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EverSolo AMP-F2

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

798.00€

EverSolo AMP-F2

Προσθήκη στο καλάθι

Frankie hybrid preamplifier net The beating heart of Frankie hybrid preamplifier, the line amplifier, consists of a 4 x 6922 / E88CC double triode configured as a SRPP balanced circuitry with an active cascoded mosfet current sink. The circuit, with zero overall feedback, benefits of 4 separate and regulated power supplies with discrete components. The volume control is once again our “Golden Stairway”, the attenuator developed in house and used in all our products. This attenuator, made up of fixed resistors switched by relays, has a precision and quality superior to common analogue or digital potentiometers. In Frankie hybrid preamplifier, this attenuator works in “shunt mode”. The preamplifier can be controlled both via iOS & Android App or via infrared remote control at the same time. Frankie hybrid preamplifier has been designed to be the ideal partner of the Frankie monoblock power amplifier.

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Frankie Hybrid Preamplifier & Streamer -Net by Serblin & Son

ΕΝΙΣΧΥΤΕΣ, ΠΡΟΕΝΙΣΧΥΤΕΣ

3,380.00€

Frankie hybrid Preamplifier & Streamer -net by Serblin & Son

Frankie hybrid preamplifier net

Προσθήκη στο καλάθι

Frankie hybrid preamplifier The beating heart of Frankie hybrid preamplifier, the line amplifier, consists of a 4 x 6922 / E88CC double triode configured as a SRPP balanced circuitry with an active cascoded mosfet current sink. The circuit, with zero overall feedback, benefits of 4 separate and regulated power supplies with discrete components. The volume control is once again our “Golden Stairway”, the attenuator developed in house and used in all our products. This attenuator, made up of fixed resistors switched by relays, has a precision and quality superior to common analogue or digital potentiometers. In Frankie hybrid preamplifier, this attenuator works in “shunt mode”. Phono input is a solid state circuit suitable for both MM and MC cartridges, it benefits from an ultra-low noise discrete FET input, a fully passive RIAA network and a balanced output. The dip switches on the rear panel offer a wide range of capacitance and resistance adjustments for the cartridge interface. Obviously the phono board has its own dedicated power supply. The preamplifier can be controlled both via iOS & Android App or via infrared remote control at the same time. Frankie hybrid preamplifier has been designed to be the ideal partner of the Frankie monoblock power amplifier.

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Frankie hybrid Preamplifier & Phono mm-mc by Serblin & Son

ΕΝΙΣΧΥΤΕΣ, ΠΡΟΕΝΙΣΧΥΤΕΣ

3,380.00€

Frankie hybrid mm-mc

Frankie hybrid mm-mc

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Zidoo UHD8000 Zidoo UHD8000 is a multimedia media player designed to elevate your home entertainment experience to another level. The Zidoo UHD8000 supports 8K UHD resolution, Dolby Vision and HDR10+, ensuring stunning picture quality with vivid colors and exceptional clarity. Whether you are a movie buff or an audiophile, the UHD8000 offers extensive support for the latest audio and video formats, making it the perfect addition to any home theater setup.

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Zidoo UHD8000

CD PLAYER - DAC, media players

1,479.00€

Zidoo UHD8000

Zidoo UHD8000 media player

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Zidoo Z3000 Pro Zidoo Z3000 Pro Android 8K media player 8K UHD 2024 Amlogic S928X-K media player with 1x HDD bay. Dolby Vision and HDR 10+. 1x 3.5" HDD bay. 2x HDMI port. 8GB RAM. 64GB storage. Internal PSU. Powerful new multifunctional chipset from Amlogic. Zidoo Music Player 8.0 by Eversolo audio streamer. Greatly improved ISO and ISO menu support. New comprehensive Android/iOS remote control app.

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Zidoo Z3000 Pro

CD PLAYER - DAC, media players

715.00€

Zidoo Z3000 Pro

Zidoo Z3000 Pro Android 8K media player

Zidoo Z3000 Pro

Media player 8K UHD 2024 Amlogic S928X-K με 1x υποδοχή HDD.
Dolby Vision και HDR 10+. 1x 3,5″ θήκη HDD. 2x θύρα HDMI. 8GB RAM. 64GB αποθήκευση. Εσωτερικό PSU. Ισχυρό νέο πολυλειτουργικό chipset από την Amlogic. Zidoo Music Player 8.0 από την Eversolo audio streamer. Εξαιρετικά βελτιωμένη ISO και υποστήριξη ISO. Νέα ολοκληρωμένη εφαρμογή τηλεχειριστηρίου Android/iOS.

