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Revival Audio Sprint 4 The Sprint 4, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofers. These floorstanding speakers delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

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Revival Audio Sprint 4

ΗΧΕΙΑ, ηχεία δαπέδου

1,750.00€

Revival Audio Sprint 4

Revival Audio Sprint 4The Sprint 4, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofers.

These floorstanding speakers delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Revival Audio Sprint 4

Το ηχείο δαπέδου Revival Audio Sprint 4, σχεδιασμένο σε συνεργασία με το βραβευμένο A+A Cooren Design Studio, αποτελεί έναν αξιοσημείωτο συνδυασμό σύγχρονης γαλλικής κομψότητας και ακουστικής τεχνολογίας αιχμής. Διαθέτει το καινοτόμο μπροστινό διάφραγμα ELYTRON και τα υψηλής απόδοσης γούφερ BSC 7". Αυτά τα επιδαπέδια ηχεία προσφέρουν ακριβή ήχο και εντυπωσιακή αισθητική, συνεχίζοντας την κληρονομιά της αναγνωρισμένης σειράς ATALANTE της Revival Audio. Ένα πραγματικά υψηλής ποιότητας ηχείο audiophile!

Revival Audio Sprint 3 The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer. These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

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Revival Audio Sprint 3

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

950.00€

Revival Audio Sprint 3

Revival Audio Sprint 3The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer.

These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Revival Audio Sprint 3

Το Revival Audio Sprint 3, είναι ένα ηχείο σχεδιασμένο σε συνεργασία με το βραβευμένο A+A Cooren Design Studio, αποτελεί έναν αξιοσημείωτο συνδυασμό σύγχρονης γαλλικής κομψότητας και ακουστικής τεχνολογίας αιχμής. Διαθέτει το πρωτοποριακό μπροστινό διάφραγμα ELYTRON και το υψηλής απόδοσης γούφερ BSC 7”. Τα ηχεία βιβλιοθήκης Revival Audio Sprint 3 προσφέρουν ακριβή ήχο και εντυπωσιακή αισθητική, συνεχίζοντας την κληρονομιά της αναγνωρισμένης σειράς ATALANTE της Revival Audio. Ένα πραγματικά υψηλής ποιότητας ηχείο audiophile!

REGA AYA Developed over ten years by a team of Rega designers headed up by our founder Roy Gandy, the AYA loudspeakers promise to deliver a detailed, balanced performance no matter which genre of music you decide to play. Using Rega designed, handmade drivers, coupled with our ZRR high frequency tweeter and a new crossover, our engineers have fine-tuned every aspect to deliver the best possible performance. The sculptured cabinets and stand create an attractive, floating effect which adds to the unique appearance. Breaking the mould After a decade of trials and development, the Rega AYA loudspeakers are born. Housed in a unique, UK manufactured cabinet moulded from GRC, (glass reinforced cement) the glass fibres that make up the construction reduce the weight whilst increasing the structural integrity of this 2.5 way band pass design. This technique creates the perfect loudspeaker enclosure that enhances performance whilst offering exceptional value for money. Thanks to the combination of the new enclosure and drive unit configuration, the AYA loudspeakers deliver a tight accurate bass response and the Rega signature midrange and detailed highs. REGA AYA Key Features Custom GRC cabinet (glass reinforced cement) Band pass cabinet design 2.5 way system Rega designed ZRR high frequency unit 5" Handmade MX-125 Bass mid driver 7" Handmade RR7.8 Bass driver *Optional loudspeaker grilles Lifetime warranty against manufacture defects

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REGA AYA

ΗΧΕΙΑ, ηχεία δαπέδου

1,999.00€

Προσθήκη στο καλάθι

REGA AYA

REGA AYADeveloped over ten years by a team of Rega designers headed up by our founder Roy Gandy, the AYA loudspeakers promise to deliver a detailed, balanced performance no matter which genre of music you decide to play. Using Rega designed, handmade drivers, coupled with our ZRR high frequency tweeter and a new crossover, our engineers have fine-tuned every aspect to deliver the best possible performance. The sculptured cabinets and stand create an attractive, floating effect which adds to the unique appearance.

