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Audio Note Meishu Tonmeister Line S.E As with what we learned developing the 211 amplifiers, each element in a circuit is like each lens in a microscope, and has to be perfectly chosen and formed to correctly work with the proceeding and following lenses (or stages in the amplifier circuit). If the lenses in a microscope are not correctly chosen and adjusted, the image becomes blurred, and detail and information is lost. The same is true for an amplifier circuit; if each stage is not absolutely correctly chosen and matched to work optimally with the rest of the amplifier, the result will be blurred, unfocused, uneven sound lacking in information. So to create a better amplifier, the natural idea was to simplify the circuit and optimise every element, so the combination works seamlessly and harmoniously together. This is exactly what we have done with the MEISHU Tonmeister. The new PSU uses only one mains transformer, one 5U4 rectifier valve and one choke. When this arrangement is optimised, it works extremely well, producing a very homogeneous and ‘complete’ sound. The input and driver stage is very similar to that found in the JINRO, TOMEI and ONGAKU, with a 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. The output transformers for the new MEISHU were designed specifically for the project by Andy Grove, and it is not an overstatement to say that they are superb. The circuit is now a beautiful example of elegant simplification, something that could only be realised thanks to our ability to create extremely closely matched transformers in-house, and having our own supply of custom resistors, in-house made foil capacitors and custom made electrolytic capacitors. These allow us to exert extremely tight control over the performance and voicing of the complete amplifier from input to output, something that is simply beyond the possibilities of manufacturers who have to rely on 'off the shelf' components. The result is an amplifier that maintains the legendary Audio Note musicality, midrange magic and glorious tonal colour of the original MEISHU, whilst bringing new and previously unheard levels of information retrieval and dynamic expression, redefining what is usually expected of a 300B SET amplifier.
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Audio Note Meishu Tonmeister Line 300B SE Silver Edition

,
€16,440.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Audio Note Meishu Tonmeister Line S.E

Audio Note Meishu Tonmeister Line S.E As with what we learned developing the 211 amplifiers, each element in a circuit is like each lens in a microscope, and has to be perfectly chosen and formed to correctly work with the proceeding and following lenses (or stages in the amplifier circuit). If the lenses in a microscope are not correctly chosen and adjusted, the image becomes blurred, and detail and information is lost. The same is true for an amplifier circuit; if each stage is not absolutely correctly chosen and matched to work optimally with the rest of the amplifier, the result will be blurred, unfocused, uneven sound lacking in information. So to create a better amplifier, the natural idea was to simplify the circuit and optimise every element, so the combination works seamlessly and harmoniously together. This is exactly what we have done with the MEISHU Tonmeister. The new PSU uses only one mains transformer, one 5U4 rectifier valve and one choke. When this arrangement is optimised, it works extremely well, producing a very homogeneous and ‘complete’ sound. The input and driver stage is very similar to that found in the JINRO, TOMEI and ONGAKU, with a 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. The output transformers for the new MEISHU were designed specifically for the project by Andy Grove, and it is not an overstatement to say that they are superb. The circuit is now a beautiful example of elegant simplification, something that could only be realised thanks to our ability to create extremely closely matched transformers in-house, and having our own supply of custom resistors, in-house made foil capacitors and custom made electrolytic capacitors. These allow us to exert extremely tight control over the performance and voicing of the complete amplifier from input to output, something that is simply beyond the possibilities of manufacturers who have to rely on 'off the shelf' components. The result is an amplifier that maintains the legendary Audio Note musicality, midrange magic and glorious tonal colour of the original MEISHU, whilst bringing new and previously unheard levels of information retrieval and dynamic expression, redefining what is usually expected of a 300B SET amplifier.

Audio Note Meishu Tonmeister Line S.E ολοκληρωμένος ενισχυτής SET με 300B

Audio Note Meishu Tonmeister phono As with what we learned developing the 211 amplifiers, each element in a circuit is like each lens in a microscope, and has to be perfectly chosen and formed to correctly work with the proceeding and following lenses (or stages in the amplifier circuit). If the lenses in a microscope are not correctly chosen and adjusted, the image becomes blurred, and detail and information is lost. The same is true for an amplifier circuit; if each stage is not absolutely correctly chosen and matched to work optimally with the rest of the amplifier, the result will be blurred, unfocused, uneven sound lacking in information. So to create a better amplifier, the natural idea was to simplify the circuit and optimise every element, so the combination works seamlessly and harmoniously together. This is exactly what we have done with the MEISHU Tonmeister. The new PSU uses only one mains transformer, one 5U4 rectifier valve and one choke. When this arrangement is optimised, it works extremely well, producing a very homogeneous and ‘complete’ sound. The input and driver stage is very similar to that found in the JINRO, TOMEI and ONGAKU, with a 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. The output transformers for the new MEISHU were designed specifically for the project by Andy Grove, and it is not an overstatement to say that they are superb. The circuit is now a beautiful example of elegant simplification, something that could only be realised thanks to our ability to create extremely closely matched transformers in-house, and having our own supply of custom resistors, in-house made foil capacitors and custom made electrolytic capacitors. These allow us to exert extremely tight control over the performance and voicing of the complete amplifier from input to output, something that is simply beyond the possibilities of manufacturers who have to rely on 'off the shelf' components. The result is an amplifier that maintains the legendary Audio Note musicality, midrange magic and glorious tonal colour of the original MEISHU, whilst bringing new and previously unheard levels of information retrieval and dynamic expression, redefining what is usually expected of a 300B SET amplifier.
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Audio Note MEISHU Tonmeister phono 300B SE

,
€15,680.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Audio Note Meishu Tonmeister phono

Audio Note Meishu Tonmeister phonoAs with what we learned developing the 211 amplifiers, each element in a circuit is like each lens in a microscope, and has to be perfectly chosen and formed to correctly work with the proceeding and following lenses (or stages in the amplifier circuit). If the lenses in a microscope are not correctly chosen and adjusted, the image becomes blurred, and detail and information is lost. The same is true for an amplifier circuit; if each stage is not absolutely correctly chosen and matched to work optimally with the rest of the amplifier, the result will be blurred, unfocused, uneven sound lacking in information. So to create a better amplifier, the natural idea was to simplify the circuit and optimise every element, so the combination works seamlessly and harmoniously together. This is exactly what we have done with the MEISHU Tonmeister. The new PSU uses only one mains transformer, one 5U4 rectifier valve and one choke. When this arrangement is optimised, it works extremely well, producing a very homogeneous and ‘complete’ sound. The input and driver stage is very similar to that found in the JINRO, TOMEI and ONGAKU, with a 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. The output transformers for the new MEISHU were designed specifically for the project by Andy Grove, and it is not an overstatement to say that they are superb. The circuit is now a beautiful example of elegant simplification, something that could only be realised thanks to our ability to create extremely closely matched transformers in-house, and having our own supply of custom resistors, in-house made foil capacitors and custom made electrolytic capacitors. These allow us to exert extremely tight control over the performance and voicing of the complete amplifier from input to output, something that is simply beyond the possibilities of manufacturers who have to rely on 'off the shelf' components. The result is an amplifier that maintains the legendary Audio Note musicality, midrange magic and glorious tonal colour of the original MEISHU, whilst bringing new and previously unheard levels of information retrieval and dynamic expression, redefining what is usually expected of a 300B SET amplifier.

Audio Note Meishu Tonmeister phono, ολοκληρωμένος ενισχυτής Single Ended 300b με phono stage

Audio Note Meishu Tonmeister Line As with what we learned developing the 211 amplifiers, each element in a circuit is like each lens in a microscope, and has to be perfectly chosen and formed to correctly work with the proceeding and following lenses (or stages in the amplifier circuit). If the lenses in a microscope are not correctly chosen and adjusted, the image becomes blurred, and detail and information is lost. The same is true for an amplifier circuit; if each stage is not absolutely correctly chosen and matched to work optimally with the rest of the amplifier, the result will be blurred, unfocused, uneven sound lacking in information. So to create a better amplifier, the natural idea was to simplify the circuit and optimise every element, so the combination works seamlessly and harmoniously together. This is exactly what we have done with the MEISHU Tonmeister. The new PSU uses only one mains transformer, one 5U4 rectifier valve and one choke. When this arrangement is optimised, it works extremely well, producing a very homogeneous and ‘complete’ sound. The input and driver stage is very similar to that found in the JINRO, TOMEI and ONGAKU, with a 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. The output transformers for the new MEISHU were designed specifically for the project by Andy Grove, and it is not an overstatement to say that they are superb. The circuit is now a beautiful example of elegant simplification, something that could only be realised thanks to our ability to create extremely closely matched transformers in-house, and having our own supply of custom resistors, in-house made foil capacitors and custom made electrolytic capacitors. These allow us to exert extremely tight control over the performance and voicing of the complete amplifier from input to output, something that is simply beyond the possibilities of manufacturers who have to rely on 'off the shelf' components. The result is an amplifier that maintains the legendary Audio Note musicality, midrange magic and glorious tonal colour of the original MEISHU, whilst bringing new and previously unheard levels of information retrieval and dynamic expression, redefining what is usually expected of a 300B SET amplifier.
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Audio Note MEISHU TONMEISTER 300B SE Line

