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Cambridge Audio Edge A
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Cambridge Audio Edge A

,
€6,499.00
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Cambridge Audio Edge A

Ολοκληρωμένος ενισχυτής Cambridge Audio Edge A με 100 watt στα 8ohm και 200 watt στα 4ohm ανά κανάλι. Ένας ενισχυτής εξαιρετικά "μουσικός" με πάρα πολύ λεπτομέρεια στην αναπαραγωγή της μουσικής. Ο ενισχυτής στο εσωτερικό του κρύβει "υλικά" διαλεγμένα στο χέρι από τους ανθρώπους στην Cambridge. Ο ενισχυτής διαθέτει διπλούς τοροειδής μετασχηματιστές κακι με τεράστιο απόθεμα ρεύματος. Με την πατέντα της Cambridge Class XA Amplification η οποία καταφέρνει να μηδενίσει την παραμόρφωση crossover. Ο ενισχυτής είναι έτοιμος να αναπαράξει μουσική από κάποιο network media player streamer, διαθέτοντας δικό του ενσωματωμένο ψηφιοαναλογικό μετατροπέα DAC με πολλές εισόδους, ανάμεσα τους TV ARC και Bluetooth aptX HD.
Cambridge Audio Edge A

Cambridge Audio Edge A

 
Anthem P2 Performance From The Heart In life we admire “heart.” When we say someone has heart we mean passion, spirit, fortitude. And we applaud it. While the amplifier is the brawn behind every successful music and movie presentation, it is also the heart! Its role is as crucial as that of the speakers in its ability to render delicate musical detail one moment and deliver room-shaking explosions the next. The most exquisite piece of music falls flat without clean, quiet power to sustain it through to its natural, musical ebb. Movie special effects require an inordinate supply of stable, high current power to give visceral credibility to the “special” aspect of each effect! In fact, all truly successful sound reproduction requires “heart.” The heart of an amplifier rests with its design and it is here that P2 and P5 amplifiers reveal their high-end lineage: multi-layered, hand-designed circuit boards with thick copper traces; rugged, independent power supplies with tuned toroidal power transformers for each amplifier channel; fourteen rugged bipolar output devices per channel; custom-designed convection-cooled heatsinks with serrated fins; a “no-fuse” design strategy. And the list goes on.
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Anthem P2

,
€6,500.00
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Anthem P2

Anthem P2Performance From The Heart In life we admire “heart.” When we say someone has heart we mean passion, spirit, fortitude. And we applaud it. While the amplifier is the brawn behind every successful music and movie presentation, it is also the heart! Its role is as crucial as that of the speakers in its ability to render delicate musical detail one moment and deliver room-shaking explosions the next. The most exquisite piece of music falls flat without clean, quiet power to sustain it through to its natural, musical ebb. Movie special effects require an inordinate supply of stable, high current power to give visceral credibility to the “special” aspect of each effect! In fact, all truly successful sound reproduction requires “heart.” The heart of an amplifier rests with its design and it is here that P2 and P5 amplifiers reveal their high-end lineage: multi-layered, hand-designed circuit boards with thick copper traces; rugged, independent power supplies with tuned toroidal power transformers for each amplifier channel; fourteen rugged bipolar output devices per channel; custom-designed convection-cooled heatsinks with serrated fins; a “no-fuse” design strategy. And the list goes on.

Anthem P2

Dali Rubicon 8
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Dali Rubicon 8

,
€6,598.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Rubicon 8

Dali Rubicon 8

Dali Rubicon 8

ATC ATC SCM19A Overview New ATC designed and built dual suspension 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral Soft Dome. 9kg optimised short-coil/long gap motor assembly. On-board grounded source 182 watt Class A/B Bi-amplifier. Active crossover filters and overload protection. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.
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ATC SCM19A

,
€6,700.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

ATC SCM19A

ATC ATC SCM19AOverview New ATC designed and built dual suspension 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral Soft Dome. 9kg optimised short-coil/long gap motor assembly. On-board grounded source 182 watt Class A/B Bi-amplifier. Active crossover filters and overload protection. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.