Breaking the mould
After a decade of trials and development, the Rega AYA loudspeakers are born. Housed in a unique, UK manufactured cabinet moulded from GRC, (glass reinforced cement) the glass fibres that make up the construction reduce the weight whilst increasing the structural integrity of this 2.5 way band pass design. This technique creates the perfect loudspeaker enclosure that enhances performance whilst offering exceptional value for money. Thanks to the combination of the new enclosure and drive unit configuration, the AYA loudspeakers deliver a tight accurate bass response and the Rega signature midrange and detailed highs.

REGA AYA Key Features
Custom GRC cabinet (glass reinforced cement)
Band pass cabinet design
2.5 way system
Rega designed ZRR high frequency unit
5" Handmade MX-125 Bass mid driver
7" Handmade RR7.8 Bass driver
*Optional loudspeaker grilles
Lifetime warranty against manufacture defects

REGA AYA

KLH Kendall 2F KLH Kendall 2F Features Structurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound. High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound. The mid-bass and dual bass drivers feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency. Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors. Dual 5-Way gold-plated binding posts. Powder-coated 6MM heavy-duty steel outrigger feet with adjustable decoupling spikes. Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment. Industry-leading 10-year warranty.

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KLH Kendall 2F

ΗΧΕΙΑ, ηχεία δαπέδου

2,360.00€

KLH Kendall 2F

KLH Kendall 2FKLH Kendall 2F Features

Structurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound.
High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound.
The mid-bass and dual bass drivers feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency.
Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors.
Dual 5-Way gold-plated binding posts.
Powder-coated 6MM heavy-duty steel outrigger feet with adjustable decoupling spikes.
Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment.
Industry-leading 10-year warranty.

KLH Kendall 2F

KLH Faraday F-6600-AW KLH F-6600-AW speakers deliver clear, concise outdoor sound, and their attractive curved look is a bonus. Each speaker features a 6-1/2" IMG (injection-molded graphite) woofer, and a 1" titanium tweeter designed to stand up to the elements. C-shaped, swiveling brackets are included so you can install them quickly, and aim them toward your seating area.

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KLH Faraday F-6600-AW

ΗΧΕΙΑ, Εντοιχιζόμενα - επιτοίχια ηχεία

555.00€

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KLH Faraday F-6600-AW

KLH Faraday F-6600-AWKLH F-6600-AW speakers deliver clear, concise outdoor sound, and their attractive curved look is a bonus. Each speaker features a 6-1/2" IMG (injection-molded graphite) woofer, and a 1" titanium tweeter designed to stand up to the elements. C-shaped, swiveling brackets are included so you can install them quickly, and aim them toward your seating area.

KLH Faraday F-6600-AW

KLH Kendall This stunningly beautiful floorstanding loudspeaker, aptly named after Kendall Square in Cambridge, Massachusetts, the birthplace of KLH, is our flagship electrodynamic 3-way bass-reflex loudspeaker. It features woven Kevlar drivers with powder-coated die-cast aluminium baskets, braided tinsel leads, custom designed crossovers, an anodised aluminium tweeter with linear response faceplate, and much more, and all in real wood veneers. The Kendall loudspeaker effortlessly reproduces the artist’s original soundtrack recording with such astonishing natural detail and deep visceral bass, that you will swear you’re sitting at a live concert venue.

