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WHARFEDALE EVO 5.2 Η σειρά EVO 5 σηματοδοτεί ένα τολμηρό βήμα προς τα εμπρός για τη Wharfedale, αξιοποιώντας όλα εκείνα τα στοιχεία που καθιέρωσαν τη σειρά EVO4 ως σημείο αναφοράς στις εκθέσεις ήχου και ως μια πολυβραβευμένη οικογένεια ηχείων. Παράλληλα, συνδυάζει πολυτελείς σχεδιαστικές αναβαθμίσεις με τεχνολογική εξέλιξη, ενισχύοντας περαιτέρω την ελκυστικότητα μιας ηχητικής πρότασης που υπερβαίνει τα όρια της κατηγορίας τιμής της. Είτε πρόκειται για απαιτητικούς audiophiles που αναζητούν λεπτομερή και εκφραστική μουσική αναπαραγωγή, είτε για πιο casual ακροατές που επιθυμούν καθαρότητα και βάθος, τα ηχεία EVO 5 υπόσχονται μια καθηλωτική εμπειρία υψηλής πιστότητας, αντάξια πολύ ακριβότερων high-end ηχητικών συστημάτων.
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WHARFEDALE EVO 5.2

,
898.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE EVO 5.2

WHARFEDALE EVO 5.2 Η σειρά EVO 5 σηματοδοτεί ένα τολμηρό βήμα προς τα εμπρός για τη Wharfedale, αξιοποιώντας όλα εκείνα τα στοιχεία που καθιέρωσαν τη σειρά EVO4 ως σημείο αναφοράς στις εκθέσεις ήχου και ως μια πολυβραβευμένη οικογένεια ηχείων. Παράλληλα, συνδυάζει πολυτελείς σχεδιαστικές αναβαθμίσεις με τεχνολογική εξέλιξη, ενισχύοντας περαιτέρω την ελκυστικότητα μιας ηχητικής πρότασης που υπερβαίνει τα όρια της κατηγορίας τιμής της. Είτε πρόκειται για απαιτητικούς audiophiles που αναζητούν λεπτομερή και εκφραστική μουσική αναπαραγωγή, είτε για πιο casual ακροατές που επιθυμούν καθαρότητα και βάθος, τα ηχεία EVO 5 υπόσχονται μια καθηλωτική εμπειρία υψηλής πιστότητας, αντάξια πολύ ακριβότερων high-end ηχητικών συστημάτων.

WHARFEDALE EVO 5.2

Η σειρά EVO 5 σηματοδοτεί ένα τολμηρό βήμα προς τα εμπρός για τη Wharfedale, αξιοποιώντας όλα εκείνα τα στοιχεία που καθιέρωσαν τη σειρά EVO4 ως σημείο αναφοράς στις εκθέσεις ήχου και ως μια πολυβραβευμένη οικογένεια ηχείων. Παράλληλα, συνδυάζει πολυτελείς σχεδιαστικές αναβαθμίσεις με τεχνολογική εξέλιξη, ενισχύοντας περαιτέρω την ελκυστικότητα μιας ηχητικής πρότασης που υπερβαίνει τα όρια της κατηγορίας τιμής της. Είτε πρόκειται για απαιτητικούς audiophiles που αναζητούν λεπτομερή και εκφραστική μουσική αναπαραγωγή, είτε για πιο casual ακροατές που επιθυμούν καθαρότητα και βάθος, τα ηχεία EVO 5 υπόσχονται μια καθηλωτική εμπειρία υψηλής πιστότητας, αντάξια πολύ ακριβότερων high-end ηχητικών συστημάτων.
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WHARFEDALE EVO 5.1 Η σειρά EVO 5 αντιπροσωπεύει ένα τολμηρό βήμα προς τα εμπρός για τη Wharfedale, αξιοποιώντας όλα όσα έκαναν τη σειρά EVO4 σημείο αναφοράς στις εκθέσεις και πολυβραβευμένη στον χώρο του ήχου. Παράλληλα, ενσωματώνει πολυτελείς σχεδιαστικές αναβαθμίσεις και τεχνική εξέλιξη, ενισχύοντας ακόμη περισσότερο την ελκυστικότητα μιας ηχητικής πρότασης που ξεπερνά τα όρια της κατηγορίας τιμής της. Είτε απευθύνεται σε απαιτητικούς audiophiles που αναζητούν λεπτομερή μουσική έκφραση, είτε σε πιο casual ακροατές που θέλουν καθαρότητα και βάθος, τα ηχεία EVO 5 υπόσχονται μια καθηλωτική εμπειρία υψηλής πιστότητας, αντάξια πολύ ακριβότερων high-end ηχητικών συστημάτων.
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WHARFEDALE EVO 5.1