ATC SCM19A active floorstanding speaker

-3%
Denon AVC-A1H
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Denon AVC-A1H

,
Original price was: €6,999.00.Η τρέχουσα τιμή είναι: €6,790.00.
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Denon AVC-A1H

Denon AVC-A1H

Denon AVC-A1H

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX

,
€6,790.00
Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

   
YAMAHA NS-2000A
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YAMAHA NS-2000A

,
€6,800.00
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YAMAHA NS-2000A

YAMAHA NS-2000A

YAMAHA NS-2000A

Monitor Audio Gold 500 6G The flagship Gold 500 6G is engineered to deliver the very highest levels of performance. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and twin 8-inch bass drivers. The Gold 500 6G is the flagship model of the new Gold Series 6G. It represents the highest-levels of performance and system design at the price point, and within this competitive market segment. Designed to house the latest MPD III high-frequency transducer alongside the new 3-inch mid-driver and powerful twin 8-inch bass drivers, each of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 500 6G is a worthy flagship for such a prestigious range; a formidable acoustic treat for the ears as well as the eyes.
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Monitor Audio Gold 500 6G

,
€6,860.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Monitor Audio Gold 500 6G

Monitor Audio Gold 500 6GThe flagship Gold 500 6G is engineered to deliver the very highest levels of performance. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and twin 8-inch bass drivers. The Gold 500 6G is the flagship model of the new Gold Series 6G. It represents the highest-levels of performance and system design at the price point, and within this competitive market segment. Designed to house the latest MPD III high-frequency transducer alongside the new 3-inch mid-driver and powerful twin 8-inch bass drivers, each of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 500 6G is a worthy flagship for such a prestigious range; a formidable acoustic treat for the ears as well as the eyes.

Monitor Audio Gold 500 6G

Thivanlabs Eagle 845 CLASS A integrated amplifier
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Thivanlabs Eagle 845 CLASS A integrated amplifier

,
€6,900.00
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Thivanlabs Eagle 845 CLASS A integrated amplifier

Ολοκληρωμένος ενισχυτής λυχνίας σε τάξη Α single-ended για ηχεία και ακουστικά με λυχνίες 845 σε τοπολογία single ended με έξοδο 22 W ανά κανάλι.

Thivanlabs Eagle 845 CLASS A integrated amplifier

Thivanlabs Eagle 845 CLASS A integrated amplifier

Certaldo Series 2
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Rosso Florentino Certaldo S2

,
€6,930.00
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Rosso Florentino Certaldo S2
2,5 δρόμων bass reflex με πίσω και κάτω οπή εκτόνωσης Ηχεία με ευαισθησία 88 db/W/m Μέση αντίσταση 8 Ω min με την χαμηλότερη αντίσταση του ηχείου να πέφτει στα 5 Ω Απόκριση 40Hz -3db έως και 30 KHZ
Certaldo Series 2

Rosso Florentino Certaldo S2

PRO-JECT X-TENSION 12 Evolution-Ortofon AS-309S. Χειροκίνητο πικάπ με ενσωματωμένο Pro-Ject Speed ​​Box SE και βραχίονα Ortofon AS-309S
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PRO-JECT X-TENSION 12 Evolution-Ortofon AS-309S

€6,949.00
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PRO-JECT X-TENSION 12 Evolution-Ortofon AS-309S

PRO-JECT X-TENSION 12 Evolution-Ortofon AS-309S. Χειροκίνητο πικάπ με ενσωματωμένο Pro-Ject Speed ​​Box SE και βραχίονα Ortofon AS-309S

PRO-JECT X-TENSION 12 Evolution-Ortofon AS-309S.