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Zidoo Z30 PRO

CD PLAYER - DAC, media players

450.00€

Zidoo Z30 PRO

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Zidoo Z9X 8K

CD PLAYER - DAC, media players

295.00€

Zidoo Z9X 8K

Προσθήκη στο καλάθι

-10%

GRANDINOTE Solo Integrated We are proud to introduce a new product that is the result of a long period of design and development. The new integrated amplifier Solo. We have concentrated years of experience in HiFi development into this new creation. Everything is improved not only the audio quality and the power (now 60W in class A) but even a new design with a huge 9” display full of functions like VUmeter, spectrum analyser and more. Grandinote is technology, innovation, flexibility, design and absolute audio quality. MAGNETOSOLID TECHNOLOGY Magnetosolid is a unique technology from Grandinote, designed by engineer Massimiliano Magri and a great expression of Made in Italy. Created in 2002 in its first versions, it integrates two words in its name: Magneto and Solid. Magneto because of its ferromagnetic components and output transformers and Solid because of its solid-state components. It is a circuit that brings the best of tubes and solid-state technology to our amplifiers. As with tube systems, the circuit is as simple and straightforward as possible, but with all the qualities of solid state. The main advantage of tubes over solid state, is the absence of parasitic capacitance. Our Magnetosolid technology, has overcome even this obstacle by delivering a sound that is absolutely faithful to the source without the loss of any detail and with the ability to control any speaker. The frequency response of Magnetosolid amplifiers is the best on the market, superior to either tube or solid-state systems. All components of the sound message are in place. Detail, presence, full dynamic and control thanks also to an absolute reference damping factor. In the Solo and in the new Grandinote Magnetosolid amplifiers the audio circuit has been further improved compared to previous ones such as the Shinai, with voltages and polarizations even richer and oversized. An increase of over 50% going from 60V to 96V while maintaining the purity of the signal unchanged. POWER SUPPLY Grandinote's new Magnetosolid amplifiers are now equipped with a new switching power supply with electro-medical rigor standards and a new concept. All circuits are pure class A with an always constant current. The absorption does not depend on the signal and this means that the power supply will always supply the same current. It is very important to underline that our switching power supplies never modulate the current based on the signal. The development of our new switching power supplies has broken down the paradigm of toroidal as the only solution. With our design they are now qualitatively on par with toroidals and perfectly integrated with Grandinote's Magnetosolid circuits in pure class A. With our new power supply, we are able to choose the supply voltages for the output stages and able to select the Solo polarization in function of the nominal impedance speakers. Solo is now optimised for 8, or 4 Ohm speakers, avoiding unnecessary power losses and with a greater overall performance. We have also increased the size of the heatsinks, now they are a 10% bigger than in the old Shinai and that allows the Solo to deliver more power while heating up less and be more comfortable to use in hot seasons. VOLUME CONTROL Now we have resistors combined with reed relays. Reed relays are the best contact in existence cause they works in vacuum, no impurities, no parasitic capacitances like in solid-state relays and guarantee the passage of every smallest nuance of the signal, without limiting its frequency response, without any distortion! The configuration of these resistors is a pure “ladder" with two blocks of resistors, only in parallel with each other. This configuration use the same principle of the volume regulators with rotary switches, studded with resistors, but with 2 big improvements: No rotary switch in the world has the same contact quality as a reed relay (vacuum) - these switches have few steps, a far cry from the 68 steps + 0 of our regulator. The Shinai has only 33 steps plus 0.

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GRANDINOTE Solo Integrated

ΕΝΙΣΧΥΤΕΣ, Ολοκληρωμένοι ενισχυτές

GRANDINOTE Solo Integrated

Είμαστε περήφανοι που παρουσιάζουμε ένα νέο προϊόν που είναι αποτέλεσμα μακράς περιόδου σχεδιασμού και ανάπτυξης. Ο νέος ολοκληρωμένος ενισχυτής Solo. Έχουμε συγκεντρώσει την πολυετή εμπειρία στην ανάπτυξη HiFi σε αυτή τη νέα δημιουργία. Όλα είναι βελτιωμένα όχι μόνο στην ποιότητα του ήχου και την ισχύ (τώρα 60W σε τάξη Α), αλλά ακόμη και σε μια νέα σχεδίαση με μια τεράστια οθόνη 9″ γεμάτη λειτουργίες όπως VUmeter, αναλυτής φάσματος και πολλά άλλα. Το όνομα Grandinote σημαίνει τεχνολογία, καινοτομία, ευελιξία, σχεδιασμός και απόλυτη ποιότητα ήχου.

