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Fyne Audio F701
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Fyne Audio F701

,
5,690.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Fyne Audio F701

Fyne Audio F701

Fyne Audio F701

Triangle Signature Delta Hi-Fi Floorstanding Speaker – Signature Delta The Delta model was the company’s starting point in terms of research for this range. This speaker is a well-designed technological gem and a symbol of TRIANGLE’s acoustic expertise. Built and assembled in Triangle’s workshop located in Soissons, France, the Delta Signature is a 3-way floorstanding speaker equipped with 4 drivers for a detailed and refined sound. On the top of the cabinet sits a semi pod-mounted horn loaded tweeter, one 16 cm (6,5 inches) paper midrange for naturel reproduction of vocals and two 16 cm (6,5 inches) woofers. Each woofer is separate by a different cabinet enclosure. The woofer rear wave is discharged by a single twin-vent, a Triangle patent technology. The Signature Delta will appeal to any High-Fidelity lovers looking for a high-performance, well balanced and musical loudspeaker. It is a perfect choice for rooms between 15 and 40 m2.
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Triangle Signature Delta

,
5,789.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Triangle Signature Delta

Triangle Signature DeltaHi-Fi Floorstanding Speaker – Signature Delta The Delta model was the company’s starting point in terms of research for this range. This speaker is a well-designed technological gem and a symbol of TRIANGLE’s acoustic expertise. Built and assembled in Triangle’s workshop located in Soissons, France, the Delta Signature is a 3-way floorstanding speaker equipped with 4 drivers for a detailed and refined sound. On the top of the cabinet sits a semi pod-mounted horn loaded tweeter, one 16 cm (6,5 inches) paper midrange for naturel reproduction of vocals and two 16 cm (6,5 inches) woofers. Each woofer is separate by a different cabinet enclosure. The woofer rear wave is discharged by a single twin-vent, a Triangle patent technology. The Signature Delta will appeal to any High-Fidelity lovers looking for a high-performance, well balanced and musical loudspeaker. It is a perfect choice for rooms between 15 and 40 m2.

Triangle Signature Delta

Monitor Audio Platinum 100 3G The Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.
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Monitor Audio Platinum 100 3G

,
5,900.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Monitor Audio Platinum 100 3G

Monitor Audio Platinum 100 3GThe Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.

Monitor Audio Platinum 100 3G

FIESOLE Series 2
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Rosso Fiorentino Fiesole S2

,
5,990.00€
Προσθήκη στο καλάθι

Rosso Fiorentino Fiesole S2

FIESOLE Series 2 : ΜΟΝΙΤΟR 2 δρόμων ported με RIBBON SUPERTWEETERS, ευαισθησία 86,5 db/W/m, αντίσταση 8Ω – min 5 Ω και απόκριση συχνότητας 50Hz -3db – 100 KHZ.
Διαστάσεις 41Χ28Χ31cm Βάρος 18 kgr το κάθε ένα
FIESOLE Series 2

Rosso Fiorentino Fiesole S2

Dali Epicon 2
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Dali Epicon 2

,
5,998.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Epicon 2

Dali Epicon 2

Dali Epicon 2

Bowers & Wilkins HTM82 D4 For theater systems based on the more compact 803 D4 or 804 D4, the HTM82 D4 center-channel speaker is the perfect solution. Its more compact midrange drive unit is ideally sized to match those of its siblings. *Stand(s) not included. It’s a Wrap The new HTM82 D4 may be our most compact center-channel speaker, but it shares the design DNA of its larger siblings, including the Reverse Wrap cabinet and Matrix™ bracing. The combination of the two technologies ensures a quieter, more acoustically efficient and better-sounding speaker than ever.
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Bowers Wilkins HTM82 D4

,
5,999.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Bowers Wilkins HTM82 D4

Bowers & Wilkins HTM82 D4For theater systems based on the more compact 803 D4 or 804 D4, the HTM82 D4 center-channel speaker is the perfect solution. Its more compact midrange drive unit is ideally sized to match those of its siblings. *Stand(s) not included. It’s a Wrap The new HTM82 D4 may be our most compact center-channel speaker, but it shares the design DNA of its larger siblings, including the Reverse Wrap cabinet and Matrix™ bracing. The combination of the two technologies ensures a quieter, more acoustically efficient and better-sounding speaker than ever.