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KLH Kendall

ΗΧΕΙΑ, ηχεία δαπέδου

2,195.00€

KLH Kendall

KLH KendallThis stunningly beautiful floorstanding loudspeaker, aptly named after Kendall Square in Cambridge, Massachusetts, the birthplace of KLH, is our flagship electrodynamic 3-way bass-reflex loudspeaker. It features woven Kevlar drivers with powder-coated die-cast aluminium baskets, braided tinsel leads, custom designed crossovers, an anodised aluminium tweeter with linear response faceplate, and much more, and all in real wood veneers. The Kendall loudspeaker effortlessly reproduces the artist’s original soundtrack recording with such astonishing natural detail and deep visceral bass, that you will swear you’re sitting at a live concert venue.

KLH Kendall

KLH Kendall 2B Features Structurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound. High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound. The bass driver feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency. Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors. 5-Way gold-plated binding posts. Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment.

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KLH Kendall 2B

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,240.00€

KLH Kendall 2B

KLH Kendall 2B FeaturesStructurally reinforced 3/4” MDF enclosure to suppress internal resonances which color sound.
High-efficiency 1” titanium dome suspension tweeter with ferrofluid-cooled ceramic motor structure, resulting in improved linearity for smooth, clean, and effortless sound.
The bass driver feature non-resonant die-cast aluminum baskets with butyl rubber rolled surrounds for superior power handling and efficiency.
Custom-designed multi-element crossover network utilizing premium iron core inductors and mylar capacitors.
5-Way gold-plated binding posts.
Packaging made from recycled cardboard and EPE to reduce carbon footprint and protect our environment.

KLH Kendall 2B

KLH Ames You?ve read ?big sound from a small package? before, but if you haven?t heard the Ames monitor, you need to discover what you?re missing from a diminutive (another word for small) loudspeaker that truly delivers a wide spectrum of sound. Listen to what acoustic suspension technology does for your music, a fitting shout out to the street it is named for. The Ames loudspeaker is a 2-way acoustic suspension design, featuring woven Kevlar drivers with powder-coated die-cast aluminum baskets, braided tinsel leads, custom-designed crossovers, an anodized aluminum tweeter with linear response faceplate, and much more, and all in finished MDF, painted in White Satin.

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KLH Ames

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

490.00€

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KLH Ames

KLH Ames You?ve read ?big sound from a small package? before, but if you haven?t heard the Ames monitor, you need to discover what you?re missing from a diminutive (another word for small) loudspeaker that truly delivers a wide spectrum of sound. Listen to what acoustic suspension technology does for your music, a fitting shout out to the street it is named for. The Ames loudspeaker is a 2-way acoustic suspension design, featuring woven Kevlar drivers with powder-coated die-cast aluminum baskets, braided tinsel leads, custom-designed crossovers, an anodized aluminum tweeter with linear response faceplate, and much more, and all in finished MDF, painted in White Satin.

KLH Ames

Vienna Acoustics Mozart SE Signature Das Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.

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Vienna Acoustics Mozart SE Signature

ΗΧΕΙΑ, ηχεία δαπέδου

Vienna Acoustics' Mozart SE Signature

Vienna Acoustics' Mozart SE SignatureDas Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.

Vienna Acoustics Mozart SE Signature

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WHARFEDALE Dovedale

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

Προσθήκη στο καλάθι

WHARFEDALE Dovedale

WHARFEDALE Dovedale

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE-SPE-HE

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

12,450.00€

Προσθήκη στο καλάθι

Audio Note ANE-SPE-HE

Audio Note ANE-SPE-HE Details
The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?
What about LIFE?
What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it.

The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.

The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers.

The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE-SPE-HE

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note ANE LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,950.00€

Προσθήκη στο καλάθι

Audio Note ANE LX Hemp

Audio Note ANE LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX Hemp

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

9,440.00€

Προσθήκη στο καλάθι

Audio Note ANE LX

Audio Note ANE LXDetails
The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?
What about LIFE?
What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it.

The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.

The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers.

The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX Hemp

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

7,270.00€

Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails
The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?
What about LIFE?
What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it.

The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.
The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers.

The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

6,790.00€

Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Add to wishlist

Audio Note ANK-LX

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

4,910.00€

Προσθήκη στο καλάθι

Audio Note ANK-LX

Audio Note ANK-LXDetails
The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers.

The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response.

But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail?

What about LIFE?

What about EMOTION?

Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it.

The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output.

The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers.

The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape.

The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications)

Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production.

Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANK-LX

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

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AN-E-SPX Limited

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

59,770.00€

Προσθήκη στο καλάθι

Audio Note AN-E Ltd

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

AN-E-SPX Limited

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Paradigm Surround 1

ΗΧΕΙΑ, ηχεία οικιακού κινηματογράφου

839.00€

Προσθήκη στο καλάθι

Paradigm Surround 1

Paradigm Surround 1

Paradigm Monitor SE 8000F Monitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Add to wishlist

Paradigm Monitor SE 8000F

ΗΧΕΙΑ, ηχεία δαπέδου

2,040.00€

Paradigm Monitor SE 8000F

Paradigm Monitor SE 8000FMonitor SE Series
The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment.

Built On Research
Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker.

Realism in Audio
Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life.

Tweeter
X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound.

Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Paradigm Monitor SE 8000F

Paradigm Monitor SE Atom Monitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Add to wishlist

Paradigm Monitor SE Atom

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

399.00€

Paradigm Monitor SE Atom

Paradigm Monitor SE AtomMonitor SE Series
The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment.

Built On Research
Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker.

Realism in Audio
Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life.

Tweeter
X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound.

Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Paradigm Monitor SE Atom

Paradigm Monitor SE 2000C Monitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Add to wishlist

Paradigm Monitor SE 2000C

ΗΧΕΙΑ, ηχεία οικιακού κινηματογράφου

299.00€

Paradigm Monitor SE 2000C

Paradigm Monitor SE 2000C

Monitor SE Series
The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment.

Built On Research
Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker.

Realism in Audio
Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life.

Tweeter
X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound.

Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Paradigm Monitor SE 2000C

Paradigm Monitor SE 3000F Μονιτορ ηχεία της σειράς SE Η κομψή και προσιτή νέα σειρά Monitor SE είναι η τέλεια εισαγωγή στον κόσμο του ήχου υψηλής απόδοσης. Σίγουρα είναι γεμάτο με τεχνολογία αιχμής, κάτι που βρίσκεται μόνο σε ηχεία που κοστίζουν πολύ περισσότερο. Αλλά το πιο σημαντικό, η νέα σειρά Monitor SE είναι μέρος της οικογένειας μεγαφώνων υψηλής απόδοσης Paradigm και όπως όλα τα ηχεία Paradigm, έχει σχεδιαστεί για να αλλάξει τον τρόπο που σκέφτεστε και αισθάνεστε για την ψυχαγωγία σας. Βασισμένο σε Έρευνα Τα ηχεία Monitor SE επωφελούνται από τη θεμελιώδη έρευνα της Paradigm στην επιστήμη του ήχου. Αυτή η έρευνα, που διεξήχθη από την Paradigm σε συνδυασμό με το Εθνικό Ερευνητικό Συμβούλιο του Καναδά, είχε ως αποτέλεσμα πολλά από τα καινοτόμα υλικά και τις πατενταρισμένες τεχνολογίες ήχου που βρέθηκαν σε όλο το ηχείο Paradigm. Ρεαλισμός στον ήχο Φανταστείτε ζωντανή μουσική παράσταση σε οποιοδήποτε χώρο ακρόασης. Εντυπωσιακά εφέ και ρεαλιστικές λεπτομέρειες απεικόνισης που ζωντανεύουν τις ταινίες σας. Tweeter X-PAL™ Tweeters Pure-Aluminium Dome με πατενταρισμένο† διάτρητο φακό ευθυγράμμισης φάσης (PPA™). Αυτός ο αποκλειστικός σχεδιασμός λειτουργεί ως ένα εκλεπτυσμένο phase plug φάσης, εμποδίζοντας ένα ευρύ φάσμα συχνοτήτων εκτός φάσης που αυξάνει και εξομαλύνει την έξοδο χωρίς να χρωματίζει τον ήχο. Τόσο εντυπωσιακά όσο και λειτουργικά, η τεχνολογία PPA της paradigm βελτιώνει την απόδοση ενώ προστατεύει επίσης το tweeter από ζημιά.

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Paradigm Monitor SE 3000F

ΗΧΕΙΑ, ηχεία δαπέδου

959.00€

Paradigm Monitor SE 3000F

Paradigm Monitor SE 3000FΜονιτορ ηχεία της σειράς SE
Η κομψή και προσιτή νέα σειρά Monitor SE είναι η τέλεια εισαγωγή στον κόσμο του ήχου υψηλής απόδοσης. Σίγουρα είναι γεμάτο με τεχνολογία αιχμής, κάτι που βρίσκεται μόνο σε ηχεία που κοστίζουν πολύ περισσότερο. Αλλά το πιο σημαντικό, η νέα σειρά Monitor SE είναι μέρος της οικογένειας μεγαφώνων υψηλής απόδοσης Paradigm και όπως όλα τα ηχεία Paradigm, έχει σχεδιαστεί για να αλλάξει τον τρόπο που σκέφτεστε και αισθάνεστε για την ψυχαγωγία σας.

Βασισμένο σε Έρευνα
Τα ηχεία Monitor SE επωφελούνται από τη θεμελιώδη έρευνα της Paradigm στην επιστήμη του ήχου. Αυτή η έρευνα, που διεξήχθη από την Paradigm σε συνδυασμό με το Εθνικό Ερευνητικό Συμβούλιο του Καναδά, είχε ως αποτέλεσμα πολλά από τα καινοτόμα υλικά και τις πατενταρισμένες τεχνολογίες ήχου που βρέθηκαν σε όλο το ηχείο Paradigm.

Ρεαλισμός στον ήχο
Φανταστείτε ζωντανή μουσική παράσταση σε οποιοδήποτε χώρο ακρόασης. Εντυπωσιακά εφέ και ρεαλιστικές λεπτομέρειες απεικόνισης που ζωντανεύουν τις ταινίες σας.

Tweeter
X-PAL™ Tweeters Pure-Aluminium Dome με πατενταρισμένο† διάτρητο φακό ευθυγράμμισης φάσης (PPA™). Αυτός ο αποκλειστικός σχεδιασμός λειτουργεί ως ένα εκλεπτυσμένο phase plug φάσης, εμποδίζοντας ένα ευρύ φάσμα συχνοτήτων εκτός φάσης που αυξάνει και εξομαλύνει την έξοδο χωρίς να χρωματίζει τον ήχο.

Τόσο εντυπωσιακά όσο και λειτουργικά, η τεχνολογία PPA της paradigm βελτιώνει την απόδοση ενώ προστατεύει επίσης το tweeter από ζημιά.

Paradigm Monitor SE 3000F

Monitor SE 6000F Monitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Add to wishlist

Paradigm Monitor SE 6000F

ΗΧΕΙΑ, ηχεία δαπέδου

1,199.00€

Monitor SE 6000F

Monitor SE 6000FMonitor SE Series
The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment.

Built On Research
Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker.

Realism in Audio
Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life.

Tweeter
X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound.

Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Paradigm Monitor SE 6000F

Paradigm Premier 100B Premier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Add to wishlist

Paradigm Premier 100B

ΗΧΕΙΑ, ηχεία βάσης και βιβλιοθήκης

1,099.00€

Paradigm Premier 100B

Paradigm Premier 100B Premier Series
You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm.

Performance & Value
To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers.

Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology
Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged.

Patented Active Ridge Technology (ART™) Surrounds
Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Paradigm Premier 100B

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