Προσθήκη στο καλάθι

-13%

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18.00€

Προσθήκη στο καλάθι

LUDIC turntable mat διπλής όψης LUDIC Double sided Genuine Leather & Cork The Double side Leather & Cork Mat is a premium mat made from Genuine leather and cork. This will give the best acoustic feedback when playing records which is one of the major problems when playing records. The cause is the sound that has just been produced by the speakers which comes back to the record player and cause it to vibrate. The problems is that there is a very slight time difference between the reproduced sound and the sound that is fed back onto the record player. This results in a big loss of detail and clarity and makes the sound “muddy”. So every effort has to be done to isolate the record player from its surroundings as well as to isolate the record from the record player. With the goal to reduce acoustic feedback from the surroundings back to the record and the cartridge a lot of effort has gone into developing turntable mats that make the reproduced sound crystal clear with great separation and detail. There are different materials to achieve this, the leather&cork mat is one of the best options and still for a very good price.

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LUDIC turntable mat διπλής όψης

ΑΞΕΣΟΥΑΡ

55.00€

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LUDIC Baerwald Protractor Our Ludic Baerwald Alignment protractor allows you to check your cartridge is correctly aligned in your tonearm. An incorrectly aligned phono cartridge can result in premature cartridge and record wear. Despite what some manufacturers claim, correct overhang length and alignment is critical to obtaining proper audio reproduction without distortion and avoiding unnecessary record and stylus wear. This is a precision task and cannot be done by eye or guess work alone. You will only be able to enjoy the best possible sound from your cartridge when properly aligned. The mirrored surface makes all measurements easier and more accurate. The mirror’s parallax effect allows the elimination of sighting errors, and provides better lighting, critical in making fine adjustments on small parts. Simply place this alignment gauge over your turntable spindle, move your phono cartridge over the grid, and make sure it is correctly aligned before tightening it to your tonearm. Couldn’t be simpler.

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LUDIC Baerwald Protractor

ΑΞΕΣΟΥΑΡ

15.00€

Προσθήκη στο καλάθι

LUDIC Aesir Optilink LUDIC AESIR high performance OptiLink cable Optical digital audio connection send superior audio signals between devices. Most optical cables you buy uses plastic fibers and that works well in relatively short distances, also a lot optical cables are poorly designed, but we designed a quality cable for a great price! LUDIC use Glass and yes this costs substantially more and is generally used in professional applications, and with great latching connectors the light troughput is stronger and gives no connection problems or signal loss. LUDIC AESIR Toslink cables are utilized to carry digital audio signals between devices, suitable for LCD TV’s, gaming consoles, audio equipment, PC’s. our line of cables are always a good choice for your audio system.

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LUDIC Aesir Optilink

ΚΑΛΩΔΙΑ, Digital

LUDIC Aesir Optilink

Επιλογή

Dual DTJ 301.1 Professional device with USB function! Enjoy your old record collection in the highest quality and enjoy your memories. The Dual DTJ 301 doesn’t just play your new and old records in the usual quality, but also offers you other functions, such as the USB function for digitizing your old records or the possibility of scratching your records. The direct drive enables the target speed to be reached quickly (33/45 revolutions per minute) with a start / stop time of

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Dual DTJ 301.1

ΠΙΚΑΠ

360.00€

Dual DTJ 301.1

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Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE-SPE-HE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

12,450.00€

Audio Note ANE-SPE-HE

Προσθήκη στο καλάθι

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,950.00€

Audio Note ANE LX Hemp

Προσθήκη στο καλάθι

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,440.00€

Audio Note ANE LX

Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

7,270.00€

Audio Note AN-J-LX Hemp

Προσθήκη στο καλάθι

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

6,790.00€

Audio Note AN-J-LX

Προσθήκη στο καλάθι

Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANK-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

4,910.00€

Audio Note ANK-LX

Προσθήκη στο καλάθι

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

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AN-E-SPX Limited

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

59,770.00€

Audio Note AN-E Ltd

AN-E-SPX Limited

Προσθήκη στο καλάθι

JADIS SE300B Description The SE300B supplies a power of 10W RMS and functions in pure class-A with single-ended mounting (the two tubes are in parallel) with an automatic bias. The two high voltages, driver and power, have vacuum-tube power supplies. The bandwidth (at –3dB) is from 20Hz to 20kHz, without any feedback. The driver stage, powered at 400V, is built around a double-triode 6SN7. The two elements of the tube are mounted in cascade. The output stage is powered at 320V, which allows the tubes to work in the best conditions.

