ηχεία βάσης και βιβλιοθήκης - Nexus Acoustics

ACOUSTIC ENERGY 100-2

€359.00

ACOUSTIC ENERGY 100-2

Ηχείο βάσεως 2 δρόμων για ενισχυτές έως 120 WRMS, μαγνητικά θωρακισμένο με απόκριση συχνότητας 51Hz - 26KHz (+/- 3dB) με αντίσταση 6Ω και ευαισθησία 87dB με ένα Mid/Bass Driver 130mm και ένα Tweeter 25mm Soft Dome. Στο ACOUSTIC ENERGY 100-2 έχει δοθεί ιδιαίτερη προσοχή στο Crossover με πυκνωτές πολυπροπυλενίου και πηνία αέρος Τα ηχεία έχουν καμπίνα με πρεσαρισμένο πολλαπλών επιστρώσεων HDF 15mm. Ειδικό bass reflex port ισοστάθμισης καμπίνας.

ACOUSTIC ENERGY 100-2

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ACOUSTIC ENERGY AE 300

€929.00

ACOUSTIC ENERGY AE 300

AACOUSTIC ENERGY AE 300 ηχείο βάσεως δυο δρόμων μαγνητικά θωρακισμένο για ενισχυτή έως 100 WRMS με απόκριση συχνότητας 45Hz - 30KHz (+/- 3dB) με αντίσταση 6Ω ευαισθησία 86dB. Τα 300αρια έχουν 1 μεφάφωνο μεσαιοχαμηλών συχνοτήτων 5.2 ιντσών με ceramic aluminium sandwich cone και Tweeter: 1.1 ίντσας από αλουμίνιο. Όπως σε όλα τα ACOUSTIC ENERGY έτσι και στα AE 300 ιδιαίτερη προσοχή έχει δοθεί στα υλικά του κροσόβερ με πυκνωτές πολυπρολενίου και πηνία αέρος. Το 300 χρησιμοποιεί καμπίνα bass reflex με πολλαπλών επιστρώσεων MDF Carcass 18mm.

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ACOUSTIC ENERGY AE 300 Walnut

€989.00

ACOUSTIC ENERGY AE 300 Walnut ACOUSTIC ENERGY AE 300 Walnut ηχείο βάσεως δυο δρόμων μαγνητικά θωρακισμένο για ενισχυτή έως 100 WRMS με απόκριση συχνότητας 45Hz - 30KHz (+/- 3dB) με αντίσταση 6Ω ευαισθησία 86dB. Τα 300αρια έχουν 1 μεφάφωνο μεσαιοχαμηλών συχνοτήτων 5.2 ιντσών με ceramic aluminium sandwich cone και Tweeter: 1.1 ίντσας από αλουμίνιο. Όπως σε όλα τα ACOUSTIC ENERGY έτσι και στα AE 300 ιδιαίτερη προσοχή έχει δοθεί στα υλικά του κροσόβερ με πυκνωτές πολυπρολενίου και πηνία αέρος. Το 300 χρησιμοποιεί καμπίνα bass reflex με πολλαπλών επιστρώσεων MDF Carcass 18mm.

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ACOUSTIC ENERGY AE 301

€899.00

ACOUSTIC ENERGY AE 301

AACOUSTIC ENERGY AE 301 ηχείο βάσης 2 δρόμων μαγνητικά θωρακισμένο για ενισχυτή έως 150 WRMS με απόκριση συχνότητας 48Hz - 32KHz (+/- 3dB) ευαισθησία 87dB και αντίσταση 8Ω. Τα 301 έχουν μεφάφωνο μεσαιοχαμηλών συχνοτήτων από αλουμίνο 4.3 ιντσών και Tweeter: 1.1 ίντσας με AE Custom Fabric Dome κώνο. Όπως σε όλα τα ACOUSTIC ENERGY και στα AE 301 ιδιαίτερη προσοχή έχει δοθεί στα υλικά του κροσόβερ με πυκνωτές πολυπρολενίου και πηνία αέρος. Το 301 χρησιμοποιεί καμπίνα bass reflex με πολλαπλών επιστρώσεων MDF Carcass 18mm.

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ACOUSTIC ENERGY AE 500

€1,349.00

ACOUSTIC ENERGY AE 500

Το ACOUSTIC ENERGY AE 500 είναι ηχείο βάσης 2 δρόμων μαγνητικά θωρακισμένο για ενισχυτή έως 120 WRMS με απόκριση συχνότητας 45Hz - 28KHz (+/- 3dB) με αντίσταση 6Ω ευαισθησία 87dB. Το 500 έχουν 1 μεφάφωνα μεσαιοχαμηλών συχνοτήτων 5 ιντσών με carbon fibre και Tweeter: 1 ίντσας από carbon fibre. Όπως σε όλα τα ACOUSTIC ENERGY έτσι και στα AE 500 ιδιαίτερη προσοχή έχει δοθεί στα υλικά του κροσόβερ με πυκνωτές πολυπρολενίου και πηνία αέρος. Το 500 χρησιμοποιεί καμπίνα bass reflex με 18mm Resonance Suppression Composite (RSC).

