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Blumenhofer Acoustics Tempesta Bookshelf
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Blumenhofer Acoustics Tempesta Bookshelf

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€3,400.00
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Blumenhofer Acoustics Tempesta Bookshelf

Blumenhofer Acoustics Tempesta Bookshelf

Blumenhofer Acoustics Tempesta Bookshelf

ATC SCM19 Overview New ATC designed and built 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral soft dome. 9kg optimised short-coil/long gap motor assembly. In-house, hand-wound precision flat wire coil. Flat impedance curve allowing easy load for amplifiers. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.
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ATC SCM19

,
€3,600.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

ATC SCM19

ATC SCM19Overview New ATC designed and built 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral soft dome. 9kg optimised short-coil/long gap motor assembly. In-house, hand-wound precision flat wire coil. Flat impedance curve allowing easy load for amplifiers. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.

ATC SCM19 high quality bookshelf speaker

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ROSSO FIORENTINO FIESOLE
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ROSSO FIORENTINO FIESOLE

,
€3,670.00
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ROSSO FIORENTINO FIESOLE
  • Η ιταλική ROSSO FIORENTINO από την ιστορική ΦΛΩΡΕΝΤΙΑ με τεράστια παράδοση σε κατασκευές ηχείων, δημιούργησε το FIESOLE. Ένα Monitor με compact διαστάσεις και ήχο υψηλής πιστότητας. Άριστη ποιότητα κατασκευής και φινιρίσματος. Με optimized crossover δένει τα μεγάφωνα σαν ένα με άψογη απόδοση των αρμονικών. Με ευαισθησία 87db/W/m οδηγείται από ενισχυτές 60~150 watt και αποδίδει έναν συμπαγή αχρωμάτιστο ήχο, με εικόνα 3 διαστάσεων, με το FIESOLE να εξαφανίζεται από το ηχητικό πεδίο. Τα φωνητικά είναι φυσικά με ανάλυση και γλυκές χροιές ενώ το χάρτινο woofer εντυπωσιάζει με το timing και την ταχύτητα του. Tα πρίμα είναι ευγενικά με κρυστάλλινη διαύγεια και ελευθερία. Τα μπάσα είναι εκτεταμένα με σώμα, σωστή απόσβεση και χωρίς κανένα υποέλεγχο. Το FIESOLE μπορεί να δεχτεί μεγάλη ισχύ και αποδίδει ασυμπίεστα και γραμμικά. Μπορεί να καλύψει ααλόνια έως και 25m2 με άνεση και χωρίς χρωματισμούς από την τραπεζοειδή ασύμμετρη καμπίνα του που ακυρώνει τα στάσιμα κύματα.
  • Special μοντέλο με βελτιωμένο crossover & silver-gold καλώδια Mundorf
ROSSO FIORENTINO FIESOLE

ROSSO FIORENTINO FIESOLE

 
PIENZA Series 2
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Rosso Florentino Pienza S2

,
€3,680.00
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Rosso Florentino Pienza S2

Rosso Fiorentino Pienza S2. Ηχείο 2 δρόμων και 2 μεγαφώνων bass reflex με 86 db/W/m ευαισθησία, αντίσταση 8 Ω - 5 Ω min  και απόκριση συχνότητας 55Hz -3db – 30 KHZ.
PIENZA Series 2

Rosso Florentino Pienza S2

Monitor Audio Gold 100 6G This Gold 100 6G stand-mount loudspeaker delivers impressive high-fidelity sound, with deep bass and lifelike mid- and high-frequency definition. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and 8-inch bass driver. The Gold 100 6G is a substantial stand-mount speaker. A powerful performer, it creates an astonishing soundstage, is capable of deep extended bass and beautifully lifelike MF/HF definition. Its design features the latest MPD III high-frequency transducer, the new 3-inch mid-driver and a powerful 8-inch bass driver, both of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 100 6G delivers outstanding levels of high-fidelity sound with consummate ease.
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Monitor Audio Gold 100 6G

,
€3,700.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Monitor Audio Gold 100 6G