Bowers Wilkins HTM82 D4

Vienna Acoustics Mozart SE Signature Das Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.
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Vienna Acoustics Mozart SE Signature

,
Price range: 6,200.00€ through 7,100.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Vienna Acoustics' Mozart SE Signature

Vienna Acoustics' Mozart SE SignatureDas Wunderkind It is virtually impossible to fully express the impact Wolfgang Amadeus Mozart - universally known for his elegantly moving melodic lines, grounded on subtly sophisticated musical structures - has had on the identity of our home, Vienna. So when Peter Gansterer started to realize his very first vision of an elegant, slim, yet powerful, floorstanding speaker in 1990, the name was chosen with mindful consideration. In these early trials, Peter worked with local carpenters and had to be content with high grade, but still standard, drivers. Needless to say that these days layed the foundation of the numerous, exclusive „DESIGNED and DEVELOPED by VIENNA ACOUSTICS“ drivers, which were about to arrise.

Vienna Acoustics Mozart SE Signature

Klipsch Forte IV
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Klipsch Forte IV

,
6,400.00€
Προσθήκη στο καλάθι

Klipsch Forte IV

To Klipsch Forte πρωτοπαρουσιάστηκε το 1985. Από τότε είναι ένα από τα ηχεία της εταιρείας που ξεχώριζε για τον μοναδικό ήχο του. Το νέο Klipsch Forte IV ενσωματώνει νέα βελτιωμένη αισθητική και πολλές ηχητικές βελτιώσεις.
Klipsch Forte IV

Klipsch Forte IV

-13%
WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.
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WHARFEDALE Dovedale

,
Original price was: 7,500.00€.Η τρέχουσα τιμή είναι: 6,490.00€.
Προσθήκη στο καλάθι

WHARFEDALE Dovedale

WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.

WHARFEDALE Dovedale

KEF R11 Meta
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KEF R11 Meta

,
6,498.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KEF R11 Meta

KEF R11 Meta

KEF R11 Meta

Bowers and Wilkins 702 S3
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Bowers Wilkins 702 S3

,
6,499.00€
Προσθήκη στο καλάθι

Bowers Wilkins 702 S3

Bowers and Wilkins 702 S3

Bowers Wilkins 702 S3

Dali Rubicon 8
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Dali Rubicon 8

,
6,598.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Rubicon 8

Dali Rubicon 8

Dali Rubicon 8

ATC ATC SCM19A Overview New ATC designed and built dual suspension 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral Soft Dome. 9kg optimised short-coil/long gap motor assembly. On-board grounded source 182 watt Class A/B Bi-amplifier. Active crossover filters and overload protection. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.
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ATC SCM19A

,
6,700.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

ATC SCM19A

ATC ATC SCM19AOverview New ATC designed and built dual suspension 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral Soft Dome. 9kg optimised short-coil/long gap motor assembly. On-board grounded source 182 watt Class A/B Bi-amplifier. Active crossover filters and overload protection. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.

ATC SCM19A active floorstanding speaker

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX

,
6,790.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

   
YAMAHA NS-2000A
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YAMAHA NS-2000A

,
6,800.00€
Προσθήκη στο καλάθι

YAMAHA NS-2000A

YAMAHA NS-2000A

YAMAHA NS-2000A

Monitor Audio Gold 500 6G The flagship Gold 500 6G is engineered to deliver the very highest levels of performance. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and twin 8-inch bass drivers. The Gold 500 6G is the flagship model of the new Gold Series 6G. It represents the highest-levels of performance and system design at the price point, and within this competitive market segment. Designed to house the latest MPD III high-frequency transducer alongside the new 3-inch mid-driver and powerful twin 8-inch bass drivers, each of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 500 6G is a worthy flagship for such a prestigious range; a formidable acoustic treat for the ears as well as the eyes.
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Monitor Audio Gold 500 6G

,
6,860.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Monitor Audio Gold 500 6G

Monitor Audio Gold 500 6GThe flagship Gold 500 6G is engineered to deliver the very highest levels of performance. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and twin 8-inch bass drivers. The Gold 500 6G is the flagship model of the new Gold Series 6G. It represents the highest-levels of performance and system design at the price point, and within this competitive market segment. Designed to house the latest MPD III high-frequency transducer alongside the new 3-inch mid-driver and powerful twin 8-inch bass drivers, each of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 500 6G is a worthy flagship for such a prestigious range; a formidable acoustic treat for the ears as well as the eyes.

Monitor Audio Gold 500 6G

Certaldo Series 2
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Rosso Florentino Certaldo S2

,
6,930.00€
Προσθήκη στο καλάθι
Rosso Florentino Certaldo S2
2,5 δρόμων bass reflex με πίσω και κάτω οπή εκτόνωσης Ηχεία με ευαισθησία 88 db/W/m Μέση αντίσταση 8 Ω min με την χαμηλότερη αντίσταση του ηχείου να πέφτει στα 5 Ω Απόκριση 40Hz -3db έως και 30 KHZ
Certaldo Series 2

Rosso Florentino Certaldo S2

PMC twenty5.24i
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PMC twenty5.24i

,
6,950.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

PMC twenty5.24i

PMC twenty5.24i

PMC twenty5.24i

ATC C4CA Suitable substitution for C6CA centre channel in C6 systems where space is restricted. Twin ATC 150mm SL mid/bass drivers. Massive 9kg shielded motor assemblies. In-house, hand wound precision flat wire coils. ATC 250 Watt Class A (to 2/3 max power). Active filters and overload. 6 Year warranty. Any veneer to order. Featured veneer: Rosewood.
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ATC C4CA

,
6,970.00€
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ATC C4CA

ATC C4CASuitable substitution for C6CA centre channel in C6 systems where space is restricted. Twin ATC 150mm SL mid/bass drivers. Massive 9kg shielded motor assemblies. In-house, hand wound precision flat wire coils. ATC 250 Watt Class A (to 2/3 max power). Active filters and overload. 6 Year warranty. Any veneer to order. Featured veneer: Rosewood.

ATC C4CA hi end active center speaker

Polk Audio Legend L800
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Polk Audio Legend L800

,
6,998.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Polk Audio Legend L800

Polk Audio Legend L800

Polk Audio Legend L800

Dali Rubicon 6 C
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Dali Rubicon 6 c

,
6,998.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Rubicon 6 c

Dali Rubicon 6 C

Dali Rubicon 6 C

WHARFEDALE Elysian 4
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WHARFEDALE Elysian 4

,
7,000.00€
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WHARFEDALE Elysian 4

WHARFEDALE Elysian 4

WHARFEDALE Elysian 4

PROAC RESPONSE D30S
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PROAC RESPONSE D30S

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7,100.00€
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PROAC RESPONSE D30S

Το ProAc Response D30S διατίθεται είτε με tweeter μαλακού θόλου είτε με ribbon, γνωστά ως D30DS και D30RS αντίστοιχα. Η ProAc ανέπτυξε ειδικά για αυτό το ηχείο μια νέα μονάδα χαμηλών συχνοτήτων παρόμοια με το γούφερ που χρησιμοποιείται στο Response D48. Το Response D30S έχει flat απόκριση συχνότητας ενώ το mid woofer του αποδίδει με εξαιρετική λεπτομέρεια τις μεσαίες συχνότητες και βοηθάει στην ανάπτυξη μιας μεγάλης στερεοφωνικής εικόνας. Το D30S αναπαράγει το μουσικό πρόγραμμα με ακρίβεια, γεμάτα μπάσα, εξαιρετική λεπτομέρεια στη μεσαία περιοχή χαμηλό χρωματισμό και επιπλέον το ηχείο είναι εύκολο στην οδήγηση.

PROAC RESPONSE D30S

PROAC RESPONSE D30S

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX Hemp

,
7,270.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp