ηχεία βάσης - Nexus Acoustics - HiFi End Συστήματα Ηχου

18 items / 131,909.00€

18 items 131,909.00€

Το προϊόν “Audio Note AN-J-LX” έχει προστεθεί στο καλάθι σας. Καλάθι

Βλέπετε 1–24 από 128 αποτελέσματαSorted by latest

Filters

Revival Audio ATALANTE 3 The Revival Audio ATALANTE 3 redefines bookshelf speakers with its compact design and exceptional sound quality. Engineered in France with 30+ years of experience, this award-winning speaker combines innovative technologies, including the unique Basalt Sandwich Construction woofer and patented ARID technology, for a truly immersive listening experience. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience.

Add to wishlist

Revival Audio ATALANTE 3

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

2,350.00€

Revival Audio ATALANTE 3

Revival Audio ATALANTE 3The Revival Audio ATALANTE 3 redefines bookshelf speakers with its compact design and exceptional sound quality. Engineered in France with 30+ years of experience, this award-winning speaker combines innovative technologies, including the unique Basalt Sandwich Construction woofer and patented ARID technology, for a truly immersive listening experience. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience.

Revival Audio ATALANTE 3

Revival Audio Sprint 3 The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer. These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Add to wishlist

Revival Audio Sprint 3

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

950.00€

Revival Audio Sprint 3

Revival Audio Sprint 3The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer.

These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Revival Audio Sprint 3

Το Revival Audio Sprint 3, είναι ένα ηχείο σχεδιασμένο σε συνεργασία με το βραβευμένο A+A Cooren Design Studio, αποτελεί έναν αξιοσημείωτο συνδυασμό σύγχρονης γαλλικής κομψότητας και ακουστικής τεχνολογίας αιχμής. Διαθέτει το πρωτοποριακό μπροστινό διάφραγμα ELYTRON και το υψηλής απόδοσης γούφερ BSC 7”. Τα ηχεία βιβλιοθήκης Revival Audio Sprint 3 προσφέρουν ακριβή ήχο και εντυπωσιακή αισθητική, συνεχίζοντας την κληρονομιά της αναγνωρισμένης σειράς ATALANTE της Revival Audio. Ένα πραγματικά υψηλής ποιότητας ηχείο audiophile!

Add to wishlist

WHARFEDALE Dovedale

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

Προσθήκη στο καλάθι

WHARFEDALE Dovedale

WHARFEDALE Dovedale

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note ANE-SPE-HE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

12,450.00€

Προσθήκη στο καλάθι

Audio Note ANE-SPE-HE

Audio Note ANE-SPE-HE Details
The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?
What about LIFE?
What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it.

The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.

The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers.

The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE-SPE-HE

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note ANE LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,950.00€

Προσθήκη στο καλάθι

Audio Note ANE LX Hemp

Audio Note ANE LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX Hemp

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note ANE LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,440.00€

Προσθήκη στο καλάθι

Audio Note ANE LX

Audio Note ANE LXDetails
The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?
What about LIFE?
What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it.

The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.

The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers.

The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note AN-J-LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

7,270.00€

Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails
The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?
What about LIFE?
What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it.

The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.
The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers.

The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note AN-J-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

6,790.00€

Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note ANK-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

4,910.00€

Προσθήκη στο καλάθι

Audio Note ANK-LX

Audio Note ANK-LXDetails
The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers.

The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?

What about LIFE?

What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it.

The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.

The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers.

The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANK-LX

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

Add to wishlist

AN-E-SPX Limited

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

59,770.00€

Προσθήκη στο καλάθι

Audio Note AN-E Ltd

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

AN-E-SPX Limited

Paradigm Monitor SE Atom Monitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Add to wishlist

Paradigm Monitor SE Atom

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

399.00€

Paradigm Monitor SE Atom

Paradigm Monitor SE AtomMonitor SE Series
The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment.

Built On Research
Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker.

Realism in Audio
Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life.

Tweeter
X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound.

Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Paradigm Monitor SE Atom

Paradigm Premier 100B Premier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Add to wishlist

Paradigm Premier 100B

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,099.00€

Paradigm Premier 100B

Paradigm Premier 100B Premier Series
You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm.

Performance & Value
To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers.

Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology
Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged.

Patented Active Ridge Technology (ART™) Surrounds
Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Paradigm Premier 100B

Paradigm Premier 200B Premier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Add to wishlist

Paradigm Premier 200B

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,379.00€

Paradigm Premier 200B

Paradigm Premier 200BPremier Series
You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm.