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JADIS SE300B

ΕΝΙΣΧΥΤΕΣ, ΤΕΛΙΚΟΙ ΕΝΙΣΧΥΤΕΣ

15,700.00€

JADIS SE300B

Προσθήκη στο καλάθι

Marantz CINEMA 30 Crafted with premium materials for timeless style, the CINEMA 30 is the most refined AV Receiver Marantz has ever created, redefining premium home theater sound. Designed with exclusive technology honed from decades of rich heritage, its 11.4 channels deliver unrivaled performance and can easily power even the largest home theaters. • Made in Shirakawa, Japan • 11.4 Channels • 140 Watts per Channel • 7 HDMI Inputs (all 8K) and eARC • 8K & Dolby Atmos • HEOS Built-in Timeless yet modern in style Excellence is heard and seen. The CINEMA 30 AV Receiver is meticulously crafted in Japan with authentic materials in a modern style befitting its rich heritage and stunning performance. No Mechanical Compromise HiFi performance technologies, such as HDAM SA-2 and others, elevate the CINEMA 30 to levels of performance rarely found in an AVR. Customised and Calibrated by Marantz Sound Masters for You The Cinema 30 features the best calibration and tuning tools, allowing you to get the best performance from your system. Technology Leader Seven HDMI inputs, as well as digital, analogue and phono inputs – even analogue video plus speaker and preamp outputs – ensure you can connect to almost any source you have.

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Marantz CINEMA 30

ΕΝΙΣΧΥΤΕΣ, Ραδιοενισχυτές AV

4,689.00€

Marantz CINEMA 30

Επιλογή

Sorane-Tonearm TA-1 Classic looking tonearm, machine-tooled and hand-assembled by skilled Japanese craftsmen. It features a precise detachable headshell and a gimball bearing design for excellent bass and imaging. Sorane/ All handmade and hand assembled by craftsmen Since the company's foundation in 1974, Katsuaki Ishiyama-san has established and accumulated extensive knowhow in the design and development of various tonearms and other analog equipment. Each piece is manufactured through a completely handmade and assembled process, based on his belief that fine-tuning can only be achieved through the precise and sensitive hands of skilled craftsmen. Even though modern technology such as CNC milling machines is used at their plant for basic parts production, they still rely on the expertise of their craftsmen, particularly during the assembly process. This ensures that the numerous parts achieve ideal mechanical surface contact through meticulous hand-tuning and hand-adjustment. Walden High-End Audio Products High-End Audio Brands Tonearms Sorane TA-1 Shared Features Amongst Sorane Tonearms (a) Gimbal-bearing designs for excellent bass, dynamics and imaging, as well as unconditional azimuth stability (the biggest problem for unipivots). (b) Antiskating (c) Detachable headshells to allow quick changes of cartridges, the adoption of various mass headshells (to help change the effective mass of the arms and cartridges), and the ability to mount cartridges in a well lit area, in a safe and convenient manner. (d) Machine-tooled and hand-assembled by skilled Japanese craftsmen. This highly skilled and delicate hand-assembly differentiates Sorane/Abis tonearms from similar mass-produced Japanese tonearms. Standard quality high-volume tonearms are produced by die-casting and semi-automatic assembly line processes to keep production costs low. (e) Skilled hand assembly does not simply mean “combining the constituent parts by hand”. Skilled hand assembly involves measurement, adjustment and hand-fitting to produce optimal interface between machined surfaces. Once completed, the fitment between every part is ideal, satisfying the necessary conditions for vibration-free and noise-free reproduction of analog sound. (f) Most importantly, the key to tonearm quality is highly sensitive and delicate motion, for which the bearings are the determining factor. (g) Concerning the reproduced sound from these models: The designer is confident you will get precise and clean sound, which can only be had from hand-made tonearms, but at a very reasonable price with these arms. (h) In particular, the SA-1.2 will produce rich and tight bass, coming from the extremely rigid rectangular shaped arm-wand. (i) In SA-1.2, two sets of fine radial bearings are installed for both horizontal (set in the bearing stem column in this photo) and vertical (further small bearing at tonearm wand). This assures audiophiles of smooth tonearm function, greater longevity, better consistency, and enhanced ability to track warped vinyl. (j) The same type radial bearing used in the SA-1.2 for horizontal motion is also used for the TA-1 and TA-1L, while a delicate pivot bearing is employed for vertical movement (this is still a bearing but the bearing axis end is cone shaped, and requires careful assembly and adjustment). The right side cone in this photo is inserted into the miniature bearing inner race.

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SORANE TA-1L Tonearm

ΠΙΚΑΠ, Βραχίονες

2,550.00€

SORANE TA-1L Tonearm

Προσθήκη στο καλάθι

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EverSolo AMP-F2

Frankie hybrid Preamplifier & Streamer -net by Serblin & Son

Zidoo UHD8000

Zidoo Z3000 Pro

Zidoo Z3000 Pro Android 8K media player

Zidoo Z30 PRO

Zidoo Z9X 8K

GRANDINOTE Solo Integrated

WHARFEDALE Dovedale

LUDIC Aesir Optilink

Dual DTJ 301.1

Audio Note ANE-SPE-HE

Audio Note ANE LX Hemp

Audio Note ANE LX

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX

Audio Note ANK-LX

Audio Note AN-E Ltd

JADIS SE300B

Marantz CINEMA 30

SORANE TA-1L Tonearm