,
€12,470.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Audio NOTE MEISHU TONMEISTER  300B SE Line

Audio Note Meishu Tonmeister LineAs with what we learned developing the 211 amplifiers, each element in a circuit is like each lens in a microscope, and has to be perfectly chosen and formed to correctly work with the proceeding and following lenses (or stages in the amplifier circuit). If the lenses in a microscope are not correctly chosen and adjusted, the image becomes blurred, and detail and information is lost. The same is true for an amplifier circuit; if each stage is not absolutely correctly chosen and matched to work optimally with the rest of the amplifier, the result will be blurred, unfocused, uneven sound lacking in information. So to create a better amplifier, the natural idea was to simplify the circuit and optimise every element, so the combination works seamlessly and harmoniously together. This is exactly what we have done with the MEISHU Tonmeister. The new PSU uses only one mains transformer, one 5U4 rectifier valve and one choke. When this arrangement is optimised, it works extremely well, producing a very homogeneous and ‘complete’ sound. The input and driver stage is very similar to that found in the JINRO, TOMEI and ONGAKU, with a 12AU7 and 5687 driving an in-house designed and manufactured inter-stage transformer for the best energy transfer, evenness and authority. This is the most important, fundamental upgrade over the original design. The output transformers for the new MEISHU were designed specifically for the project by Andy Grove, and it is not an overstatement to say that they are superb. The circuit is now a beautiful example of elegant simplification, something that could only be realised thanks to our ability to create extremely closely matched transformers in-house, and having our own supply of custom resistors, in-house made foil capacitors and custom made electrolytic capacitors. These allow us to exert extremely tight control over the performance and voicing of the complete amplifier from input to output, something that is simply beyond the possibilities of manufacturers who have to rely on 'off the shelf' components. The result is an amplifier that maintains the legendary Audio Note musicality, midrange magic and glorious tonal colour of the original MEISHU, whilst bringing new and previously unheard levels of information retrieval and dynamic expression, redefining what is usually expected of a 300B SET amplifier.

Audio Note Meishu Tonmeister Line Single Ended class A integraed tube amp with 300b

Audio Note Cobra Our latest integrated amplifier, producing 28 watts per channel from a pair of EL34 valves operating in Class A push-pull. It is capable of driving a wide variety of 'speakers thanks to its exceptional double C-core output transformers, which are custom designed and manufactured by Audio Note (UK). Cobra is equipped with three analogue stereo inputs, and an additional three digital inputs, via the onboard DAC. The digital coax inputs can accept signals up to 24-bit/176.4kHz (native bit-depth for the Philips TDA1543 D/A converter chip is 16bit, so anything above this is truncated down). The Optical SPDIF input can accept signals up to 24-bit/96kHz (see above). The USB input can accept up to 16-bit/48kHz. Remote volume control, mute and input selection.
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AUDIO NOTE COBRA EL34 PP

,
€5,390.00
Προσθήκη στο καλάθι

Audio Note Cobra

Audio Note CobraOur latest integrated amplifier, producing 28 watts per channel from a pair of EL34 valves operating in Class A push-pull. It is capable of driving a wide variety of 'speakers thanks to its exceptional double C-core output transformers, which are custom designed and manufactured by Audio Note (UK). Cobra is equipped with three analogue stereo inputs, and an additional three digital inputs, via the onboard DAC. The digital coax inputs can accept signals up to 24-bit/176.4kHz (native bit-depth for the Philips TDA1543 D/A converter chip is 16bit, so anything above this is truncated down). The Optical SPDIF input can accept signals up to 24-bit/96kHz (see above). The USB input can accept up to 16-bit/48kHz. Remote volume control, mute and input selection.

Audio Note Cobra Ολοκληρωμένος ενισχυτής λυχνίας με dac