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AN-E-SPX Limited

€59,770.00

Audio Note AN-E Ltd

AN-E-SPX Limited

ATC SCM 11 New ATC designed and built 25mm soft dome HF unit with precision alloy wave guide. Precision undercut bass pole. “CLD” driver technology with 45mm integral soft dome. In-house, hand-wound precision flat wire coil. Massive optimised motor assembly. Flat impedance curve allowing easy load for amplifiers. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.

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ATC SCM 11

€2,300.00

Επιλογή

ATC SCM 11

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ATC SCM100SL

€22,900.00

ATC SCM100SL

ATC SCM100SL hi end passive studio monitor

ATC SCM19 Overview New ATC designed and built 25mm soft dome HF unit with precision alloy wave guide. “SL” spec bass driver with 75mm integral soft dome. 9kg optimised short-coil/long gap motor assembly. In-house, hand-wound precision flat wire coil. Flat impedance curve allowing easy load for amplifiers. Veneered Finish Options – Cherry, Black Ash. Painted Finish Options – Satin Black, Satin White. 6 year warranty.

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ATC SCM19

€3,600.00

Επιλογή

ATC SCM19

ATC SCM19 high quality bookshelf speaker

ATC SCM20 The SCM20PSL is ATC’s flagship 2-way stand-mount loudspeaker and is the ideal choice in modestly sized rooms, but where performance cannot be compromised. Its sealed cabinet design ensures excellent timing, useful low frequency output below the cut-off and that the speakers can be placed relatively close to walls without excessive low frequency output or ‘boom’. Both the mid-bass driver and tweeter are handmade by ATC. The bass driver is a 6”/150mm part with huge 3”/75mm voice coil and massive, long-gap (short-coil) motor assembly featuring ATC’s proprietary ‘SL’ motor technology. The tweeter is a 1”/25mm soft-dome part featuring a dual-suspension and very high energy 2.1 tesla motor. Together, they form the basis for an exceptional 2-way monitor loudspeaker. Integrating the drivers is a 2nd order crossover featuring oversize air-core inductors which are wound in-house by ATC. Capacitors are all high voltage polypropylene film types which deliver outstanding reliability and minimal losses. The SCM20 cabinet is constructed to be heavy and inert, with bitumastic damping panels deployed at critical positions to minimise cabinet colouration. The cabinets are available in 10 different hand selected veneers; satin black/white painted finishes and also piano/white high gloss polyester. The passive SCM20 are ideally paired with ATC pre/power/integrated amplifiers. However, their neutral fidelity, outstanding resolution and modest load impedance also ensures excellent compatibility with a very wide range of quality electronics. Upgrading performance and offering a reduced ‘box count’ he SCM20 is also available as a bi-amplified active floor-stander in the form of the SCM20ASLT.

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ATC SCM20

€5,590.00

ATC SCM20

ATC SCM20 reference studio monitor

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ATC SCM50 SL

€16,000.00

ATC SCM50 SL

ATC SCM50 SL Reference studio monitor

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ATC SCM7 V3

€1,500.00

Επιλογή

ATC SCM7

ATC SCM7 V3 hi end bookshelf speaker

Audio Note AN-J-LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-J Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and vice versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note AN-J-LX

€6,790.00

Audio Note AN-J-LX

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Audio Note AN-J-LX Hemp

€7,270.00

Audio Note AN-J-LX Hemp

Audio Note ANE LX Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE LX

€9,440.00

Audio Note ANE LX

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Audio Note ANE LX Hemp

€9,950.00

Audio Note ANE LX Hemp

Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANE-SPE-HE

€12,450.00

Audio Note ANE-SPE-HE

Audio Note ANK-LX Details The Audio Note ANK-LX is a compact "bookshelf" design, using two drive units per cabinet to cover a very wide frequency response, given its modest dimensions. Unlike many "bookshelf" designs, the AN-K is relatively efficient and offers the amplifier an easy "load," making it highly suitable for our range of superior quality, low-powered valve amplifiers. The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And music suffers for it. The design of the AN-K Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utilises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder, the drivers. The cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close-matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.

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Audio Note ANK-LX

€4,910.00

Audio Note ANK-LX

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Blumenhofer Acoustics Mini

€1,450.00

Blumenhofer Acoustics Mini

Blumenhofer Acoustics Tempesta Bookshelf

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Blumenhofer Acoustics Tempesta Bookshelf

€3,400.00

Blumenhofer Acoustics Tempesta Bookshelf

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BOSENDORFER Mini Monitor

€4,690.00