Performance & Value
To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers.

Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology
Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged.

Patented Active Ridge Technology (ART™) Surrounds
Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Paradigm Premier 200B

Paradigm Founder 40b Precision. Control. Dynamics. These are the pillars the Founder Series was built on. Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations. Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts. During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.

Add to wishlist

Paradigm Founder 40b

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

3,320.00€

Paradigm Founder 40b

Paradigm Founder 40bPrecision. Control. Dynamics.
These are the pillars the Founder Series was built on.

Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations.

Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts.

During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.

Paradigm Founder 40b

Bowers Wilkins 606 S3 The 606 S3 stand-mount speaker provides the ideal combination of size and performance. It combines our all-new Titanium Dome™ tweeter with the powerful accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.

Add to wishlist

Bowers Wilkins 606 S3

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,049.00€

Bowers Wilkins 606 S3

Bowers Wilkins 606 S3The 606 S3 stand-mount speaker provides the ideal combination of size and performance. It combines our all-new Titanium Dome™ tweeter with the powerful accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.

Bowers Wilkins 606 S3

Bowers Wilkins 607 S3 Offering power and scale that belies its compact form, the 607 S3 bookshelf speaker combines our new Titanium Dome™ tweeter with the accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.

Add to wishlist

Bowers Wilkins 607 S3

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

849.00€

Bowers Wilkins 607 S3

Bowers Wilkins 607 S3Offering power and scale that belies its compact form, the 607 S3 bookshelf speaker combines our new Titanium Dome™ tweeter with the accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.

Bowers Wilkins 607 S3

Bowers Wilkins 707 S3 707 S3's space friendly design makes it easy to accommodate in smaller spaces, but thanks to its Carbon Dome tweeter, Continuum cone mid-bass and curved baffle, this outstanding loudspeaker provides proof positive than often, size can be deceptive. * Stand(s) not included.

Add to wishlist

Bowers Wilkins 707 S3

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,499.00€

Bowers Wilkins 707 S3

Bowers Wilkins 707 S3707 S3's space friendly design makes it easy to accommodate in smaller spaces, but thanks to its Carbon Dome tweeter, Continuum cone mid-bass and curved baffle, this outstanding loudspeaker provides proof positive than often, size can be deceptive. * Stand(s) not included.

Bowers Wilkins 707 S3

Bowers & Wilkins Formation Duo The Formation Duo wireless speaker uses cutting-edge technologies like Carbon Dome Tweeter-on-Top and Continuum™ drivers to deliver the audio quality Bowers & Wilkins is renowned for. Wireless hi-res sound, without compromise. *Stand/s not included.

Add to wishlist

Bowers Wilkins Formation Duo

ΗΧΕΙΑ, Ενεργά αυτοενισχυόμενα ηχεία

4,999.00€

Bowers Wilkins Formation Duo

Bowers & Wilkins Formation DuoThe Formation Duo wireless speaker uses cutting-edge technologies like Carbon Dome Tweeter-on-Top and Continuum™ drivers to deliver the audio quality Bowers & Wilkins is renowned for. Wireless hi-res sound, without compromise. *Stand/s not included.

Bowers Wilkins Formation Duo

Bowers & Wilkins 705 S3 Signature The 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.

Add to wishlist

Bowers Wilkins 705 S3 Signature

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

3,999.00€

Bowers Wilkins 705 S3 Signature

Bowers & Wilkins 705 S3 SignatureThe 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.

Bowers Wilkins 705 S3 Signature

Monitor Audio Silver 100 7G A beautifully crafted bookshelf speaker that’s a leap beyond the ordinary. Featuring Rigid Surface Technology and a new tweeter design, it’s built to eliminate distortion wherever possible. So even when you push it to the limit, it remains clear and controlled. Imagine a bookshelf speaker that gives you richer sound and deeper bass than your old floorstander. That’s what the Monitor Audio Silver 100 7G is capable of. On the outside, a choice of real-wood veneers lets you achieve the perfect look. Inside, a plethora of technologies come together, including metal coned drivers with Rigid Surface Technology, a new tweeter design and a new crossover system that intelligently combines the tweeter and bass driver. If all that just sounds like noise to you, don’t worry. You’ll hear the difference the moment you press play.

Add to wishlist

Monitor Audio Silver 100 7G

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,240.00€

Monitor Audio Silver 100 7G

Monitor Audio Silver 100 7GA beautifully crafted bookshelf speaker that’s a leap beyond the ordinary. Featuring Rigid Surface Technology and a new tweeter design, it’s built to eliminate distortion wherever possible. So even when you push it to the limit, it remains clear and controlled.

