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Sorane-Tonearm TA-1 Classic looking tonearm, machine-tooled and hand-assembled by skilled Japanese craftsmen. It features a precise detachable headshell and a gimball bearing design for excellent bass and imaging. Sorane/ All handmade and hand assembled by craftsmen Since the company's foundation in 1974, Katsuaki Ishiyama-san has established and accumulated extensive knowhow in the design and development of various tonearms and other analog equipment. Each piece is manufactured through a completely handmade and assembled process, based on his belief that fine-tuning can only be achieved through the precise and sensitive hands of skilled craftsmen. Even though modern technology such as CNC milling machines is used at their plant for basic parts production, they still rely on the expertise of their craftsmen, particularly during the assembly process. This ensures that the numerous parts achieve ideal mechanical surface contact through meticulous hand-tuning and hand-adjustment. Walden High-End Audio Products High-End Audio Brands Tonearms Sorane TA-1 Shared Features Amongst Sorane Tonearms (a) Gimbal-bearing designs for excellent bass, dynamics and imaging, as well as unconditional azimuth stability (the biggest problem for unipivots). (b) Antiskating (c) Detachable headshells to allow quick changes of cartridges, the adoption of various mass headshells (to help change the effective mass of the arms and cartridges), and the ability to mount cartridges in a well lit area, in a safe and convenient manner. (d) Machine-tooled and hand-assembled by skilled Japanese craftsmen. This highly skilled and delicate hand-assembly differentiates Sorane/Abis tonearms from similar mass-produced Japanese tonearms. Standard quality high-volume tonearms are produced by die-casting and semi-automatic assembly line processes to keep production costs low. (e) Skilled hand assembly does not simply mean “combining the constituent parts by hand”. Skilled hand assembly involves measurement, adjustment and hand-fitting to produce optimal interface between machined surfaces. Once completed, the fitment between every part is ideal, satisfying the necessary conditions for vibration-free and noise-free reproduction of analog sound. (f) Most importantly, the key to tonearm quality is highly sensitive and delicate motion, for which the bearings are the determining factor. (g) Concerning the reproduced sound from these models: The designer is confident you will get precise and clean sound, which can only be had from hand-made tonearms, but at a very reasonable price with these arms. (h) In particular, the SA-1.2 will produce rich and tight bass, coming from the extremely rigid rectangular shaped arm-wand. (i) In SA-1.2, two sets of fine radial bearings are installed for both horizontal (set in the bearing stem column in this photo) and vertical (further small bearing at tonearm wand). This assures audiophiles of smooth tonearm function, greater longevity, better consistency, and enhanced ability to track warped vinyl. (j) The same type radial bearing used in the SA-1.2 for horizontal motion is also used for the TA-1 and TA-1L, while a delicate pivot bearing is employed for vertical movement (this is still a bearing but the bearing axis end is cone shaped, and requires careful assembly and adjustment). The right side cone in this photo is inserted into the miniature bearing inner race.
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SORANE TA-1L Tonearm

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2,550.00€
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SORANE TA-1L Tonearm

SORANE TA-1L Tonearm Gimbal-type bearing design 12 inch S-Shaped tonearm for excellent bass, dynamics and imaging A successful tonearm must have the sensitivity and stability to retrieve low-level signals and the quality of the bearings (such as used in the TA tonearms) is paramount. Whilst tonearm mass and cartridge compliance set the low frequency resonance point, high quality bearings must be used that allow the arm to follow the advance of the groove, to navigate the vinyl groove without grabbing/resistance/noise generation.

SORANE TA-1L Tonearm