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PROAC RESPONSE D2R - D
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PROAC RESPONSE D2R – D

,
3,990.00€
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PROAC RESPONSE D2R - D

Η εξαιρετική μεσαία περιοχή του και η ποιότητα κατασκευής, καθιστούν το RESPONSE D2R - D ένα πραγματικά compact monitor ηχείο. Το D2 είναι η νέα έκδοση του ηχείου που παρουσίασε την σειρά Response στον κόσμο πριν από 30 χρόνια.

Διαθέσιμο είτε με τουίτερ μαλακού θόλου είτε με ribbon, το Response D2 συνεχίζει την παράδοση ProAc να παράγει κορυφαία μόνιτορ ηχεία.

Ενσωματώνοντας τις δοκιμασμένες τεχνικές μας στην κατασκευή καμπίνας με το port του bass reflex στην μπροστινή μεριά (μπάφλα) του ηχείου, δίνει στην απόκριση D2 καθαρό και ισχυρό χαμηλό για τις συμπαγείς διαστάσεις του.

Είτε επιλέξετε την έκδοση μαλακού θόλου είτε αυτή με το ribbon του Response D2, θα σας προσφέρει αληθινή απόδοση μόνιτορ ηχείου και είμαστε σίγουροι ότι θα εκπλαγείτε με την εξαιρετική διαφάνεια και την ακρίβεια της στερεοφωνικής εικόνας που προσφέρει αυτό το μοντέλο.

PROAC RESPONSE D2R - D

PROAC RESPONSE D2R - D

Bowers & Wilkins 705 S3 Signature The 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.
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Bowers Wilkins 705 S3 Signature

,
3,999.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Bowers Wilkins 705 S3 Signature

Bowers & Wilkins 705 S3 SignatureThe 705 S3 Signature is expertly engineered to deliver sonic brilliance in a more compact form. Crafted. Honed. Perfected. Featuring optimized technology from our most advanced loudspeakers, as well as our proprietary Continuum mid-bass drive unit and Tweeter-on-Top, the 705 S3 Signature utilizes an upgraded mid-bass motor system, improved capacitors, revised speaker terminals, plus a more open tweeter grille mesh, as developed for our 800 Series Signature loudspeakers.

Bowers Wilkins 705 S3 Signature

Fyne Audio Vintage Classic VIII SM
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Fyne Audio Vintage Classic VIII SM

,
4,120.00€
Προσθήκη στο καλάθι

Fyne Audio Vintage Classic VIII SM

Fyne Audio Vintage Classic VIII SM

Fyne Audio Vintage Classic VIII SM

PMC twenty5.22i
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PMC twenty5.22i

,
4,150.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

PMC twenty5.22i

PMC twenty5.22i

PMC twenty5.22i

-5%
Graham Audio ls5.9
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Graham Audio ls5.9

,
Original price was: 4,720.00€.Η τρέχουσα τιμή είναι: 4,490.00€.
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GRAHAM LS5/9 BBC Studio Monitor Το διαχρονικό ηχείο σχεδίαση του BBC : GRAHAM LS5/9.
Graham Audio ls5.9

Graham Audio ls5.9

STIRLING BROADCAST LS3.6
STIRLING BROADCAST LS3.6
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STIRLING BROADCAST LS3.6

,
4,550.00€
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STIRLING BROADCAST LS3.6
  • Το φημισμένο Μonitor LS3/6 που σχεδίασε το BBC για δική του χρήση και βασίστηκε στην παραγωγή μουσικής & ηχογραφήσεων για πολλά χρόνια. Το ηχείο είναι εξαιρετικά αχρωμάτιστο, ισορροπημένο και ασυμπίεστο, αποτελεί ένα reference standard ακόμα και για ηχεία πολλαπλάσιας αξίας της τιμής του. Άριστη απόδοση των φωνητικών με όλες τις λεπτοφυείς λεπτομέρειες και αρμονικές απολήξεις. Εξαιρετική τρισδιάστατη εικόνα και ambience ηχογράφησης, με φασική ισορροπία και ομοιογενές σώμα σε όλο το φάσμα χωρίς λεπτύνσεις και προβολικότητες. Η διαφάνεια και η ανάλυση του κινούνται σε κορυφαία επίπεδα. Από τα ελάχιστα ηχεία με σωστή απόδοση μεσαιοχαμηλών συχνοτήτων. Ο ήχος είναι φυσικός, ανθρώπινος, ματ κατά ένα τρόπο, χωρίς γυαλάδες, χωρίς προβολικά συριστικά.
STIRLING BROADCAST LS3.6

STIRLING BROADCAST LS3.6

BOSENDORFER Mini Monitor
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BOSENDORFER Mini Monitor

,
4,690.00€
Προσθήκη στο καλάθι
BOSENDORFER Mini Monitor Ένα Mini Monitor αναφοράς από την BOSENDORFER. Σχεδίαση του Hans Deutch με το μοναδικό midrange Hemb-χαρτιού και Resonating Panel φόρτισης κόρνας.
BOSENDORFER Mini Monitor

BOSENDORFER Mini Monitor

New
Revival Audio ATALANTE 5 ABOUT REVIVAL AUDIO Debuting with 30+ Years of Expertise It is our debut, from almost four decades of expertise and know-how behind many well-known flagship models among top tier brands. ATALANTE models are designed, engineered and assembled in France. With every single detail designed from scratch and after hundreds hours of experiments, we can now share our edging technologies and proudly introduce ATALANTE, our first range of loudspeakers at the Next-Level sound. ATALANTE 5 Overwhelming Performance, Every Detail Experience the power and precision of the pinnacle of the ATALANTE series. With nearly four decades of expertise behind its design, this award-winning loudspeaker is crafted in France and represents the Next-Level in sound engineering. Revival Audio ATALANTE 4 KEY FEATURES RASC™ 28mm TWEETER – Detailed Restitution, Beyond Expectations RASC Tweeter is the iconic driver of Revival Audio. The 28mm soft-dome tweeter, coated with our secret recipe, and built-in Revival Audio ARID+ (Anti Reflection Inner Dome) patented technology, to absorb 95+% of resonance in the chamber. BSC™ Midrange & Woofers – First Ever in Hi-End BSC (Basalt Sandwich Construction) drivers are definitely a Revival Audio unique and iconic (visually too) technology. Basalt is extracted from lava stone which has never been used in Hi-End audio, with similar characteristics as glass fibre but a better Young modulus. Hand-tuned Crossover – Built to Last Our philosophy of crossover design is, that…we don’t have a philosophy. We tune the sound by ears and experiences, but not measurements. We use as few components as possible, only necessary ones. In ATALANTE 4, we incorporates the best-in-its-range components, including the Van den Hul Skyline Hybrid cables. Premium Spike Set – Elegant and functional the Premium Spike Set, a novel design in the ATALANTE 4, not only enhances the speaker’s aesthetic but also ensures functional stability, enabling effortless micro-height adjustments. ARID Patented Technology – Edging Innovation, From Outstanding to Extraordinary ARID, which stands for Anti Resonance Inner Dome, is a Revival Audio patented technology. ARID technology provides extended frequency response benefits from no-absorbing damping in the space behind the dome. Outperforming Large Size Ferrite Magnet – It’s Large The “horse power” of an engine, for a driver, is the magnet system. In all ATALANTE models, we chose ferrite magnets, not only because it is eco-friendly, but they also offer a real balanced output.
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Revival Audio ATALANTE 5

,
4,800.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 5

Revival Audio ATALANTE 5ABOUT REVIVAL AUDIO Debuting with 30+ Years of Expertise It is our debut, from almost four decades of expertise and know-how behind many well-known flagship models among top tier brands. ATALANTE models are designed, engineered and assembled in France. With every single detail designed from scratch and after hundreds hours of experiments, we can now share our edging technologies and proudly introduce ATALANTE, our first range of loudspeakers at the Next-Level sound. ATALANTE 5 Overwhelming Performance, Every Detail Experience the power and precision of the pinnacle of the ATALANTE series. With nearly four decades of expertise behind its design, this award-winning loudspeaker is crafted in France and represents the Next-Level in sound engineering. Revival Audio ATALANTE 4 KEY FEATURES RASC™ 28mm TWEETER – Detailed Restitution, Beyond Expectations RASC Tweeter is the iconic driver of Revival Audio. The 28mm soft-dome tweeter, coated with our secret recipe, and built-in Revival Audio ARID+ (Anti Reflection Inner Dome) patented technology, to absorb 95+% of resonance in the chamber. BSC™ Midrange & Woofers – First Ever in Hi-End BSC (Basalt Sandwich Construction) drivers are definitely a Revival Audio unique and iconic (visually too) technology. Basalt is extracted from lava stone which has never been used in Hi-End audio, with similar characteristics as glass fibre but a better Young modulus. Hand-tuned Crossover – Built to Last Our philosophy of crossover design is, that…we don’t have a philosophy. We tune the sound by ears and experiences, but not measurements. We use as few components as possible, only necessary ones. In ATALANTE 4, we incorporates the best-in-its-range components, including the Van den Hul Skyline Hybrid cables. Premium Spike Set – Elegant and functional the Premium Spike Set, a novel design in the ATALANTE 4, not only enhances the speaker’s aesthetic but also ensures functional stability, enabling effortless micro-height adjustments. ARID Patented Technology – Edging Innovation, From Outstanding to Extraordinary ARID, which stands for Anti Resonance Inner Dome, is a Revival Audio patented technology. ARID technology provides extended frequency response benefits from no-absorbing damping in the space behind the dome. Outperforming Large Size Ferrite Magnet – It’s Large The “horse power” of an engine, for a driver, is the magnet system. In all ATALANTE models, we chose ferrite magnets, not only because it is eco-friendly, but they also offer a real balanced output.

Revival Audio ATALANTE 5

Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANK-LX

,
4,910.00€
Προσθήκη στο καλάθι

Audio Note ANK-LX

Audio Note ANK-LXDetails The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANK-LX

GOLDNOTE A3 EVO II
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GOLDNOTE A3 EVO II

,
4,990.00€
Προσθήκη στο καλάθι

GOLDNOTE A3 EVO II

GOLDNOTE A3 EVO II

GOLDNOTE A3 EVO II

ATC SCM20 The SCM20PSL is ATC’s flagship 2-way stand-mount loudspeaker and is the ideal choice in modestly sized rooms, but where performance cannot be compromised. Its sealed cabinet design ensures excellent timing, useful low frequency output below the cut-off and that the speakers can be placed relatively close to walls without excessive low frequency output or ‘boom’. Both the mid-bass driver and tweeter are handmade by ATC. The bass driver is a 6”/150mm part with huge 3”/75mm voice coil and massive, long-gap (short-coil) motor assembly featuring ATC’s proprietary ‘SL’ motor technology. The tweeter is a 1”/25mm soft-dome part featuring a dual-suspension and very high energy 2.1 tesla motor. Together, they form the basis for an exceptional 2-way monitor loudspeaker. Integrating the drivers is a 2nd order crossover featuring oversize air-core inductors which are wound in-house by ATC. Capacitors are all high voltage polypropylene film types which deliver outstanding reliability and minimal losses. The SCM20 cabinet is constructed to be heavy and inert, with bitumastic damping panels deployed at critical positions to minimise cabinet colouration. The cabinets are available in 10 different hand selected veneers; satin black/white painted finishes and also piano/white high gloss polyester. The passive SCM20 are ideally paired with ATC pre/power/integrated amplifiers. However, their neutral fidelity, outstanding resolution and modest load impedance also ensures excellent compatibility with a very wide range of quality electronics. Upgrading performance and offering a reduced ‘box count’ he SCM20 is also available as a bi-amplified active floor-stander in the form of the SCM20ASLT.
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ATC SCM20

,
5,590.00€
Προσθήκη στο καλάθι

ATC SCM20

ATC SCM20The SCM20PSL is ATC’s flagship 2-way stand-mount loudspeaker and is the ideal choice in modestly sized rooms, but where performance cannot be compromised. Its sealed cabinet design ensures excellent timing, useful low frequency output below the cut-off and that the speakers can be placed relatively close to walls without excessive low frequency output or ‘boom’. Both the mid-bass driver and tweeter are handmade by ATC. The bass driver is a 6”/150mm part with huge 3”/75mm voice coil and massive, long-gap (short-coil) motor assembly featuring ATC’s proprietary ‘SL’ motor technology. The tweeter is a 1”/25mm soft-dome part featuring a dual-suspension and very high energy 2.1 tesla motor. Together, they form the basis for an exceptional 2-way monitor loudspeaker. Integrating the drivers is a 2nd order crossover featuring oversize air-core inductors which are wound in-house by ATC. Capacitors are all high voltage polypropylene film types which deliver outstanding reliability and minimal losses. The SCM20 cabinet is constructed to be heavy and inert, with bitumastic damping panels deployed at critical positions to minimise cabinet colouration. The cabinets are available in 10 different hand selected veneers; satin black/white painted finishes and also piano/white high gloss polyester. The passive SCM20 are ideally paired with ATC pre/power/integrated amplifiers. However, their neutral fidelity, outstanding resolution and modest load impedance also ensures excellent compatibility with a very wide range of quality electronics. Upgrading performance and offering a reduced ‘box count’ he SCM20 is also available as a bi-amplified active floor-stander in the form of the SCM20ASLT.

ATC SCM20 reference studio monitor

Triangle Magellan Duetto 40th Premium Bookshelf Speaker - Magellan Duetto 40th Liveliness and dynamics are trademarks of TRIANGLE’s sound, and they are packed into this gem, the Duetto, a compact 2-way bookshelf speaker. Superb piece of engineering, its horn-loaded tweeter TZ2900 is equipped with a next generation dome in magnesium alloy. This transducer highlights the finest details of your recordings and brings out the subtlety of the upper harmonics. Its full-range 16 cm midrange/bass driver produces rich bass details. It features a new paper cone that reproduces any vocal register with great neutrality without the slightest coloration. The Duetto speaker offers a really clear sound and puts the music forward. Its elaborate crossover, equipped with high quality components, optimizes the bass and treble phasing for an outstanding transparency.
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Triangle Magellan Duetto 40th

,
5,689.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Triangle Magellan Duetto 40th

Triangle Magellan Duetto 40thPremium Bookshelf Speaker - Magellan Duetto 40th Liveliness and dynamics are trademarks of TRIANGLE’s sound, and they are packed into this gem, the Duetto, a compact 2-way bookshelf speaker. Superb piece of engineering, its horn-loaded tweeter TZ2900 is equipped with a next generation dome in magnesium alloy. This transducer highlights the finest details of your recordings and brings out the subtlety of the upper harmonics. Its full-range 16 cm midrange/bass driver produces rich bass details. It features a new paper cone that reproduces any vocal register with great neutrality without the slightest coloration. The Duetto speaker offers a really clear sound and puts the music forward. Its elaborate crossover, equipped with high quality components, optimizes the bass and treble phasing for an outstanding transparency.

Triangle Magellan Duetto 40th
Premium Bookshelf Speaker 

Fyne Audio F701
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Fyne Audio F701

,
5,690.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Fyne Audio F701

Fyne Audio F701

Fyne Audio F701

Monitor Audio Platinum 100 3G The Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.
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Monitor Audio Platinum 100 3G

,
5,900.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Monitor Audio Platinum 100 3G

Monitor Audio Platinum 100 3GThe Platinum 100 3G is a compact 2-way speaker that features a MPD III transducer and 6” RDT III mid-bass driver cone. It offers an utterly compelling listening experience from a relatively small cabinet.

Monitor Audio Platinum 100 3G

FIESOLE Series 2
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Rosso Fiorentino Fiesole S2

,
5,990.00€
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Rosso Fiorentino Fiesole S2

FIESOLE Series 2 : ΜΟΝΙΤΟR 2 δρόμων ported με RIBBON SUPERTWEETERS, ευαισθησία 86,5 db/W/m, αντίσταση 8Ω – min 5 Ω και απόκριση συχνότητας 50Hz -3db – 100 KHZ.
Διαστάσεις 41Χ28Χ31cm Βάρος 18 kgr το κάθε ένα
FIESOLE Series 2

Rosso Fiorentino Fiesole S2

Dali Epicon 2
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Dali Epicon 2

,
5,998.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Dali Epicon 2

Dali Epicon 2

Dali Epicon 2

-13%
WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.
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WHARFEDALE Dovedale

,
Original price was: 7,500.00€.Η τρέχουσα τιμή είναι: 6,490.00€.
Προσθήκη στο καλάθι

WHARFEDALE Dovedale

WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.

WHARFEDALE Dovedale

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX

,
6,790.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

   
Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX Hemp

,
7,270.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp

Proac K1
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Proac K1

,
7,990.00€
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Proac K1

Λόγω της επιτυχίας των επιδαπέδιων ηχείων της «Σειράς K», μας ζητήθηκε να δημιουργήσουμε ένα ηχείο που τοποθετείται σε βάση για τη σειρά K. Και, μετά από χρόνια έρευνας και ανάπτυξης, σχεδιάσαμε το K1. Το ηχείο K1 που τοποθετείται στη βάση χρησιμοποιεί τον δικό μας κώνο Kevlar και το δοκιμασμένο τουίτερ μας με ribbon, το οποίο χρησιμοποιείται σε όλη τη σειρά K Series. Ωστόσο, έχουμε κάνει ορισμένες τροποποιήσεις στην καμπίνα, στο woofer και το tweeter για να τα προσαρμόσουμε κατάλληλα για ένα ηχείο που τοποθετείται σε βάση. Αν και το K1 είναι ένα ηχείο που τοποθετείται σε βάση, έχει εκπληκτικά εκτεταμένο και ακριβές μπάσο με τα γνωστά, όμορφα μεσαία σχεδόν σαν ηλεκτροστατικού ένα χαρακτηριστικό της σειράς K.

Proac K1

Proac K1

KEF Reference 1 Meta
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KEF Reference 1 Meta

,
9,000.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

KEF Reference 1 Meta

KEF Reference 1 Meta

KEF Reference 1 Meta

New
Revival Audio ATALANTE 7 Evo The Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.
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Revival Audio ATALANTE 7 Evo

,
9,390.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 7 Evo

Revival Audio ATALANTE 7 EvoThe Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.

Revival Audio ATALANTE 7 Evo

Η Κορυφή της Μουσικής Τέχνης, το εξελιγμένο Revival Audio ATALANTE 7 Evo με ευαισθησία 90dB και αντίσταση 6 ohm, το ATALANTE 7 Évo συνδυάζεται αβίαστα με μια μεγάλη γκάμα ενισχυτών. Η ισορροπημένη ηχητική του υπογραφή εξασφαλίζει εκτεταμένη, χωρίς κόπωση ακρόαση, ενώ ο προηγμένος σχεδιασμός του woofer και της καμπίνας προσφέρει βαθιά, εντυπωσιακά μπάσα. Μια πραγματική εξέλιξη εμπειρίας, δεξιοτεχνίας και πάθους, το ATALANTE 7 Évo θέτει ένα νέο πρότυπο στην φυσική αναπαραγωγή ήχου για όσους αναζητούν το καλύτερο. Το Απόλυτο Σημείο Αναφοράς σε Υψηλές Συχνότητες κάτω των €10.000. Με το εκλεπτυσμένο tweeter RASC™ Évo soft-dome, το αναβαθμισμένο mid-range RASC™ Évo soft-dome και το πρόσφατα ανεπτυγμένο woofer BSC™ 15 ιντσών, το ATALANTE 7 Évo είναι το αποκορύφωμα ετών έρευνας, προόδων μηχανικής και ανατροφοδότησης ακρόασης στον πραγματικό κόσμο. Προσφέρει μεγαλύτερη κλίμακα, βελτιωμένη ανάκτηση λεπτομερειών και μια πιο οργανική μουσική ροή, διασφαλίζοντας ότι κάθε νότα αντηχεί με βάθος, απόχρωση και αυθεντικότητα.
Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANE LX

,
9,440.00€
Προσθήκη στο καλάθι

Audio Note ANE LX

Audio Note ANE LXDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Add to compare
Quick view
Add to wishlist

Audio Note ANE LX Hemp

,
9,950.00€
Προσθήκη στο καλάθι

Audio Note ANE LX Hemp

Audio Note ANE LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX Hemp