Imagine a bookshelf speaker that gives you richer sound and deeper bass than your old floorstander. That’s what the Monitor Audio Silver 100 7G is capable of. On the outside, a choice of real-wood veneers lets you achieve the perfect look. Inside, a plethora of technologies come together, including metal coned drivers with Rigid Surface Technology, a new tweeter design and a new crossover system that intelligently combines the tweeter and bass driver. If all that just sounds like noise to you, don’t worry. You’ll hear the difference the moment you press play.

Monitor Audio Silver 100 7G

Monitor Audio Gold 100 6G This Gold 100 6G stand-mount loudspeaker delivers impressive high-fidelity sound, with deep bass and lifelike mid- and high-frequency definition. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and 8-inch bass driver. The Gold 100 6G is a substantial stand-mount speaker. A powerful performer, it creates an astonishing soundstage, is capable of deep extended bass and beautifully lifelike MF/HF definition. Its design features the latest MPD III high-frequency transducer, the new 3-inch mid-driver and a powerful 8-inch bass driver, both of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 100 6G delivers outstanding levels of high-fidelity sound with consummate ease.

Add to wishlist

Monitor Audio Gold 100 6G

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

3,700.00€

Monitor Audio Gold 100 6G

Monitor Audio Gold 100 6GThis Gold 100 6G stand-mount loudspeaker delivers impressive high-fidelity sound, with deep bass and lifelike mid- and high-frequency definition. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and 8-inch bass driver.

The Gold 100 6G is a substantial stand-mount speaker. A powerful performer, it creates an astonishing soundstage, is capable of deep extended bass and beautifully lifelike MF/HF definition. Its design features the latest MPD III high-frequency transducer, the new 3-inch mid-driver and a powerful 8-inch bass driver, both of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 100 6G delivers outstanding levels of high-fidelity sound with consummate ease.

Monitor Audio Gold 100 6G

Monitor Audio Gold 50 6G The Gold 50 6G is the smallest model in the Gold Series 6G. Incredibly flexible in its positioning potential, this two-way model features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 6-inch mid-bass driver.

Add to wishlist

Monitor Audio Gold 50 6G

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

2,110.00€

Monitor Audio Gold 50 6G

Monitor Audio Gold 50 6GThe Gold 50 6G is the smallest model in the Gold Series 6G. Incredibly flexible in its positioning potential, this two-way model features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 6-inch mid-bass driver.

Monitor Audio Gold 50 6G

Monitor Audio Platinum 100 3G The Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.

Add to wishlist

Monitor Audio Platinum 100 3G

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

5,900.00€

Monitor Audio Platinum 100 3G

Monitor Audio Platinum 100 3GThe Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.

Monitor Audio Platinum 100 3G

Monitor Audio Studio 89 The compact, high-performance Studio 89 is inspired by the creativity and individuality of the 1980s. This sense of adventure is brought up to date with the latest Monitor Audio technology, including an MPD III high-frequency transducer and twin 4 ¼” RDT III C-CAM bass-mid drivers.

Add to wishlist

Monitor Audio Studio 89

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

2,480.00€

Προσθήκη στο καλάθι

Monitor Audio Studio 89

Monitor Audio Studio 89The compact, high-performance Studio 89 is inspired by the creativity and individuality of the 1980s. This sense of adventure is brought up to date with the latest Monitor Audio technology, including an MPD III high-frequency transducer and twin 4 ¼” RDT III C-CAM bass-mid drivers.

συμπαγές υψηλής απόδοσης ηχείο βιβλιοθήκης/βάσης Monitor Audio Studio 89

Start typing to see products you are looking for.

Close

Menu

Categories

Home

Shop

Blog

Portfolio

About us

Contact us

Home

Shop

Blog

Portfolio

About us

Contact us

Wishlist
Compare
Login / Register

Shopping cart
Close

Sign in
Close

Όνομα χρήστη ή διεύθυνση email Απαιτείται

Password Απαιτείται

Lost your password? Remember me

No account yet?
Create an Account

Χρησιμοποιούμε cookies για να βελτιώσουμε την εμπειρία σας στον ιστότοπό μας. Με την περιήγηση σε αυτόν τον ιστότοπο, συμφωνείτε με τη χρήση των cookies από εμάς.

Accept

Shop

Filters

Wishlist

18 items Cart

My account