,
648.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE EVO 5.1

WHARFEDALE EVO 5.1 Η σειρά EVO 5 αντιπροσωπεύει ένα τολμηρό βήμα προς τα εμπρός για τη Wharfedale, αξιοποιώντας όλα όσα έκαναν τη σειρά EVO4 σημείο αναφοράς στις εκθέσεις και πολυβραβευμένη στον χώρο του ήχου. Παράλληλα, ενσωματώνει πολυτελείς σχεδιαστικές αναβαθμίσεις και τεχνική εξέλιξη, ενισχύοντας ακόμη περισσότερο την ελκυστικότητα μιας ηχητικής πρότασης που ξεπερνά τα όρια της κατηγορίας τιμής της. Είτε απευθύνεται σε απαιτητικούς audiophiles που αναζητούν λεπτομερή μουσική έκφραση, είτε σε πιο casual ακροατές που θέλουν καθαρότητα και βάθος, τα ηχεία EVO 5 υπόσχονται μια καθηλωτική εμπειρία υψηλής πιστότητας, αντάξια πολύ ακριβότερων high-end ηχητικών συστημάτων.

WHARFEDALE EVO 5.1

Η σειρά EVO 5 αντιπροσωπεύει ένα τολμηρό βήμα προς τα εμπρός για τη Wharfedale, αξιοποιώντας όλα όσα έκαναν τη σειρά EVO4 σημείο αναφοράς στις εκθέσεις και πολυβραβευμένη στον χώρο του ήχου. Παράλληλα, ενσωματώνει πολυτελείς σχεδιαστικές αναβαθμίσεις και τεχνική εξέλιξη, ενισχύοντας ακόμη περισσότερο την ελκυστικότητα μιας ηχητικής πρότασης που ξεπερνά τα όρια της κατηγορίας τιμής της. Είτε απευθύνεται σε απαιτητικούς audiophiles που αναζητούν λεπτομερή μουσική έκφραση, είτε σε πιο casual ακροατές που θέλουν καθαρότητα και βάθος, τα ηχεία EVO 5 υπόσχονται μια καθηλωτική εμπειρία υψηλής πιστότητας, αντάξια πολύ ακριβότερων high-end ηχητικών συστημάτων.  
WHARFEDALE Super Linton DESCRIPTION The new Wharfedale SUPER LINTON represents a significant milestone in innovation for Wharfedale, being a standout addition to the globally best-selling Heritage series. This updated model is part of a line of award-winning speakers that are renowned for their exceptional musicality and have won the hearts of tens of thousands of music lovers. Led by Peter Comeau, the Director of Acoustic Design, Wharfedale’s engineers revisited every aspect of the speaker’s design, including the cabinet, drive units, and crossover. The outcome of their efforts is the newly upgraded Super Linton. The SUPER LINTON speakers are now available in 3 different finishes. Walnut, Mahogany, and now Black oak.
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WHARFEDALE Super Linton

,
2,290.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE Super Linton

WHARFEDALE Super LintonDESCRIPTION The new Wharfedale SUPER LINTON represents a significant milestone in innovation for Wharfedale, being a standout addition to the globally best-selling Heritage series. This updated model is part of a line of award-winning speakers that are renowned for their exceptional musicality and have won the hearts of tens of thousands of music lovers. Led by Peter Comeau, the Director of Acoustic Design, Wharfedale’s engineers revisited every aspect of the speaker’s design, including the cabinet, drive units, and crossover. The outcome of their efforts is the newly upgraded Super Linton. The SUPER LINTON speakers are now available in 3 different finishes. Walnut, Mahogany, and now Black oak.

WHARFEDALE Super Linton

ΠΕΡΙΓΡΑΦΗ Το νέο Wharfedale SUPER LINTON αντιπροσωπεύει ένα σημαντικό ορόσημο στην καινοτομία της Wharfedale, αποτελώντας μια ξεχωριστή προσθήκη στη σειρά Heritage με τις μεγαλύτερες πωλήσεις παγκοσμίως. Αυτό το ''updated'' μοντέλο αποτελεί μέρος μιας σειράς βραβευμένων ηχείων που φημίζονται για την εξαιρετική τους μουσικότητα και έχουν κερδίσει τις καρδιές δεκάδων χιλιάδων μουσικόφιλων. Με επικεφαλής τον Peter Comeau, τον Διευθυντή Ακουστικού Σχεδιασμού, οι μηχανικοί του Wharfedale επανεξέτασαν κάθε πτυχή του σχεδιασμού του ηχείου, συμπεριλαμβανομένου της καμπίνας, των μονάδων μετάδοσης κίνησης και του crossover. Το αποτέλεσμα των προσπαθειών τους είναι το πρόσφατα αναβαθμισμένο Super Linton. Τα ηχεία SUPER LINTON είναι πλέον διαθέσιμα σε 3 διαφορετικά φινιρίσματα. Καρυδιά, μαόνι και τώρα Μαύρη βελανιδιά.(Walnut, Mahogany, Black oak) Η αναγραφόμενη τιμή αφορά ζεύγος ηχείων ΜΕ βάσεις, η τιμή του ηχείου χωρίς βάσεις είναι 1996 ευρώ.
WHARFEDALE Diamond 12.2i Από την κυκλοφορία της το 2020, η σειρά Wharfedale DIAMOND 12 έχει λάβει ευρεία αναγνώριση ως σημείο αναφοράς για την απόδοση και την αξία σε προσιτά ηχεία hi-fi. Μετά από πάνω από πέντε χρόνια συνεχούς επιτυχίας, βραβεύσεων και θετικών αξιολογήσεων από λάτρεις του ήχου και κριτικούς, η σειρά DIAMOND 12 έχει εδραιωθεί ως μία από τις πιο ανθεκτικές και εμπορικά επιτυχημένες σειρές ηχείων. Τώρα, η Wharfedale παρουσιάζει με ενθουσιασμό τη νέα, ανανεωμένη DIAMOND 12i Series. Η νέα σειρά διαθέτει πολυτελή, σύγχρονα φινιρίσματα και διακριτικές ακουστικές βελτιώσεις που βασίζονται στο ισχυρό θεμέλιο του αρχικού σχεδιασμού.
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WHARFEDALE Diamond 12.2i

,
428.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

WHARFEDALE Diamond 12.2i

WHARFEDALE Diamond 12.2iΑπό την κυκλοφορία της το 2020, η σειρά Wharfedale DIAMOND 12 έχει λάβει ευρεία αναγνώριση ως σημείο αναφοράς για την απόδοση και την αξία σε προσιτά ηχεία hi-fi. Μετά από πάνω από πέντε χρόνια συνεχούς επιτυχίας, βραβεύσεων και θετικών αξιολογήσεων από λάτρεις του ήχου και κριτικούς, η σειρά DIAMOND 12 έχει εδραιωθεί ως μία από τις πιο ανθεκτικές και εμπορικά επιτυχημένες σειρές ηχείων. Τώρα, η Wharfedale παρουσιάζει με ενθουσιασμό τη νέα, ανανεωμένη DIAMOND 12i Series. Η νέα σειρά διαθέτει πολυτελή, σύγχρονα φινιρίσματα και διακριτικές ακουστικές βελτιώσεις που βασίζονται στο ισχυρό θεμέλιο του αρχικού σχεδιασμού.

WHARFEDALE Diamond 12.2i

Από την κυκλοφορία της το 2020, η σειρά Wharfedale DIAMOND 12 έχει λάβει ευρεία αναγνώριση ως σημείο αναφοράς για την απόδοση και την αξία σε προσιτά ηχεία hi-fi. Μετά από πάνω από πέντε χρόνια συνεχούς επιτυχίας, βραβεύσεων και θετικών αξιολογήσεων από λάτρεις του ήχου και κριτικούς, η σειρά DIAMOND 12 έχει εδραιωθεί ως μία από τις πιο ανθεκτικές και εμπορικά επιτυχημένες σειρές ηχείων.
Q Acoustics 3030c Sometimes you want your music to hit hard and dig deep - but that doesn’t mean you need a great big loudspeaker with a great big driver. No, it means you need the 3030c - the standmount with the greatest bass extension and low-end drive in the range. Q Acoustics 3030c KEY FEATURES New ground-up C3 (pronounced ‘C-cubed’) Continuous Curved Cone™ mid/bass profile ensures superior bass dynamics and smoother integration with the high frequency driver. Based on design principles found in the newest Concept series, the hermetically sealed high frequency driver unit is mechanically isolated from the baffle, preventing modulation from the mid/bass driver. Low colouration cabinets with P2PTM (Point to PointTM) bracing, minimising low-end reverberation to improve the stereo image and soundstage. Boasts a clean and contemporary aesthetic with sophisticated satin metallic driver trims. Available in four new finishes: Pin Oak, Claro Walnut, Satin White, Satin Black. Introducing generation c The affordable and high performance 3000c loudspeaker series builds on the formidable legacy of the 3000i - Q Acoustics’ most popular and decorated speaker series. This latest range continues the company’s unwavering track record of delivering a sonic performance and high-quality design and build way beyond its class.
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Q Acoustics 3030c

,
611.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Q Acoustics 3030c

Q Acoustics 3030cSometimes you want your music to hit hard and dig deep - but that doesn’t mean you need a great big loudspeaker with a great big driver. No, it means you need the 3030c - the standmount with the greatest bass extension and low-end drive in the range. Q Acoustics 3030c KEY FEATURES New ground-up C3 (pronounced ‘C-cubed’) Continuous Curved Cone™ mid/bass profile ensures superior bass dynamics and smoother integration with the high frequency driver. Based on design principles found in the newest Concept series, the hermetically sealed high frequency driver unit is mechanically isolated from the baffle, preventing modulation from the mid/bass driver. Low colouration cabinets with P2PTM (Point to PointTM) bracing, minimising low-end reverberation to improve the stereo image and soundstage. Boasts a clean and contemporary aesthetic with sophisticated satin metallic driver trims. Available in four new finishes: Pin Oak, Claro Walnut, Satin White, Satin Black. Introducing generation c The affordable and high performance 3000c loudspeaker series builds on the formidable legacy of the 3000i - Q Acoustics’ most popular and decorated speaker series. This latest range continues the company’s unwavering track record of delivering a sonic performance and high-quality design and build way beyond its class.

Q Acoustics 3030c stand mount speakers

Το ηχείο βιβλιοθήκης Q Acoustics 3030c συνδυάζει βαθύ, ισχυρό μπάσο με καθαρές μεσαίες και υψηλές συχνότητες. Το Q Acoustics 3030i διαθέτει προηγμένο οδηγό C3 και αποδίδει εξαιρετική στερεοφωνική εικόνα.
Magico A1 The A1 bookshelf loudspeaker features a fully braced aluminum enclosure, beryllium dome tweeter, carbon Nanographene cone, and our renowned elliptical crossover. Enclosure The A1 enclosure is constructed using 3⁄8” thick 6061 T6 aircraft grade aluminum, similar to the enclosure developed for the Q1 and is available in an elegant brushed-aluminum, black anodized finish. An innovative internal bracing technique along with the most advanced damping materials makes the sealed enclosure incredibly rigid and free of unwanted mechanical resonances. The complete enclosure design of the A1 is evaluated in simulation using the latest FEA software along with physical testing to meet the uncompromising requirements of Magico for optimized enclosure rigidity, stability and to ensure benchmark acoustical standards.
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Magico A1

,
Price range: 11,700.00€ through 12,450.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Magico A1

Magico A1The A1 bookshelf loudspeaker features a fully braced aluminum enclosure, beryllium dome tweeter, carbon Nanographene cone, and our renowned elliptical crossover. Enclosure The A1 enclosure is constructed using 3⁄8” thick 6061 T6 aircraft grade aluminum, similar to the enclosure developed for the Q1 and is available in an elegant brushed-aluminum, black anodized finish. An innovative internal bracing technique along with the most advanced damping materials makes the sealed enclosure incredibly rigid and free of unwanted mechanical resonances. The complete enclosure design of the A1 is evaluated in simulation using the latest FEA software along with physical testing to meet the uncompromising requirements of Magico for optimized enclosure rigidity, stability and to ensure benchmark acoustical standards.

Ηχείο βάσης, βιβλιοθήκης Magico A1

Το ηχείο βιβλιοθήκης A1 διαθέτει πλήρως ενισχυμένο περίβλημα από αλουμίνιο, θολωτό tweeter βηρυλλίου, κώνο νανογραφενίου από άνθρακα και το φημισμένο ελλειπτικό crossover μας.
Revival Audio ATALANTE 7 Evo The Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.
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Revival Audio ATALANTE 7 Evo

,
9,390.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 7 Evo

Revival Audio ATALANTE 7 EvoThe Pinnacle of Musical Artistry, Evolved With 90dB sensitivity and 6-ohm impedance, ATALANTE 7 Évo pairs effortlessly with a wide range of amplifiers. Its balanced sound signature ensures extended, fatigue- free listening, while the advanced woofer and cabinet design delivers deep, impactful bass. A true evolution of experience, craftsmanship, and passion, ATALANTE 7 Évo sets a new standard in natural sound reproduction for those who seek the best. The Ultimate Benchmark in High-End under €10,000. With its refined RASC™ Évo soft-dome tweeter, upgraded RASC™ Évo soft-dome midrange, and the newly developed 15-inch BSC™ woofer, ATALANTE 7 Évo is the culmination of years of research, engineering advancements, and real-world listening feedback. It delivers greater scale, enhanced detail retrieval, and a moreorganic musical flow, ensuring that every note resonates with depth, nuance, and authenticity. Évo is more than an upgrade—it’s a complete Évolution. Building on the ATALANTE legacy, ATALANTE 7 Évo sets new standards in high-fidelity performance with its refined RASC™ Évo tweeter, upgraded RASC™ Évo midrange, and the first-in-high-end 15-inch BSC™ woofer. Designed for those who seek an immersive, natural, and emotionally engaging sound, it delivers greater scale, enhanced detail, and a more organic musical flow. Every note resonates with depth, nuance, and authenticity Timeless Design, Modern Craftsmanship A harmonious blend of elegance and engineering, ATALANTE 7 Évo is designed in collaboration with the Parisian award-winning A+A Cooren Studio. Its refined proportions, sculpted lines, and premium materials elevate it beyond just a speaker — it is an artful statement of sound and design.

Revival Audio ATALANTE 7 Evo

Η Κορυφή της Μουσικής Τέχνης, το εξελιγμένο Revival Audio ATALANTE 7 Evo με ευαισθησία 90dB και αντίσταση 6 ohm, το ATALANTE 7 Évo συνδυάζεται αβίαστα με μια μεγάλη γκάμα ενισχυτών. Η ισορροπημένη ηχητική του υπογραφή εξασφαλίζει εκτεταμένη, χωρίς κόπωση ακρόαση, ενώ ο προηγμένος σχεδιασμός του woofer και της καμπίνας προσφέρει βαθιά, εντυπωσιακά μπάσα. Μια πραγματική εξέλιξη εμπειρίας, δεξιοτεχνίας και πάθους, το ATALANTE 7 Évo θέτει ένα νέο πρότυπο στην φυσική αναπαραγωγή ήχου για όσους αναζητούν το καλύτερο. Το Απόλυτο Σημείο Αναφοράς σε Υψηλές Συχνότητες κάτω των €10.000. Με το εκλεπτυσμένο tweeter RASC™ Évo soft-dome, το αναβαθμισμένο mid-range RASC™ Évo soft-dome και το πρόσφατα ανεπτυγμένο woofer BSC™ 15 ιντσών, το ATALANTE 7 Évo είναι το αποκορύφωμα ετών έρευνας, προόδων μηχανικής και ανατροφοδότησης ακρόασης στον πραγματικό κόσμο. Προσφέρει μεγαλύτερη κλίμακα, βελτιωμένη ανάκτηση λεπτομερειών και μια πιο οργανική μουσική ροή, διασφαλίζοντας ότι κάθε νότα αντηχεί με βάθος, απόχρωση και αυθεντικότητα.
Revival Audio ATALANTE 5 ABOUT REVIVAL AUDIO Debuting with 30+ Years of Expertise It is our debut, from almost four decades of expertise and know-how behind many well-known flagship models among top tier brands. ATALANTE models are designed, engineered and assembled in France. With every single detail designed from scratch and after hundreds hours of experiments, we can now share our edging technologies and proudly introduce ATALANTE, our first range of loudspeakers at the Next-Level sound. ATALANTE 5 Overwhelming Performance, Every Detail Experience the power and precision of the pinnacle of the ATALANTE series. With nearly four decades of expertise behind its design, this award-winning loudspeaker is crafted in France and represents the Next-Level in sound engineering. Revival Audio ATALANTE 4 KEY FEATURES RASC™ 28mm TWEETER – Detailed Restitution, Beyond Expectations RASC Tweeter is the iconic driver of Revival Audio. The 28mm soft-dome tweeter, coated with our secret recipe, and built-in Revival Audio ARID+ (Anti Reflection Inner Dome) patented technology, to absorb 95+% of resonance in the chamber. BSC™ Midrange & Woofers – First Ever in Hi-End BSC (Basalt Sandwich Construction) drivers are definitely a Revival Audio unique and iconic (visually too) technology. Basalt is extracted from lava stone which has never been used in Hi-End audio, with similar characteristics as glass fibre but a better Young modulus. Hand-tuned Crossover – Built to Last Our philosophy of crossover design is, that…we don’t have a philosophy. We tune the sound by ears and experiences, but not measurements. We use as few components as possible, only necessary ones. In ATALANTE 4, we incorporates the best-in-its-range components, including the Van den Hul Skyline Hybrid cables. Premium Spike Set – Elegant and functional the Premium Spike Set, a novel design in the ATALANTE 4, not only enhances the speaker’s aesthetic but also ensures functional stability, enabling effortless micro-height adjustments. ARID Patented Technology – Edging Innovation, From Outstanding to Extraordinary ARID, which stands for Anti Resonance Inner Dome, is a Revival Audio patented technology. ARID technology provides extended frequency response benefits from no-absorbing damping in the space behind the dome. Outperforming Large Size Ferrite Magnet – It’s Large The “horse power” of an engine, for a driver, is the magnet system. In all ATALANTE models, we chose ferrite magnets, not only because it is eco-friendly, but they also offer a real balanced output.
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Revival Audio ATALANTE 5

,
4,800.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 5

Revival Audio ATALANTE 5ABOUT REVIVAL AUDIO Debuting with 30+ Years of Expertise It is our debut, from almost four decades of expertise and know-how behind many well-known flagship models among top tier brands. ATALANTE models are designed, engineered and assembled in France. With every single detail designed from scratch and after hundreds hours of experiments, we can now share our edging technologies and proudly introduce ATALANTE, our first range of loudspeakers at the Next-Level sound. ATALANTE 5 Overwhelming Performance, Every Detail Experience the power and precision of the pinnacle of the ATALANTE series. With nearly four decades of expertise behind its design, this award-winning loudspeaker is crafted in France and represents the Next-Level in sound engineering. Revival Audio ATALANTE 4 KEY FEATURES RASC™ 28mm TWEETER – Detailed Restitution, Beyond Expectations RASC Tweeter is the iconic driver of Revival Audio. The 28mm soft-dome tweeter, coated with our secret recipe, and built-in Revival Audio ARID+ (Anti Reflection Inner Dome) patented technology, to absorb 95+% of resonance in the chamber. BSC™ Midrange & Woofers – First Ever in Hi-End BSC (Basalt Sandwich Construction) drivers are definitely a Revival Audio unique and iconic (visually too) technology. Basalt is extracted from lava stone which has never been used in Hi-End audio, with similar characteristics as glass fibre but a better Young modulus. Hand-tuned Crossover – Built to Last Our philosophy of crossover design is, that…we don’t have a philosophy. We tune the sound by ears and experiences, but not measurements. We use as few components as possible, only necessary ones. In ATALANTE 4, we incorporates the best-in-its-range components, including the Van den Hul Skyline Hybrid cables. Premium Spike Set – Elegant and functional the Premium Spike Set, a novel design in the ATALANTE 4, not only enhances the speaker’s aesthetic but also ensures functional stability, enabling effortless micro-height adjustments. ARID Patented Technology – Edging Innovation, From Outstanding to Extraordinary ARID, which stands for Anti Resonance Inner Dome, is a Revival Audio patented technology. ARID technology provides extended frequency response benefits from no-absorbing damping in the space behind the dome. Outperforming Large Size Ferrite Magnet – It’s Large The “horse power” of an engine, for a driver, is the magnet system. In all ATALANTE models, we chose ferrite magnets, not only because it is eco-friendly, but they also offer a real balanced output.

Revival Audio ATALANTE 5

Revival Audio ATALANTE 3 The Revival Audio ATALANTE 3 redefines bookshelf speakers with its compact design and exceptional sound quality. Engineered in France with 30+ years of experience, this award-winning speaker combines innovative technologies, including the unique Basalt Sandwich Construction woofer and patented ARID technology, for a truly immersive listening experience. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience.
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Revival Audio ATALANTE 3

,
2,350.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio ATALANTE 3

Revival Audio ATALANTE 3The Revival Audio ATALANTE 3 redefines bookshelf speakers with its compact design and exceptional sound quality. Engineered in France with 30+ years of experience, this award-winning speaker combines innovative technologies, including the unique Basalt Sandwich Construction woofer and patented ARID technology, for a truly immersive listening experience. Created in collaboration with A+A Cooren Design Studio, it offers an exceptional auditory and visual experience.

Revival Audio ATALANTE 3

Revival Audio Sprint 3 The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer. These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!
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Revival Audio Sprint 3

,
950.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Revival Audio Sprint 3

Revival Audio Sprint 3The Sprint 3, designed in collaboration with the award-winning A+A Cooren Design Studio, is a remarkable blend of modern French elegance and cutting-edge acoustic technology. Featuring the innovative ELYTRON front baffle and high-performance BSC 7” woofer. These bookshelf speaker delivers precise sound and striking aesthetics, continuing the legacy of Revival Audio’s acclaimed ATALANTE line. A truly high end audiophile speaker that punches above its weight!

Revival Audio Sprint 3

Το Revival Audio Sprint 3, είναι ένα ηχείο σχεδιασμένο σε συνεργασία με το βραβευμένο A+A Cooren Design Studio, αποτελεί έναν αξιοσημείωτο συνδυασμό σύγχρονης γαλλικής κομψότητας και ακουστικής τεχνολογίας αιχμής. Διαθέτει το πρωτοποριακό μπροστινό διάφραγμα ELYTRON και το υψηλής απόδοσης γούφερ BSC 7”. Τα ηχεία βιβλιοθήκης Revival Audio Sprint 3 προσφέρουν ακριβή ήχο και εντυπωσιακή αισθητική, συνεχίζοντας την κληρονομιά της αναγνωρισμένης σειράς ATALANTE της Revival Audio. Ένα πραγματικά υψηλής ποιότητας ηχείο audiophile!
-13%
WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.
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WHARFEDALE Dovedale

,
Original price was: 7,500.00€.Η τρέχουσα τιμή είναι: 6,490.00€.
Προσθήκη στο καλάθι

WHARFEDALE Dovedale

WHARFEDALE Dovedale Celebrating 9o years of bringing the world’s finest Loudspeakers to the world of home audio, today Wharfedale engineers continue the dictum of utilising technology where it truly matters to develop Loudspeakers that reveal the passion and excitement behind the musical performance. We believe that a connoisseur of sound would find the merest flow intolerable and with a connoisseur in mind. We have re-designed and built the new ‘Dovedale’. If you are such a listener. You will recognise the significance of – and then insist on possessing – the control. Performance and sheer quality are reflected in this fine speaker. Manufactured by highly trained. Vastly experienced Loudspeaker experts at the headquarters of Wharfedale, in Huntingdon. Cambridgeshire – Dovedale is built in the home of British Hi-Fi. The new Dovedale further exemplifies Wharfedale’s legacy in fine loudspeaker design and manufacturing: balancing fine craftsmanship, natural sound quality, and affordability inside a beautifully proportioned loudspeaker that has been bought in its millions right across the globe through its various incarnations. A True Classic Dovedale has an unmistakable family resemblance. It is a three-way standmount model – a rarity in the modern era, retaining similar proportions to the classic Dovedale models of yesteryear. Its wood-veneered cabinet has a vintage look, yet the standard of finish is distinctly contemporary – a tribute to the skilled craftsmanship required to produce such a loudspeaker. The original Dovedale models – dating back to the W2 in 1959, which was updated to the W2 / Dovedale in 1965 – were well known for their rich and natural sound quality. The new model retains these attributes but upgrades the performance in every department, with free-breathing dynamics and incredible definition across the bass and midrange. A celebration of the Landmark goth anniversary of the Wharfedale brand. The Wharfedale Dovedale is more than just a reintroduction of a classic model. This is a speaker that exudes authenticity. Designed to appeal to the dedicated music-lover. Made In The UK Dovedale signifies the reintroduction of the class and quality of British manufacturing to the Wharfedale brand portfolio. Dovedale is built in the home of British Hi-Fi at Wharfedale’s UK headquarters in Huntingdon, Cambridgeshire. Incorporating key manufacturing, assembly and finishing processes for specially selected products in addition to the R&D function already located there. A 9,000ft2 production facility has been added to the existing building, including a new anechoic chamber, making a total of 25,000ft2 of office, lab and manufacturing space. It is here that Dovedale is manufactured by highly trained, vastly experienced loudspeaker experts.

WHARFEDALE Dovedale

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANE-SPE-HE

,
12,450.00€
Προσθήκη στο καλάθι

Audio Note ANE-SPE-HE

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE-SPE-HE

Audio Note ANE LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANE LX Hemp

,
9,950.00€
Προσθήκη στο καλάθι

Audio Note ANE LX Hemp

Audio Note ANE LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX Hemp

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANE LX

,
9,440.00€
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Audio Note ANE LX

Audio Note ANE LXDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANE LX

Audio Note AN-J-LX Hemp Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX Hemp

,
7,270.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX HempDetails The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX Hemp

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note AN-J-LX

,
6,790.00€
Προσθήκη στο καλάθι

Audio Note AN-J-LX

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note AN-J-LX

   
Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
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Audio Note ANK-LX

,
4,910.00€
Προσθήκη στο καλάθι

Audio Note ANK-LX

Audio Note ANK-LXDetails The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

Audio Note ANK-LX

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!
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AN-E-SPX Limited

,
59,770.00€
Προσθήκη στο καλάθι

Audio Note AN-E Ltd

AN-E-SPX Limited Field coil drive units, or in laymen’s terms, powered drive units, using an electromagnet to generate the magnetic field with which the voice coil interacts (by Lorentz Force), date from the earliest days of electrical music reproduction. At the time, not long after the turn of the 20th century, permanent magnet technology was not sufficiently advanced to make a conveniently sized, and priced, speaker drive unit. Electrical efficiency was much less of a consideration then, and there was often a ‘free’ source of power for the field coil – by using the speaker field coil as the smoothing choke in the device’s power supply. Now, the question arises as to why revisit an older, now largely redundant technology? That is because of the sound. The effect is not that there is more in terms of quantity from the speakers, there isn’t, there’s actually less. They sound calmer, more relaxed and graceful, yet there is now more information – in terms of tonality, subtle inflection, and atmosphere. What was previously obscured is now revealed. The scales have fallen from your ears!

AN-E-SPX Limited

Paradigm Monitor SE Atom Monitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.
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Paradigm Monitor SE Atom

,
399.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Paradigm Monitor SE Atom

Paradigm Monitor SE AtomMonitor SE Series The stylish and affordable new Monitor SE Series is the perfect introduction to the world of high-performance audio. Sure it’s packed with state-of-the-art technology, the kind of stuff only found on speakers that cost much more. But more important, the new Monitor SE Series is part of the Paradigm family of high-performance loudspeakers, and just like all Paradigm loudspeakers it’s engineered to change the way you think and feel about your entertainment. Built On Research Monitor SE loudspeakers benefit from Paradigm’s fundamental research into the science of sound. This research, conducted by Paradigm in conjunction with the Canadian National Research Council, has resulted in many of the innovative materials and patented audio technologies found throughout the Paradigm speaker. Realism in Audio Imagine lifelike musical performance in any listening space; breathtaking effects and realistic imaging details that bring your movies to life. Tweeter X-PAL™ Pure-Aluminum Dome Tweeters with patented† Perforated Phase-Aligning (PPA™) Lens. This exclusive design acts as a refined phase plug, blocking a wide range of out-of-phase frequencies which increases and smooths output without coloring the sound. Both visually stunning and functional, our signature PPA Lens technology improves performance while also protecting the tweeter from getting damaged.

Paradigm Monitor SE Atom

Paradigm Premier 100B Premier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.
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Paradigm Premier 100B

,
1,099.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Paradigm Premier 100B

Paradigm Premier 100B Premier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Paradigm Premier 100B

Paradigm Premier 200B Premier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.
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Paradigm Premier 200B

,
1,379.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Paradigm Premier 200B

Paradigm Premier 200BPremier Series You’ve been thinking about it for a while, and now is the time to take that next step. Step up from mass-market audio to a superior sound experience, with the new Premier Series of affordable high-performance loudspeakers. Step up to Crafted in Canada quality that makes an authentic statement. Step up to exclusive audio technologies, backed by fundamental industry-leading audio research, for a performance experience unlike anything else in this class. Take the audiophile step up to Premier, by Paradigm. Performance & Value To produce a loudspeaker that meets our standards for performance and value, we took complete control of the manufacturing process, an unprecedented move at this price point. In our state-of-the-art North American facility, we have produced a loudspeaker that defies convention; a homegrown loudspeaker that benefits from innovations found throughout the Paradigm family of loudspeakers. Patented Perforated Phase-Aligning (PPA™) Tweeter and Midrange Lens Technology Distinctive perforated lens in front of the tweeter and midrange drivers increase and smooth output without coloring the sound, while also protecting the drivers from getting damaged. Patented Active Ridge Technology (ART™) Surrounds Premier features Paradigm’s patented Active Ridge Technology (ART) surrounds, made in-house and overmolded directly onto each woofer and midrange cone. This design achieves greater excursion, for a 3dB gain in output and 50% reduction in distortion. Crafted from injection-molded thermoplastic elastomer, ART surrounds are more durable and more reliable, ensuring a lifetime of superior sound.

Paradigm Premier 200B

Paradigm Founder 40b Precision. Control. Dynamics. These are the pillars the Founder Series was built on. Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations. Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts. During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.
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Paradigm Founder 40b

,
3,320.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Paradigm Founder 40b

Paradigm Founder 40bPrecision. Control. Dynamics. These are the pillars the Founder Series was built on. Fire and ice, oil and water, Yankees and Mets fans. Some things just don’t mix. But what if form and function could? Every once in a while, something special comes along and changes the rules. The perfect blend of technology, design, and performance. At the start of the development, we knew one thing, when Art Embraces Science anything is possible, and we exceeded our wildest expectations. Founder is no ordinary loudspeaker. Every component, large and small, was scrutinized down to the tiniest detail. Every component has been thoroughly researched, designed, engineered, exclusively for Founder’s. New patent pending technologies were developed for the acoustic platform. The new cabinet platform is not just a stunning design, the unique shape and integrated structural bracing delivers acoustic performance that cannot be matched by traditional square boxes. By leaving no element unaddressed, Founder’s is so much more than the sum of its parts. During our exhaustive research, design, and engineering process, we looked closely and carefully at how speakers interact with their environment. The contemporary home environment presents design challenges that have become even more prominent over the last decade. Stone, glass, and wood have become the materials of choice and open concepts dominate. Founder’s design has evolved with this trend and is perfectly suited to deliver its maximum performance in rooms that would challenge traditionally designed speakers. Whether you enjoy movies and music in a more traditional listening space, or your home is from the pages of Architectural Digest you can be sure Founder will sound as good as they look.

Paradigm Founder 40b

Bowers Wilkins 606 S3 The 606 S3 stand-mount speaker provides the ideal combination of size and performance. It combines our all-new Titanium Dome™ tweeter with the powerful accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.
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Bowers Wilkins 606 S3

,
1,049.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Bowers Wilkins 606 S3

Bowers Wilkins 606 S3The 606 S3 stand-mount speaker provides the ideal combination of size and performance. It combines our all-new Titanium Dome™ tweeter with the powerful accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.

Bowers Wilkins 606 S3

Bowers Wilkins 607 S3 Offering power and scale that belies its compact form, the 607 S3 bookshelf speaker combines our new Titanium Dome™ tweeter with the accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.
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Bowers Wilkins 607 S3

,
849.00€
Επιλογή Αυτό το προϊόν έχει πολλαπλές παραλλαγές. Οι επιλογές μπορούν να επιλεγούν στη σελίδα του προϊόντος

Bowers Wilkins 607 S3

Bowers Wilkins 607 S3Offering power and scale that belies its compact form, the 607 S3 bookshelf speaker combines our new Titanium Dome™ tweeter with the accuracy and transparency of our acclaimed Continuum™ bass/midrange cone. *Stand(s) not included.

Bowers Wilkins 607 S3