Monitor Audio Gold 100 6GThis Gold 100 6G stand-mount loudspeaker delivers impressive high-fidelity sound, with deep bass and lifelike mid- and high-frequency definition. It features the latest MPD III high-frequency transducer alongside an HDT, C-CAM 3-inch mid-driver and 8-inch bass driver. The Gold 100 6G is a substantial stand-mount speaker. A powerful performer, it creates an astonishing soundstage, is capable of deep extended bass and beautifully lifelike MF/HF definition. Its design features the latest MPD III high-frequency transducer, the new 3-inch mid-driver and a powerful 8-inch bass driver, both of which benefit from the latest HDT, C-CAM cone technology and hugely powerful motor systems. The Gold 100 6G delivers outstanding levels of high-fidelity sound with consummate ease.

Monitor Audio Gold 100 6G

WHARFEDALE Elysian 2
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WHARFEDALE Elysian 2

,
€3,740.00 – €4,780.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE Elysian 2

 
WHARFEDALE Elysian 2

WHARFEDALE Elysian 2

Fyne Audio F700
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Fyne Audio F700

,
€3,925.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Fyne Audio F700

Fyne Audio F700

Fyne Audio F700

 
XAITAS USM-1 Reference
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XAITAS USM-1 Reference

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€3,980.00
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XAITAS USM-1 Reference Monitor
Μοναδικό ηλεκτροδυναμικό ηχείο με σειριακό crossover.
XAITAS USM-1 Reference

XAITAS USM-1 Reference

 
PROAC RESPONSE D2R - D
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PROAC RESPONSE D2R – D

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€3,990.00
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PROAC RESPONSE D2R - D

Η εξαιρετική μεσαία περιοχή του και η ποιότητα κατασκευής, καθιστούν το RESPONSE D2R - D ένα πραγματικά compact monitor ηχείο. Το D2 είναι η νέα έκδοση του ηχείου που παρουσίασε την σειρά Response στον κόσμο πριν από 30 χρόνια.

Διαθέσιμο είτε με τουίτερ μαλακού θόλου είτε με ribbon, το Response D2 συνεχίζει την παράδοση ProAc να παράγει κορυφαία μόνιτορ ηχεία.

Ενσωματώνοντας τις δοκιμασμένες τεχνικές μας στην κατασκευή καμπίνας με το port του bass reflex στην μπροστινή μεριά (μπάφλα) του ηχείου, δίνει στην απόκριση D2 καθαρό και ισχυρό χαμηλό για τις συμπαγείς διαστάσεις του.

Είτε επιλέξετε την έκδοση μαλακού θόλου είτε αυτή με το ribbon του Response D2, θα σας προσφέρει αληθινή απόδοση μόνιτορ ηχείου και είμαστε σίγουροι ότι θα εκπλαγείτε με την εξαιρετική διαφάνεια και την ακρίβεια της στερεοφωνικής εικόνας που προσφέρει αυτό το μοντέλο.

PROAC RESPONSE D2R - D

PROAC RESPONSE D2R - D

Bowers & Wilkins 705 S3 Signature The 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.
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Bowers Wilkins 705 S3 Signature

,
€3,999.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Bowers Wilkins 705 S3 Signature

Bowers & Wilkins 705 S3 SignatureThe 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.

Bowers Wilkins 705 S3 Signature

Fyne Audio Vintage Classic VIII SM
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Fyne Audio Vintage Classic VIII SM

,
€4,120.00
Προσθήκη στο καλάθι

Fyne Audio Vintage Classic VIII SM

Fyne Audio Vintage Classic VIII SM

Fyne Audio Vintage Classic VIII SM

PMC twenty5.22i
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PMC twenty5.22i

,
€4,150.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

PMC twenty5.22i

PMC twenty5.22i

PMC twenty5.22i

Graham Audio ls5.9
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Graham Audio ls5.9

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€4,280.00
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GRAHAM LS5/9 BBC Studio Monitor Το διαχρονικό ηχείο σχεδίαση του BBC : GRAHAM LS5/9.
Graham Audio ls5.9

Graham Audio ls5.9

STIRLING BROADCAST LS3.6
STIRLING BROADCAST LS3.6
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STIRLING BROADCAST LS3.6

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€4,550.00
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STIRLING BROADCAST LS3.6
  • Το φημισμένο Μonitor LS3/6 που σχεδίασε το BBC για δική του χρήση και βασίστηκε στην παραγωγή μουσικής & ηχογραφήσεων για πολλά χρόνια. Το ηχείο είναι εξαιρετικά αχρωμάτιστο, ισορροπημένο και ασυμπίεστο, αποτελεί ένα reference standard ακόμα και για ηχεία πολλαπλάσιας αξίας της τιμής του. Άριστη απόδοση των φωνητικών με όλες τις λεπτοφυείς λεπτομέρειες και αρμονικές απολήξεις. Εξαιρετική τρισδιάστατη εικόνα και ambience ηχογράφησης, με φασική ισορροπία και ομοιογενές σώμα σε όλο το φάσμα χωρίς λεπτύνσεις και προβολικότητες. Η διαφάνεια και η ανάλυση του κινούνται σε κορυφαία επίπεδα. Από τα ελάχιστα ηχεία με σωστή απόδοση μεσαιοχαμηλών συχνοτήτων. Ο ήχος είναι φυσικός, ανθρώπινος, ματ κατά ένα τρόπο, χωρίς γυαλάδες, χωρίς προβολικά συριστικά.
STIRLING BROADCAST LS3.6

STIRLING BROADCAST LS3.6

BOSENDORFER Mini Monitor
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BOSENDORFER Mini Monitor

,
€4,690.00
Προσθήκη στο καλάθι
BOSENDORFER Mini Monitor Ένα Mini Monitor αναφοράς από την BOSENDORFER. Σχεδίαση του Hans Deutch με το μοναδικό midrange Hemb-χαρτιού και Resonating Panel φόρτισης κόρνας.
BOSENDORFER Mini Monitor

BOSENDORFER Mini Monitor

New
Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANK-LX

,
€4,910.00
Προσθήκη στο καλάθι

Audio Note ANK-LX

Audio Note ANK-LXDetails The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANK-LX

GOLDNOTE A3 EVO II
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GOLDNOTE A3 EVO II

,
€4,990.00
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GOLDNOTE A3 EVO II

GOLDNOTE A3 EVO II

GOLDNOTE A3 EVO II

ATC SCM20 The SCM20PSL is ATC’s flagship 2-way stand-mount loudspeaker and is the ideal choice in modestly sized rooms, but where performance cannot be compromised. Its sealed cabinet design ensures excellent timing, useful low frequency output below the cut-off and that the speakers can be placed relatively close to walls without excessive low frequency output or ‘boom’. Both the mid-bass driver and tweeter are handmade by ATC. The bass driver is a 6”/150mm part with huge 3”/75mm voice coil and massive, long-gap (short-coil) motor assembly featuring ATC’s proprietary ‘SL’ motor technology. The tweeter is a 1”/25mm soft-dome part featuring a dual-suspension and very high energy 2.1 tesla motor. Together, they form the basis for an exceptional 2-way monitor loudspeaker. Integrating the drivers is a 2nd order crossover featuring oversize air-core inductors which are wound in-house by ATC. Capacitors are all high voltage polypropylene film types which deliver outstanding reliability and minimal losses. The SCM20 cabinet is constructed to be heavy and inert, with bitumastic damping panels deployed at critical positions to minimise cabinet colouration. The cabinets are available in 10 different hand selected veneers; satin black/white painted finishes and also piano/white high gloss polyester. The passive SCM20 are ideally paired with ATC pre/power/integrated amplifiers. However, their neutral fidelity, outstanding resolution and modest load impedance also ensures excellent compatibility with a very wide range of quality electronics. Upgrading performance and offering a reduced ‘box count’ he SCM20 is also available as a bi-amplified active floor-stander in the form of the SCM20ASLT.
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ATC SCM20

,
€5,590.00
Προσθήκη στο καλάθι

ATC SCM20

ATC SCM20The SCM20PSL is ATC’s flagship 2-way stand-mount loudspeaker and is the ideal choice in modestly sized rooms, but where performance cannot be compromised. Its sealed cabinet design ensures excellent timing, useful low frequency output below the cut-off and that the speakers can be placed relatively close to walls without excessive low frequency output or ‘boom’. Both the mid-bass driver and tweeter are handmade by ATC. The bass driver is a 6”/150mm part with huge 3”/75mm voice coil and massive, long-gap (short-coil) motor assembly featuring ATC’s proprietary ‘SL’ motor technology. The tweeter is a 1”/25mm soft-dome part featuring a dual-suspension and very high energy 2.1 tesla motor. Together, they form the basis for an exceptional 2-way monitor loudspeaker. Integrating the drivers is a 2nd order crossover featuring oversize air-core inductors which are wound in-house by ATC. Capacitors are all high voltage polypropylene film types which deliver outstanding reliability and minimal losses. The SCM20 cabinet is constructed to be heavy and inert, with bitumastic damping panels deployed at critical positions to minimise cabinet colouration. The cabinets are available in 10 different hand selected veneers; satin black/white painted finishes and also piano/white high gloss polyester. The passive SCM20 are ideally paired with ATC pre/power/integrated amplifiers. However, their neutral fidelity, outstanding resolution and modest load impedance also ensures excellent compatibility with a very wide range of quality electronics. Upgrading performance and offering a reduced ‘box count’ he SCM20 is also available as a bi-amplified active floor-stander in the form of the SCM20ASLT.

ATC SCM20 reference studio monitor

Triangle Magellan Duetto 40th Premium Bookshelf Speaker - Magellan Duetto 40th Liveliness and dynamics are trademarks of TRIANGLE’s sound, and they are packed into this gem, the Duetto, a compact 2-way bookshelf speaker. Superb piece of engineering, its horn-loaded tweeter TZ2900 is equipped with a next generation dome in magnesium alloy. This transducer highlights the finest details of your recordings and brings out the subtlety of the upper harmonics. Its full-range 16 cm midrange/bass driver produces rich bass details. It features a new paper cone that reproduces any vocal register with great neutrality without the slightest coloration. The Duetto speaker offers a really clear sound and puts the music forward. Its elaborate crossover, equipped with high quality components, optimizes the bass and treble phasing for an outstanding transparency.
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Triangle Magellan Duetto 40th

,
€5,689.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Triangle Magellan Duetto 40th

Triangle Magellan Duetto 40thPremium Bookshelf Speaker - Magellan Duetto 40th Liveliness and dynamics are trademarks of TRIANGLE’s sound, and they are packed into this gem, the Duetto, a compact 2-way bookshelf speaker. Superb piece of engineering, its horn-loaded tweeter TZ2900 is equipped with a next generation dome in magnesium alloy. This transducer highlights the finest details of your recordings and brings out the subtlety of the upper harmonics. Its full-range 16 cm midrange/bass driver produces rich bass details. It features a new paper cone that reproduces any vocal register with great neutrality without the slightest coloration. The Duetto speaker offers a really clear sound and puts the music forward. Its elaborate crossover, equipped with high quality components, optimizes the bass and treble phasing for an outstanding transparency.

Triangle Magellan Duetto 40th
Premium Bookshelf Speaker 

Fyne Audio F701
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Fyne Audio F701

,
€5,690.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Fyne Audio F701

Fyne Audio F701

Fyne Audio F701

Monitor Audio Platinum 100 3G The Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.
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Monitor Audio Platinum 100 3G

,
€5,900.00
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Monitor Audio Platinum 100 3G

Monitor Audio Platinum 100 3GThe Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.

Monitor Audio Platinum 100 3G

FIESOLE Series 2
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Rosso Fiorentino Fiesole S2

,
€5,990.00
Προσθήκη στο καλάθι

Rosso Fiorentino Fiesole S2

FIESOLE Series 2 : ΜΟΝΙΤΟR 2 δρόμων ported με RIBBON SUPERTWEETERS, ευαισθησία 86,5 db/W/m, αντίσταση 8Ω – min 5 Ω και απόκριση συχνότητας 50Hz -3db – 100 KHZ.
Διαστάσεις 41Χ28Χ31cm Βάρος 18 kgr το κάθε ένα
FIESOLE Series 2

Rosso Fiorentino Fiesole S2

Dali Epicon 2
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Dali Epicon 2

,
€5,998.00
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Epicon 2

Dali Epicon 2

Dali Epicon 2

New
Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX

,
€6,790.00
Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX