Dual 460 Piano Black turntable
Dual 460 Piano Black turntable - Image 2
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Dual 460 Piano Black turntable - Image 4
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Dual 460 Piano Black turntable
Dual 460 Piano Black turntable - Image 2
Dual 460 Piano Black turntable - Image 3
Dual 460 Piano Black turntable - Image 4
Audio Note ANE-SPE-HE Details The majority of the high-end audio marketplace is occupied by ill-conceived low efficiency loudspeaker systems. These designs usually consist of several less-than-ideally matched drivers and a very complex crossover, crammed into a cabinet that exhibits the tonal and textural qualities of reinforced concrete. Their designers are blinded by the dogmatic quest for high sound pressure levels and flat response. But what of the other factors which are essential for emotionally involving music reproduction? What about coherence, full natural micro—as well as macro—dynamics, inner detail? What about LIFE? What about EMOTION? Sorry, they’re just not part of the “High Performance Audio” design brief. And Music suffers for it. The design of the AN-E Loudspeaker, by contrast, follows an altogether different philosophy. It calls for a cabinet that complements the chosen drive units, rather than fighting against them. Instead of trying to kill the resonances, we tailor the cabinet to place them in frequency bands where they aid and enhance the operation of the drive units, culminating in a loudspeaker system that makes the most of the preceding amplifier’s output. The material choice for the cabinet is an area where a great deal of research and development has taken place. Over the years, we have tried many different materials and combinations, a time consuming endeavour culminating in the current design, which utlises the highest quality birch ply for the entire cabinet. Bracing and internal damping is kept to a minimum and strategically applied to help, not hinder the drivers. The ported cabinet has been designed to be placed close to room boundaries, where the bass performance is augmented significantly by the additional reinforcement offered by the nearby walls. In this position, it will outperform any similarly sized speaker regardless of origin, thanks in part to the shallow cabinet / wide baffle shape which gives the drivers the best possible operating conditions, allowing them to perform as if they are mounted in a virtual wall. This provides the most undisturbed sound field with the widest and most even dispersion possible from a real world cabinet shape. The crossover is simple, essentially first order, hardwired and incorporates air-cored chokes and selected bipolar and polypropylene capacitors (either copper foil or silver foil, depending on model). The internal cabling consists of either 99.99% pure copper or 99.99% pure silver Audio Note (UK) wire, depending on the exact model. (See specifications.) Consistent performance is a major issue in loudspeaker design and unfortunately all drive units vary slightly from each other, even if they look the same and have the same basic specification. Many loudspeaker manufacturer’s will tell you that they provide “computer matched” crossovers, and whilst this may be true in one sense (each crossover may have been matched to have the exact same capacitance, inductance and resistance) this essentially “passive” method does not adequately take into consideration the mechanical and acoustic variance present in the drive units themselves, where minute differences in acoustic behaviour will result in quite substantial differences in performance and sound. Therefore, to obtain the best possible combination of drivers and crossovers, we have developed a dynamic matching process. This ensures that each loudspeaker in a stereo pair matches a "master curve" and also its partner, to within 0.4dB. To the best of our knowledge, no other loudspeaker manufacturer achieves such close matching and tests 100% of its production. Another much overlooked area of loudspeaker design is the material choice for the drivers. It has become very fashionable to use all manner of exotic materials (beryllium, diamond, carbon fibre, ceramics etc.) as cone materials in modern drivers, mainly because it gives the impression that the manufacturer in question is making great strides in their research into better sounding speakers. The sad fact is none of these materials work as intended, as they all have their own distinct sonic signature, so no matter how the crossover is designed, this sonic signature will be present when the speaker reproduces music. It may be less obvious and audible with some types of music, but ultimately the chosen material will always imprint some of its own signature on whatever sound is reproduced. In addition, it is vitally important that the sound and characteristics of an individual drive unit are complimentary to those of its chosen partner, so that when an instrument is reproduced by both drive units (which is almost always the case), the upper range does not sound detached from the lower range and visa versa. This is an aspect of performance that cannot be measured by even the most sophisticated test equipment; it can ONLY be judged by listening. We at Audio Note are keenly aware of this and have deliberately chosen drive units whose sonic signatures are as closely matched as possible. This has led us to favour good, old fashioned paper and Hemp paper for the woofer cone and impregnated silk for the dome tweeter. These materials, when matched correctly, marry the low and high frequencies seamlessly, providing the best level of performance possible in the real world of acoustics.
Audio Note ANE-SPE-HE 12,450.00€
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Dual DTJ 301.1 Professional device with USB function! Enjoy your old record collection in the highest quality and enjoy your memories. The Dual DTJ 301 doesn’t just play your new and old records in the usual quality, but also offers you other functions, such as the USB function for digitizing your old records or the possibility of scratching your records. The direct drive enables the target speed to be reached quickly (33/45 revolutions per minute) with a start / stop time of
Dual DTJ 301.1 360.00€
DUAL

Dual 460 Piano Black turntable

Price range: 750.00€ through 780.00€

Dual 460 Piano Black turntable

Dual 460 Αυτοματο χειροποιητο πικ-απ Γερμανιας.

Dual 460 Piano Black turntable

Dual 460 Piano Black turntable

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Κωδικός προϊόντος: Dual 460 Piano Black turntable Κατηγορία: Ετικέτες: , , , , ,
Περιγραφή

Περιγραφή

Dual 460 Piano Black turntable

Dual 460 Αυτοματο χειροποιητο πικ-απ Γερμανιας.

Dual 460 Piano Black turntable

Dual 460 Piano Black turntable

  • Πλατο Αλουμινιου τυπου sandwich με διπλο δαχτυλιδι αποσβεσης κραδασμων και αντιστατικη τσοχα.
    Υψος πλατο 18,5 mm και βαρος 1050 gram.
    Τυπος οδηγησης 12 volt μοτερ με αναρτηση και κινηση με ιμαντα.
    Auto stop στο τελος του δισκου και επιστροφη του βραχιονα στην αρχικη του θεση ηρεμιας.
    Διακοπτης επιλογης ταχυτητας στροφων 33-45-78 rpm.
    Διακοπτης Start-Stop.
    Βραχιoνας Aλουμινιου τυπου
    Cardan Bearing ULM ΧΜ 300 ΑLLOY
    Ενεργο μηκος Βραχιονα 211 mm.
    Μηχανισμος ανυψωσης βραχιονα με μηχανικο συστημα αποσβεσης κραδασμων.
  • Aποσπωμενο κελυφος κεφαλης.
    Ρυθμιζομενο Bαρος – Tracking force – antiskating.
    Κεφαλη κινητου μαγνητη ORTOFON OMB 10
    Μασιφ Ξυλινο σασι με υποσασι αλουμινιου υπο αναρτηση.
    Εξωτερικο σταθεροποιημενο τροφοδοτικο 12 volt DC
    Wow&Flutter: +/- 0,035 % Rms.
    Rumble weighted Signal to noise ratio: 78 dB.
    Tracking capability (315 Hz): 80 μm
    Συνολικη χωρητικoτητα καλωδιων συνδεσης και βραχιονα 160 pF
    Αποκριση συχνοτητας : 10 Ηz-22 Khz.
    Καπακι απο πλεξιγκλας.
    Συνδεση με βυσματα τυπου RCA.
    Βαρος: 6,6 Κιλα.
    Χρωμα: Μαυρη Λακκα.
    Πλατο / βραχιονας: Ασημι.

 

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Επιπλέον πληροφορίες

Επιπλέον πληροφορίες

Brand

DUAL
Color

piano black

,

walnut
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Sorane-Tonearm TA-1 Classic looking tonearm, machine-tooled and hand-assembled by skilled Japanese craftsmen. It features a precise detachable headshell and a gimball bearing design for excellent bass and imaging. Sorane/ All handmade and hand assembled by craftsmen Since the company's foundation in 1974, Katsuaki Ishiyama-san has established and accumulated extensive knowhow in the design and development of various tonearms and other analog equipment. Each piece is manufactured through a completely handmade and assembled process, based on his belief that fine-tuning can only be achieved through the precise and sensitive hands of skilled craftsmen. Even though modern technology such as CNC milling machines is used at their plant for basic parts production, they still rely on the expertise of their craftsmen, particularly during the assembly process. This ensures that the numerous parts achieve ideal mechanical surface contact through meticulous hand-tuning and hand-adjustment. Walden High-End Audio Products High-End Audio Brands Tonearms Sorane TA-1 Shared Features Amongst Sorane Tonearms (a) Gimbal-bearing designs for excellent bass, dynamics and imaging, as well as unconditional azimuth stability (the biggest problem for unipivots). (b) Antiskating (c) Detachable headshells to allow quick changes of cartridges, the adoption of various mass headshells (to help change the effective mass of the arms and cartridges), and the ability to mount cartridges in a well lit area, in a safe and convenient manner. (d) Machine-tooled and hand-assembled by skilled Japanese craftsmen. This highly skilled and delicate hand-assembly differentiates Sorane/Abis tonearms from similar mass-produced Japanese tonearms. Standard quality high-volume tonearms are produced by die-casting and semi-automatic assembly line processes to keep production costs low. (e) Skilled hand assembly does not simply mean “combining the constituent parts by hand”. Skilled hand assembly involves measurement, adjustment and hand-fitting to produce optimal interface between machined surfaces. Once completed, the fitment between every part is ideal, satisfying the necessary conditions for vibration-free and noise-free reproduction of analog sound. (f) Most importantly, the key to tonearm quality is highly sensitive and delicate motion, for which the bearings are the determining factor. (g) Concerning the reproduced sound from these models: The designer is confident you will get precise and clean sound, which can only be had from hand-made tonearms, but at a very reasonable price with these arms. (h) In particular, the SA-1.2 will produce rich and tight bass, coming from the extremely rigid rectangular shaped arm-wand. (i) In SA-1.2, two sets of fine radial bearings are installed for both horizontal (set in the bearing stem column in this photo) and vertical (further small bearing at tonearm wand). This assures audiophiles of smooth tonearm function, greater longevity, better consistency, and enhanced ability to track warped vinyl. (j) The same type radial bearing used in the SA-1.2 for horizontal motion is also used for the TA-1 and TA-1L, while a delicate pivot bearing is employed for vertical movement (this is still a bearing but the bearing axis end is cone shaped, and requires careful assembly and adjustment). The right side cone in this photo is inserted into the miniature bearing inner race.
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