Add to compare
Quick view
Add to wishlist

Revival Audio ATALANTE 7 Evo

,
9,390.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 7 Evo

Revival Audio ATALANTE 7 EvoThe Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.

Revival Audio ATALANTE 7 Evo

Η Κορυφή της Μουσικής Τέχνης, το εξελιγμένο Revival Audio ATALANTE 7 Evo με ευαισθησία 90dB και αντίσταση 6 ohm, το ATALANTE 7 Évo συνδυάζεται αβίαστα με μια μεγάλη γκάμα ενισχυτών. Η ισορροπημένη ηχητική του υπογραφή εξασφαλίζει εκτεταμένη, χωρίς κόπωση ακρόαση, ενώ ο προηγμένος σχεδιασμός του woofer και της καμπίνας προσφέρει βαθιά, εντυπωσιακά μπάσα. Μια πραγματική εξέλιξη εμπειρίας, δεξιοτεχνίας και πάθους, το ATALANTE 7 Évo θέτει ένα νέο πρότυπο στην φυσική αναπαραγωγή ήχου για όσους αναζητούν το καλύτερο. Το Απόλυτο Σημείο Αναφοράς σε Υψηλές Συχνότητες κάτω των €10.000. Με το εκλεπτυσμένο tweeter RASC™ Évo soft-dome, το αναβαθμισμένο mid-range RASC™ Évo soft-dome και το πρόσφατα ανεπτυγμένο woofer BSC™ 15 ιντσών, το ATALANTE 7 Évo είναι το αποκορύφωμα ετών έρευνας, προόδων μηχανικής και ανατροφοδότησης ακρόασης στον πραγματικό κόσμο. Προσφέρει μεγαλύτερη κλίμακα, βελτιωμένη ανάκτηση λεπτομερειών και μια πιο οργανική μουσική ροή, διασφαλίζοντας ότι κάθε νότα αντηχεί με βάθος, απόχρωση και αυθεντικότητα.
New
Revival Audio ATALANTE 5 ABOUT REVIVAL AUDIO Debuting with 30+ Years of Expertise It is our debut, from almost four decades of expertise and know-how behind many well-known flagship models among top tier brands. ATALANTE models are designed, engineered and assembled in France. With every single detail designed from scratch and after hundreds hours of experiments, we can now share our edging technologies and proudly introduce ATALANTE, our first range of loudspeakers at the Next-Level sound. ATALANTE 5 Overwhelming Performance, Every Detail Experience the power and precision of the pinnacle of the ATALANTE series. With nearly four decades of expertise behind its design, this award-winning loudspeaker is crafted in France and represents the Next-Level in sound engineering. Revival Audio ATALANTE 4 KEY FEATURES RASC™ 28mm TWEETER – Detailed Restitution, Beyond Expectations RASC Tweeter is the iconic driver of Revival Audio. The 28mm soft-dome tweeter, coated with our secret recipe, and built-in Revival Audio ARID+ (Anti Reflection Inner Dome) patented technology, to absorb 95+% of resonance in the chamber. BSC™ Midrange & Woofers – First Ever in Hi-End BSC (Basalt Sandwich Construction) drivers are definitely a Revival Audio unique and iconic (visually too) technology. Basalt is extracted from lava stone which has never been used in Hi-End audio, with similar characteristics as glass fibre but a better Young modulus. Hand-tuned Crossover – Built to Last Our philosophy of crossover design is, that…we don’t have a philosophy. We tune the sound by ears and experiences, but not measurements. We use as few components as possible, only necessary ones. In ATALANTE 4, we incorporates the best-in-its-range components, including the Van den Hul Skyline Hybrid cables. Premium Spike Set – Elegant and functional the Premium Spike Set, a novel design in the ATALANTE 4, not only enhances the speaker’s aesthetic but also ensures functional stability, enabling effortless micro-height adjustments. ARID Patented Technology – Edging Innovation, From Outstanding to Extraordinary ARID, which stands for Anti Resonance Inner Dome, is a Revival Audio patented technology. ARID technology provides extended frequency response benefits from no-absorbing damping in the space behind the dome. Outperforming Large Size Ferrite Magnet – It’s Large The “horse power” of an engine, for a driver, is the magnet system. In all ATALANTE models, we chose ferrite magnets, not only because it is eco-friendly, but they also offer a real balanced output.
Add to compare
Quick view
Add to wishlist

Revival Audio ATALANTE 5

,
4,800.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 5

Revival Audio ATALANTE 5ABOUT REVIVAL AUDIO Debuting with 30+ Years of Expertise It is our debut, from almost four decades of expertise and know-how behind many well-known flagship models among top tier brands. ATALANTE models are designed, engineered and assembled in France. With every single detail designed from scratch and after hundreds hours of experiments, we can now share our edging technologies and proudly introduce ATALANTE, our first range of loudspeakers at the Next-Level sound. ATALANTE 5 Overwhelming Performance, Every Detail Experience the power and precision of the pinnacle of the ATALANTE series. With nearly four decades of expertise behind its design, this award-winning loudspeaker is crafted in France and represents the Next-Level in sound engineering. Revival Audio ATALANTE 4 KEY FEATURES RASC™ 28mm TWEETER – Detailed Restitution, Beyond Expectations RASC Tweeter is the iconic driver of Revival Audio. The 28mm soft-dome tweeter, coated with our secret recipe, and built-in Revival Audio ARID+ (Anti Reflection Inner Dome) patented technology, to absorb 95+% of resonance in the chamber. BSC™ Midrange & Woofers – First Ever in Hi-End BSC (Basalt Sandwich Construction) drivers are definitely a Revival Audio unique and iconic (visually too) technology. Basalt is extracted from lava stone which has never been used in Hi-End audio, with similar characteristics as glass fibre but a better Young modulus. Hand-tuned Crossover – Built to Last Our philosophy of crossover design is, that…we don’t have a philosophy. We tune the sound by ears and experiences, but not measurements. We use as few components as possible, only necessary ones. In ATALANTE 4, we incorporates the best-in-its-range components, including the Van den Hul Skyline Hybrid cables. Premium Spike Set – Elegant and functional the Premium Spike Set, a novel design in the ATALANTE 4, not only enhances the speaker’s aesthetic but also ensures functional stability, enabling effortless micro-height adjustments. ARID Patented Technology – Edging Innovation, From Outstanding to Extraordinary ARID, which stands for Anti Resonance Inner Dome, is a Revival Audio patented technology. ARID technology provides extended frequency response benefits from no-absorbing damping in the space behind the dome. Outperforming Large Size Ferrite Magnet – It’s Large The “horse power” of an engine, for a driver, is the magnet system. In all ATALANTE models, we chose ferrite magnets, not only because it is eco-friendly, but they also offer a real balanced output.

Revival Audio ATALANTE 5

New
Revival Audio ATALANTE 4 Revival audio with 30+ years of experience bring in the ATALANTE 4 is a premium floor-standing speakers. Combining timeless design and modern aesthetics, delivering unmatched audio excellence with innovative technologies like the ARID tweeter and BSC drivers. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience. Exceptional Performance Unparalleled Balance Since the debut of the ATALANTE series in September 2022, each member has left an indelible mark on the ears of listeners and reviewers alike.
Add to compare
Quick view
Add to wishlist

Revival Audio ATALANTE 4

,
3,890.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 4

Revival Audio ATALANTE 4Revival audio with 30+ years of experience bring in the ATALANTE 4 is a premium floor-standing speakers. Combining timeless design and modern aesthetics, delivering unmatched audio excellence with innovative technologies like the ARID tweeter and BSC drivers. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience. Exceptional Performance Unparalleled Balance Since the debut of the ATALANTE series in September 2022, each member has left an indelible mark on the ears of listeners and reviewers alike.

Revival Audio ATALANTE 4

Η Revival audio με 30+ χρόνια εμπειρίας φέρνει το ATALANTE 4, ένα κορυφαίο ηχείο δαπέδου. Συνδυάζοντας διαχρονικό σχεδιασμό και μοντέρνα αισθητική, προσφέρει απαράμιλλη ηχητική αριστεία με καινοτόμες τεχνολογίες όπως το tweeter ARID και τα προγράμματα οδήγησης BSC. Δημιουργημένο σε συνεργασία με το A+A Cooren Design Studio, προσφέρει μια εξαιρετική ακουστική και οπτική εμπειρία.
New
Revival Audio ATALANTE 3 The Revival Audio ATALANTE 3 redefines bookshelf speakers with its compact design and exceptional sound quality. Engineered in France with 30+ years of experience, this award-winning speaker combines innovative technologies, including the unique Basalt Sandwich Construction woofer and patented ARID technology, for a truly immersive listening experience. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience.
Add to compare
Quick view
Add to wishlist

Revival Audio ATALANTE 3

,
2,350.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 3

Revival Audio ATALANTE 3The Revival Audio ATALANTE 3 redefines bookshelf speakers with its compact design and exceptional sound quality. Engineered in France with 30+ years of experience, this award-winning speaker combines innovative technologies, including the unique Basalt Sandwich Construction woofer and patented ARID technology, for a truly immersive listening experience. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience.

Revival Audio ATALANTE 3

New
Revival Audio Sprint 4 The Sprint 4, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofers. These floorstanding speakers delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!
Add to compare
Quick view
Add to wishlist

Revival Audio Sprint 4

,
1,750.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio Sprint 4

Revival Audio Sprint 4The Sprint 4, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofers. These floorstanding speakers delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Revival Audio Sprint 4

Το ηχείο δαπέδου Revival Audio Sprint 4, σχεδιασμένο σε συνεργασία με το βραβευμένο A+A Cooren Design Studio, αποτελεί έναν αξιοσημείωτο συνδυασμό σύγχρονης γαλλικής κομψότητας και ακουστικής τεχνολογίας αιχμής. Διαθέτει το καινοτόμο μπροστινό διάφραγμα ELYTRON και τα υψηλής απόδοσης γούφερ BSC 7". Αυτά τα επιδαπέδια ηχεία προσφέρουν ακριβή ήχο και εντυπωσιακή αισθητική, συνεχίζοντας την κληρονομιά της αναγνωρισμένης σειράς ATALANTE της Revival Audio. Ένα πραγματικά υψηλής ποιότητας ηχείο audiophile!
New
Revival Audio Sprint 3 The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer. These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!
Add to compare
Quick view
Add to wishlist

Revival Audio Sprint 3

,
950.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio Sprint 3

Revival Audio Sprint 3The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer. These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Revival Audio Sprint 3

Το Revival Audio Sprint 3, είναι ένα ηχείο σχεδιασμένο σε συνεργασία με το βραβευμένο A+A Cooren Design Studio, αποτελεί έναν αξιοσημείωτο συνδυασμό σύγχρονης γαλλικής κομψότητας και ακουστικής τεχνολογίας αιχμής. Διαθέτει το πρωτοποριακό μπροστινό διάφραγμα ELYTRON και το υψηλής απόδοσης γούφερ BSC 7”. Τα ηχεία βιβλιοθήκης Revival Audio Sprint 3 προσφέρουν ακριβή ήχο και εντυπωσιακή αισθητική, συνεχίζοντας την κληρονομιά της αναγνωρισμένης σειράς ATALANTE της Revival Audio. Ένα πραγματικά υψηλής ποιότητας ηχείο audiophile!
REGA AYA Developed over ten years by a team of Rega designers headed up by our founder Roy Gandy, the AYA loudspeakers promise to deliver a detailed, balanced performance no matter which genre of music you decide to play. Using Rega designed, handmade drivers, coupled with our ZRR high frequency tweeter and a new crossover, our engineers have fine-tuned every aspect to deliver the best possible performance. The sculptured cabinets and stand create an attractive, floating effect which adds to the unique appearance. Breaking the mould After a decade of trials and development, the Rega AYA loudspeakers are born. Housed in a unique, UK manufactured cabinet moulded from GRC, (glass reinforced cement) the glass fibres that make up the construction reduce the weight whilst increasing the structural integrity of this 2.5 way band pass design. This technique creates the perfect loudspeaker enclosure that enhances performance whilst offering exceptional value for money. Thanks to the combination of the new enclosure and drive unit configuration, the AYA loudspeakers deliver a tight accurate bass response and the Rega signature midrange and detailed highs. REGA AYA Key Features Custom GRC cabinet (glass reinforced cement) Band pass cabinet design 2.5 way system Rega designed ZRR high frequency unit 5" Handmade MX-125 Bass mid driver 7" Handmade RR7.8 Bass driver *Optional loudspeaker grilles Lifetime warranty against manufacture defects
Add to compare
Quick view
Add to wishlist

REGA AYA

,
1,999.00€
Προσθήκη στο καλάθι

REGA AYA

REGA AYADeveloped over ten years by a team of Rega designers headed up by our founder Roy Gandy, the AYA loudspeakers promise to deliver a detailed, balanced performance no matter which genre of music you decide to play. Using Rega designed, handmade drivers, coupled with our ZRR high frequency tweeter and a new crossover, our engineers have fine-tuned every aspect to deliver the best possible performance. The sculptured cabinets and stand create an attractive, floating effect which adds to the unique appearance. Breaking the mould After a decade of trials and development, the Rega AYA loudspeakers are born. Housed in a unique, UK manufactured cabinet moulded from GRC, (glass reinforced cement) the glass fibres that make up the construction reduce the weight whilst increasing the structural integrity of this 2.5 way band pass design. This technique creates the perfect loudspeaker enclosure that enhances performance whilst offering exceptional value for money. Thanks to the combination of the new enclosure and drive unit configuration, the AYA loudspeakers deliver a tight accurate bass response and the Rega signature midrange and detailed highs. REGA AYA Key Features Custom GRC cabinet (glass reinforced cement) Band pass cabinet design 2.5 way system Rega designed ZRR high frequency unit 5" Handmade MX-125 Bass mid driver 7" Handmade RR7.8 Bass driver *Optional loudspeaker grilles Lifetime warranty against manufacture defects

REGA AYA

KLH Kendall 2F KLH Kendall 2F Features Structurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound. High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound. The mid-bass and dual bass drivers feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency. Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors. Dual 5-Way gold-plated binding posts. Powder-coated 6MM heavy-duty steel outrigger feet with adjustable decoupling spikes. Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment. Industry-leading 10-year warranty.
Add to compare
Quick view
Add to wishlist

KLH Kendall 2F

,
2,360.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KLH Kendall 2F

KLH Kendall 2FKLH Kendall 2F Features Structurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound. High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound. The mid-bass and dual bass drivers feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency. Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors. Dual 5-Way gold-plated binding posts. Powder-coated 6MM heavy-duty steel outrigger feet with adjustable decoupling spikes. Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment. Industry-leading 10-year warranty.

KLH Kendall 2F

KLH Faraday F-6600-AW KLH F-6600-AW speakers deliver clear, concise outdoor sound, and their attractive curved look is a bonus. Each speaker features a 6-1/2" IMG (injection-molded graphite) woofer, and a 1" titanium tweeter designed to stand up to the elements. C-shaped, swiveling brackets are included so you can install them quickly, and aim them toward your seating area.
Add to compare
Quick view
Add to wishlist

KLH Faraday F-6600-AW

,
555.00€
Προσθήκη στο καλάθι

KLH Faraday F-6600-AW

KLH Faraday F-6600-AWKLH F-6600-AW speakers deliver clear, concise outdoor sound, and their attractive curved look is a bonus. Each speaker features a 6-1/2" IMG (injection-molded graphite) woofer, and a 1" titanium tweeter designed to stand up to the elements. C-shaped, swiveling brackets are included so you can install them quickly, and aim them toward your seating area.

KLH Faraday F-6600-AW

KLH Kendall This stunningly beautiful floorstanding loudspeaker, aptly named after Kendall Square in Cambridge, Massachusetts, the birthplace of KLH, is our flagship electrodynamic 3-way bass-reflex loudspeaker. It features woven Kevlar drivers with powder-coated die-cast aluminium baskets, braided tinsel leads, custom designed crossovers, an anodised aluminium tweeter with linear response faceplate, and much more, and all in real wood veneers. The Kendall loudspeaker effortlessly reproduces the artist’s original soundtrack recording with such astonishing natural detail and deep visceral bass, that you will swear you’re sitting at a live concert venue.
Add to compare
Quick view
Add to wishlist

KLH Kendall

,
2,195.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KLH Kendall

KLH KendallThis stunningly beautiful floorstanding loudspeaker, aptly named after Kendall Square in Cambridge, Massachusetts, the birthplace of KLH, is our flagship electrodynamic 3-way bass-reflex loudspeaker. It features woven Kevlar drivers with powder-coated die-cast aluminium baskets, braided tinsel leads, custom designed crossovers, an anodised aluminium tweeter with linear response faceplate, and much more, and all in real wood veneers. The Kendall loudspeaker effortlessly reproduces the artist’s original soundtrack recording with such astonishing natural detail and deep visceral bass, that you will swear you’re sitting at a live concert venue.

KLH Kendall

KLH Kendall 2B Features Structurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound. High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound. The bass driver feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency. Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors. 5-Way gold-plated binding posts. Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment.
Add to compare
Quick view
Add to wishlist

KLH Kendall 2B

,
1,240.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KLH Kendall 2B

KLH Kendall 2B FeaturesStructurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound. High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound. The bass driver feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency. Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors. 5-Way gold-plated binding posts. Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment.

KLH Kendall 2B

KLH Ames You?ve read ?big sound from a small package? before, but if you haven?t heard the Ames monitor, you need to discover what you?re missing from a diminutive (another word for small) loudspeaker that truly delivers a wide spectrum of sound. Listen to what acoustic suspension technology does for your music, a fitting shout out to the street it is named for. The Ames loudspeaker is a 2-way acoustic suspension design, featuring woven Kevlar drivers with powder-coated die-cast aluminum baskets, braided tinsel leads, custom-designed crossovers, an anodized aluminum tweeter with linear response faceplate, and much more, and all in finished MDF, painted in White Satin.
Add to compare
Quick view
Add to wishlist

KLH Ames

,
490.00€
Προσθήκη στο καλάθι

KLH Ames

KLH Ames You?ve read ?big sound from a small package? before, but if you haven?t heard the Ames monitor, you need to discover what you?re missing from a diminutive (another word for small) loudspeaker that truly delivers a wide spectrum of sound. Listen to what acoustic suspension technology does for your music, a fitting shout out to the street it is named for. The Ames loudspeaker is a 2-way acoustic suspension design, featuring woven Kevlar drivers with powder-coated die-cast aluminum baskets, braided tinsel leads, custom-designed crossovers, an anodized aluminum tweeter with linear response faceplate, and much more, and all in finished MDF, painted in White Satin.

KLH Ames

Vienna Acoustics Mozart SE Signature Das Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.
Add to compare
Quick view
Add to wishlist

Vienna Acoustics Mozart SE Signature

,
Price range: 6,200.00€ through 7,100.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Vienna Acoustics' Mozart SE Signature

Vienna Acoustics' Mozart SE SignatureDas Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.

Vienna Acoustics Mozart SE Signature

-13%
WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.
Add to compare
Quick view
Add to wishlist

WHARFEDALE Dovedale

,
Original price was: 7,500.00€.Η τρέχουσα τιμή είναι: 6,490.00€.
Προσθήκη στο καλάθι

WHARFEDALE Dovedale

WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.

WHARFEDALE Dovedale

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANE-SPE-HE

,
12,450.00€
Προσθήκη στο καλάθι

Audio Note ANE-SPE-HE

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE-SPE-HE

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANE LX Hemp

,
9,950.00€
Προσθήκη στο καλάθι

Audio Note ANE LX Hemp

Audio Note ANE LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX Hemp

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANE LX

,
9,440.00€
Προσθήκη στο καλάθι

Audio Note ANE LX

Audio Note ANE LXDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note AN-J-LX Hemp

,
7,270.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note AN-J-LX

,
6,790.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

   
Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANK-LX

,
4,910.00€
Προσθήκη στο καλάθι

Audio Note ANK-LX

Audio Note ANK-LXDetails The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANK-LX

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!
Add to compare
Quick view
Add to wishlist

AN-E-SPX Limited

,
59,770.00€
Προσθήκη στο καλάθι

Audio Note AN-E Ltd

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

AN-E-SPX Limited

Add to compare
Quick view
Add to wishlist

Paradigm Surround 1

,
839.00€
Προσθήκη στο καλάθι

Paradigm Surround 1

Paradigm Surround 1