PMC twenty5.24i
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PMC twenty5.24i

,
€6,950.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

PMC twenty5.24i

PMC twenty5.24i

PMC twenty5.24i

ATC C4CA Suitable substitution for C6CA centre channel in C6 systems where space is restricted. Twin ATC 150mm SL mid/bass drivers. Massive 9kg shielded motor assemblies. In-house, hand wound precision flat wire coils. ATC 250 Watt Class A (to 2/3 max power). Active filters and overload. 6 Year warranty. Any veneer to order. Featured veneer: Rosewood.
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ATC C4CA

,
€6,970.00
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ATC C4CA

ATC C4CASuitable substitution for C6CA centre channel in C6 systems where space is restricted. Twin ATC 150mm SL mid/bass drivers. Massive 9kg shielded motor assemblies. In-house, hand wound precision flat wire coils. ATC 250 Watt Class A (to 2/3 max power). Active filters and overload. 6 Year warranty. Any veneer to order. Featured veneer: Rosewood.

ATC C4CA hi end active center speaker

YAMAHA C-5000
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YAMAHA C-5000

,
€6,990.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

YAMAHA C-5000

YAMAHA C-5000

YAMAHA C-5000

YAMAHA M-5000
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YAMAHA M-5000

,
€6,990.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

YAMAHA M-5000

YAMAHA M-5000

YAMAHA M-5000

-7%
BRYSTON 3B Cubed .
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BRYSTON 3B Cubed

,
Original price was: €7,500.00.Η τρέχουσα τιμή είναι: €6,990.00.
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BRYSTON 3B Cubed

BRYSTON 3B Cubed .

BRYSTON 3B Cubed .

Polk Audio Legend L800
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Polk Audio Legend L800

,
€6,998.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Polk Audio Legend L800

Polk Audio Legend L800

Polk Audio Legend L800

Dali Rubicon 6 C
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Dali Rubicon 6 c

,
€6,998.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Rubicon 6 c

Dali Rubicon 6 C

Dali Rubicon 6 C

WHARFEDALE Elysian 4
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WHARFEDALE Elysian 4

,
€7,000.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE Elysian 4

WHARFEDALE Elysian 4

WHARFEDALE Elysian 4

Hi End πικαπ PRO-JECT SIGNATURE 10
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PRO-JECT SIGNATURE 10

€7,099.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

PRO-JECT SIGNATURE 10

Hi End πικαπ PRO-JECT SIGNATURE 10, μια ασυμβίβαστη διαμόρφωση πικάπ/βραχίονα υψηλής ποιότητας με μια εξελιγμένη ιδέα που συνδυάζει αρχές πικαπ μάζας και magnetically-floating πικάπ. Τα μαγνητικά πόδια και τα μαξιλάρια TPE αποσυνδέουν το chassis από MDF χωρίς συντονισμούς από την επιφάνεια. Στη συνέχεια, επωφελείται από ένα υπέροχο επίσης χωρίς συντονισμούς, βαρύ πλατό, το οποίο λειτουργεί εξαιρετικά αθόρυβα σε ένα ανεστραμμένο κεραμικό ρουλεμάν με μαγνητική ανάρτηση επίσης με απόσβεση TPE. Ο νέος βραχίονας μονής περιστροφής 10" είναι μια γνήσια σχεδίαση Pro-Ject.

PRO-JECT SIGNATURE 10 hi end turntable and tonearm

PROAC RESPONSE D30S
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PROAC RESPONSE D30S

,
€7,100.00
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PROAC RESPONSE D30S

Το ProAc Response D30S διατίθεται είτε με tweeter μαλακού θόλου είτε με ribbon, γνωστά ως D30DS και D30RS αντίστοιχα. Η ProAc ανέπτυξε ειδικά για αυτό το ηχείο μια νέα μονάδα χαμηλών συχνοτήτων παρόμοια με το γούφερ που χρησιμοποιείται στο Response D48. Το Response D30S έχει flat απόκριση συχνότητας ενώ το mid woofer του αποδίδει με εξαιρετική λεπτομέρεια τις μεσαίες συχνότητες και βοηθάει στην ανάπτυξη μιας μεγάλης στερεοφωνικής εικόνας. Το D30S αναπαράγει το μουσικό πρόγραμμα με ακρίβεια, γεμάτα μπάσα, εξαιρετική λεπτομέρεια στη μεσαία περιοχή χαμηλό χρωματισμό και επιπλέον το ηχείο είναι εύκολο στην οδήγηση.

PROAC RESPONSE D30S

PROAC RESPONSE D30S

Electrocompaniet ECI 6 DX MKII
Electrocompaniet ECI 6 DX MKII
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Electrocompaniet ECI 6 DX MKII

,
€7,180.00
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Electrocompaniet ECI 6 DX MKII

Ο Electrocompaniet ECI 6 DX MKII είναι ένας ολοκληρωμένος ενισχυτής με ενσωματωμένο streamer και DAC που μπορεί να "στριμάρει" μουσική από όλες τις δημοφιλείς υπηρεσίες Streaming. Ο Electrocompaniet ECI 6 DX MKII είναι και ένα μηχάνημα με όλα τα τυπικά χαρακτηριστικά της Electrocompaniet π.χ έχει Maximum peak current πλέον των 100A διαθέτει 125 W στα 8 ohms ανα κανάλι τα οποία γίνονται 200 και 370!! στα 4 και στα 2 ohms αντίστοιχα. Έχει ισσοροπημένες και rca εισόδους όπως και εξόδους και επιπλέον έχει USB, 2 Toslink, 2 Coaxial, είσοδο Lan, usb &  wi-fi ενώ το κομμάτι του ψηφιοαναλογικού μετατροπέα είναι στα 24 bit/192 kHz με το γνωστό γλυκόηχο χαρακτήρα των ψηφιακών της εταιρείας.
Electrocompaniet ECI 6 DX MKII

Electrocompaniet ECI 6 DX MKII

Musical Fidelity M8xi
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Musical Fidelity M8xi

,
€7,250.00
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Musical Fidelity M8xi

Το 1990, η Musical Fidelity δημιούργησε τον πρώτο Super Integrated ενισχυτή: τον A1000. Έτυχε ενθουσιώδους υποδοχής και, ακόμη και σήμερα, σαν μεταχειρισμένος, πωλείται σε υψηλές τιμές. Ο A1000 ήταν ο πρώτος από μια μακρά σειρά Super Integrated ενισχυτών της Musical Fidelity. Τα παιδιά του: τα NuVista M3, Tri Vista 300, kW500, M6/500i, NuVista 800 και NuVista 600 έγιναν δεκτά με εξίσου ενθουσιασμό στον κόσμο των audiophiles. Ο M8xi είναι ο πιο πρόσφατος και ο καλύτερος της νέας σειράς.

Γενική περιγραφή Το M8xi είναι ουσιαστικά 3 μηχανήματα σε ένα κουτί, ξεχωριστός προενισχυτής με δύο μονομπλόκ τελικούς ενισχυτές ισχύος. Η ο προενισχυτής και οι τελικοί έχουν ο καθένας τις δικές του ψύκτρες και τον δικό τους μετασχηματιστή. Ο M8xi είναι μια καθαρή dual mono σχεδίαση. Ο προενισχυτής έχει το δικό του ξεχωριστό τροφοδοτικό και είναι τοποθετημένος κοντά στις υποδοχές εισόδου. Κατά συνέπεια, οι πλακέτες είναι πολύ μικρές και η διαδρομή του σήματος πολύ σύντομη. Αυτή η σχεδίαση διασφαλίζει ότι τα σήματα και των δύο καναλιών έχουν εξαιρετικά χαμηλή σύνθετη αντίσταση τη στιγμή που εισέρχονται στον ενισχυτή. Αυτή είναι μια σημαντική λεπτομέρεια. Κάθε κανάλι έχει δώδεκα μεγάλα bipolar τρανζίστορ - κάτι που εξασφαλίζει 200 αμπέρ ρεύμα κορυφής ανα πάσα στιγμή. Η δουλειά του κουτιού είναι υψηλής ποιότητας ενώ η πρόσοψη του M8xi είναι από αλουμίνιο milspec. Οι ψύκτρες του ενισχυτή έχουν εξαιρετικά χαρακτηριστικά απαγωγής και φινίρισμα και γενικά όλη η κατασκευή του M8xi δίνει μια αίσθηση στιβαρότητας και ποιότητας.

Musical Fidelity M8xi

Musical Fidelity M8xi

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX Hemp

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€7,270.00
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Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp